Knives Out (2019)

• Year: 2019
• Released: 27 Nov 2019
• Country: United States
• Adwords: Nominated for 1 Oscar. 52 wins & 114 nominations total
• IMDb: https://www.imdb.com/title/tt8946378/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/knives_out
• Metacritics: https://www.metacritic.com/movie/knives-out
• Available in: 720p, 1080p, 2160p
• Language: English, Spanish, Hindi
• MPA Rating: PG-13
• Genre: Comedy, Crime, Drama
• Runtime: 130 min
• Writer: Rian Johnson
• Director: Rian Johnson
• Cast: Daniel Craig, Chris Evans, Ana de Armas
• Keywords: detective, neo-noir, investigation, whodunit, mansion,

	7.9/10
	82/100
	97% – Critics
	92% – Audience

Knives Out Storyline

The morning after his eighty-fifth birthday party held at his Norfolk County mansion with his dysfunctional family of his mother, his surviving children, their spouses, and their children in attendance, successful novelist and publishing house owner Harlan Thrombey, self-made in his wealth, is discovered in his attic study by Fran, one of the housekeepers, him dead with his throat slashed, knife in hand. Arguably the last person to see him alive was his Brazilian nurse, Marta Cabrera, the daughter of an illegal immigrant, something she has told few within this sphere. She went through her evening ritual of playing a game of Go with him and administering his medication at that time. A week later following the funeral, the local police are questioning the family members at the mansion to see what happened that night that could have led to his death, the questioning in their belief that Harlan committed suicide. The interviewees all confirm the time-line of events supporting that suicide belief. One other person at each of the interviews is famed private detective Benoit Blanc, who the family will learn has been retained as a consultant. What he fails to tell them in return is that he was hired anonymously, cash in advance. Blanc is able to bait many of the interviewees into bad mouthing other family members while being reticent to admit something that Blanc already seems to know about them, each of the family members looking out solely for him/herself. The key interview, one that happens unexpectedly, may be with Marta, who Blanc suspects was Harlan’s confidante and who cannot lie in always having the physical reaction of vomiting whenever she does. One person not interviewed in being absent is one of Harlan’s grandchildren, overly privileged Ransom Drysdale, who left the party early after having had a private conversation with his grandfather, he not being interviewed somewhat immaterial as Ransom was known to have not been at the mansion at the time of death. The nature of the investigation changes a week later at the reading of the will, where all will discover but some who were already aware that Harlan had rewritten it the week before his death, the specific changes not known until this day. With all these comings and goings, learning the full truth of what happened with Harlan may come down to discovering the unknown of who hired Blanc and why.

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Knives Out Movie Reviews

How can this film currently have a 6.8 rating when it’s one of the best pictures of the year?!

Sometimes I am shocked when I see a great film…only to see it has an incredibly low overall score on IMDB. This is definitely the case with “Knives Out”….a great film by writer/director Rian Johnson that I strongly recommend you see. In fact, I wouldn’t be surprised if this one receives some Oscar nominations…it’s that good.

“Knives Out” is like an Agatha Christie novel set in modern day America and with American characters. But it’s not just a homage to Christie-style films but a genuinely good and unique film in its own right. Kudos to many of the actors…particularly Daniel Craig. I thought Craig was miscast as a Southern American detective….but he carried it off wonderfully.

Overall, I have no complaints…nothing I disliked or would do differently. In fact, it was so good I nearly gave it a 10….and I completely enjoyed the movie.

Well worth tucking into

It was very hard to say no to watching ‘Knives Out’ and it was one of my most anticipated films since it came out. It was due to being busy and personal problems that stopped me from seeing it sooner. A lot drew me in to watching it. Absolutely love murder mysteries and seeing a lot of comparisons to one of my favourite authors Agatha Christie and the starry cast were reasons enough for me to see it, as well as the great reviews.

Found myself really enjoying, if not quite loving, ‘Knives Out’. Can understand why it may not be for all, if one doesn’t like seeing and hearing the truth much earlier on than they would expect, and it is easy to see the ridiculing for Daniel Craig’s Southern accent (which is admittedly atrocious). Can totally understand its appeal and why it was so positively received though, because to me it was a well made, well acted and cleverly written film that shows that director Rian Johnson does have a great film in him. While not perfect or one of the best films ever made (though was not expecting ‘The Godfather’ or ‘Casablanca’ etc), it is a long way from being a 1/10 film, putting it down there with most of the films riffed on MST3K, films from SyFy and the Asylum, ‘Home Alone 4’, ‘NeverEnding Story 3’, ‘Titanic: The Animated Movie’ and the Baby Geniuses films is insulting. As far as 2019 goes, it is towards being one of the better films of that year if not one of the very best.

‘Knives Out’ had potential to be even better than it was. If it didn’t overdo or repeat too much the vomiting running gag and slowed the final solution down (a suitably complicated one that is explained a little too fast for my liking) it would have been a better film.

Wouldn’t have said no to the truth (well some of it was) being revealed later than it was, though even when it was placed when it was it was still in the final solution not at all what things initially seemed. The film is a little overlong as well.

However, so much works here. ‘Knives Out’ looks great, full of atmospheric colour, beautiful locations (the interiors of the house are especially atmospheric), stylishly photographed and slickly edited. Nathan Johnson’s score has menace and energy, without feeling overused or over-scored. Johnson directs expertly with a clear love for the genre being sent up.

It is a cleverly scripted film too, shining especially in the smart and affectionate 70s murder mystery throwbacks and deliciously salty one liners and insults from Ransom. The story never felt dull to me and even when things seemed obvious too early some ingenious unexpected twists are brought in. Can totally see how Johnson was so influenced by Christie’s writing, evidenced from as early on as the terrific opening sequence and with Christopher Plummer’s patriarch character (a type of character seen frequently in Christie’s books). A fine example of how to bring freshness to a very familiar genre often visited, while the final solution is incredibly clever though demands full attention.

Moreover, the ensemble cast, one of the best from that year, clearly have a ball. There is some delicious deadpan but also some inspired but not overdone scenery-chewing. Accent aside, Craig does a great job breaking away from his Bond image and revels being comedic in a laconic way. Plummer (RIP) is perfectly cast and while his screen time is not large he makes the absolute most of it. Ana De Armas has one of the most difficult roles and shows no signs of being taxed. Jamie Lee Curtis, Toni Collette, Don Johnson and Michael Shannon all give it everything they’ve got. My favourite performance came from Evans, also breaking away from typecasting, he was never this witty or salty.

Overall, very, very good. 8/10

Fun, albeit no classic

KNIVES OUT is another comedy blockbuster based on the classic ‘old dark house’ style murder mystery plot that was once popular in the 1930s. The last time we had a wave of such movies was in the ’80s, when the likes of CLUE was doing the rounds. This is a fairly amiable and enjoyable example of the genre, graced with a large ensemble cast each striving to out-perform one another, a fast pace and never a slow moment. Inevitably the plot itself feels quite artificial at times and stretches credulity on more than one occasion, but at least there are enough likeable or amusing characters and enough genuine surprises to keep you involved in what’s going on. As for Daniel Craig, I have a suspicion that this is an easy kind of performance in a role that could be played by any actor, but he’s funny enough in the part.