RRR (2022)

• Year: 2022
• Released: 25 Mar 2022
• Country: India
• IMDb: https://www.imdb.com/title/tt8178634/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/rrr
• Metacritics: https://www.metacritic.com/movie/rrr
• Available in: 720p, 1080p,
• Language: Telugu, English
• MPA Rating: Not Rated
• Genre: Action, Drama
• Runtime: 187 min
• Writer: Vijayendra Prasad, Sai Madhav Burra, Madhan Karky
• Director: S.S. Rajamouli
• Cast: Ram Charan, N.T. Rama Rao Jr., Ajay Devgn
• Keywords: period drama, revolution, historical, british empire, liberation,

	8.1/10
	87/100
	91% – Critics
	94% – Audience

RRR Storyline

During the British era Malli a small tribal girl is taken away by British governor Scott Buxton and his wife Catherine against the wishes of her parents.A Rama Raju an Indian cop who works for the British army for him duty comes first and is very ruthless to revolutionary Indians but he is never credited for his due by British government.The British government find that a tribal Komaram Bheem who considers Malli his sister has started his search for her and could be an obstacle for the British army.The governor and his wife announces a special post for any officer who can bring Bheem to them,Rama Raju decides to take the matters in his hand and promises the government to bring him dead or alive.Bheem by now has reached he city in search of Malli and pretends to be a mechanic Afzal during a train accident on lake he and Rama Raju risk their lives and save a kid and become best of friends.But both man will clash with each other and will be thirsty for each other’s blood to complete their missions.

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RRR Movie Reviews

If you’d like to see an Indian movie and aren’t just looking for romance, this would be a good place to start

The Cinemark near me has started to show Indian movies. Not feeling like sitting home tonight, I decided to catch this one, and luck was with me.

My image of Indian movies, I confess, was that they were mostly musicals centering around a love story involving a very beautiful young woman and a very handsome young man, with lots of elaborate, high-energy dance numbers to keep things going.

There is a love story here, but it’s not the focus of the film. There are also a few large and very impressive dance numbers, but only a few. (The men’s dancing, extremely athletic, astounded me.)

Rather, this movie focuses on the story of two young men in 1920s India who, each in his own way, are fighting against the English occupiers.

The English are portrayed as inhuman monsters. Very often, they made me think of the worst atrocities committed by the Germans in France during World War II, or the most rabid racists in the American South. The first time we see the two male leads dancing, a link is indeed made between the Indians and what appear to be Black American musicians.

Every time the Indians manage to take revenge on the English for their inhuman abuse of the Indians, you cheer – but at times I wondered if I would have cheered watching a parallel movie about Blacks taking revenge on white racists who had mistreated them in the American South, especially if I had been in a movie theater where, like tonight, I was the only audience member who did not belong to the oppressed population. Imagine Spike Lee, for example, able to make a movie in which he did not have to worry about selling tickets to whites as well as Blacks, and you have some idea of how anti-British colonials this movie is. It is the difference between a society in which the oppressor was a small minority of the population vs. Here, where Blacks are a minority of the American population. I don’t want to push this comparison too far. The movie only makes the connection in one scene. But this is very definitely a movie that focuses on the story of a brutally oppressed people seeking freedom from an inhuman oppressor, rather than just a series of dance numbers.

I don’t speak any of the Indian languages used in the movie, but I had no problem following what was going on with the subtitles, which were almost always easy to read. I’m sure there were cultural references I didn’t catch, however, especially at the end in the final big dance number, which seemed to be presenting India as a nation of different regions and cultures all united in one.

The director and cinematographer definitely deserve praise. There was one very striking visual image after the next, especially during the battle scenes. Ram Charan, dressed as a “native warrior”-if that term means anything anymore-flying through flames was breathtaking.

So, if you’ve even been curious about Indian movies, give this one a try. Yes, it’s three hours long, but trust me, the time goes flying by. This is truly an action movie, a mixture of visual fantasy and often very graphic realism that held my interest to the end.

SS Rajamouli Delivers A Power Packed Action Entertainer Once Again, Made Only For Big Screen !!!

The last time director SS Rajamouli managed to wow the audience was in 2017 with the film Baahubali: The Conclusion. It took him 5 long years for him to conceptualise his next film RRR, shoot and bring it to the silver screen. Pulling off a multi-starrer with Jr NTR and Ram Charan in the lead roles might seem an accomplishment in itself. But Rajamouli manages to deliver even when it comes to the story.

RRR is set in the 1920s and revolves around the lives of two revolutionaries – Alluri Seetharama Raju who waged an armed campaign against the British and Komaram Bheem a tribal from the Gond tribe who fought against atrocities heaped on his people. There is no historical evidence to show that the two ever met or fought together but Rajamouli reimagines history and weaves a story around their meeting.

RRR runs on a relatively simple premise. There’s ‘fire’ – an angry, young police officer Ramaraju (Ram Charan) who is both revered and feared by the British. He has done their every bidding for years, he is the one they sic on anyone they want to capture and yet, he is the one who’s never given enough respect due to the colour of his skin. Then there’s ‘water’ – sweet, simple, innocent Bheem (Jr NTR) who has brute strength but uses it only when it serves his purpose. He’s a Gond tribal who has come to the city to rescue a young girl called Malli, who was taken away by Lady Scott (Alison Doody), to be the singing doll ‘on (her) mantelpiece’. But that is just the beginning of the tale.

Rajamouli’s new calling cards seem to be building new world. Because, despite being based on two revolutionaries from history, RRR has a story that’s completely fictional. Delhi of the 1920s becomes his new canvas. Bheem might have fought against the Nizams, so much so that one of them finds it imperative to warn the British that he’s not to be taken lightly. But he also finds shelter with Muslims in Delhi. Ramaraju might seem like a well-trained soldier who will follow instructions blindly but he also seems to have a past no one but his uncle (Samuthirakani) knows about. Scott (Ray Stevenson) might believe ‘brown rubbish’ deserve even a bullet to be wasted on them but Jennifer (Olivia Morris) seems more empathetic. This is not the freedom movement where you turn the other cheek, this is the one where you use your hands as weapons.

The first half of RRR runs like clockwork. There’s the emotional core in Malli, there’s the song and dance with Naatu Naatu (it’ll make you smile) and a friendship explored through Dosti, there’s even a few laughs whenever Bheem tries to befriend Jennifer. Cinematic liberties are taken but they don’t seem as noticable as in the later portions, half where the film falters a bit. The way Ramaraju’s fiancé Sita (Alia Bhatt) is woven into the narrative, apart from Ram Charan’s transformation to another look also seem forced in a tale that was smooth sailing. After the way Bheem is set up effortlessly despite nothing much being told, the way Ramaraju’s story unfolds seems strained. The climax leaves more to be desired. The good thing however is that the film manages to surprise you. Rajamouli also manages to use certain tropes set up in the initial portions of the film in the latter portions cleverly.

None-the-less Rajamouli manages to pull off something people have been pining for – a commercial, action drama that will keep you thoroughly entertained – which it does. The length also doesn’t prove to be a hindrance, thanks to a tight screenplay. The VFX in certain portions could’ve been better. Jr NTR pulls off his career’s best performance. He’s charming as Bheem, especially in the emotional bits and his desperation to find Malli comes through well, so does his love for Ramaraju. Ram Charan also does well, pouring soul into the transformations his character goes through. Tarak and Charan’s roles require them to have chemistry, which they do. Alia Bhatt, Olivia Morris, Samuthirakani, Ajay Devgn, Shriya Saran and others play their parts well. Olivia in particular manages to win your heart. Alison and Ray breeze through their roles. Keeravani’s OST for the film might not be for everyone but he does well with the BGM. Senthil’s camerawork is a delight too.

RRR is made for a big screen viewing. The cinematography and visual aesthetics paint every frame in a radiating manner. Oodles of flamboyance is something one has come to expect from Rajamouli now. The background score thuds with relentless urgency and repetition, unapologetically melodramatic and quite smitten with itself. It numbs us into submission but post-interval as the pace falters a little, the pleasures dwindle too.

RRR is perfection by any means because after the way Rajamouli pulls off certain scenes, you wonder if he could’ve done a better job in others. But watch this one this weekend if you’ve been longing for a good action packed drama. Especially so if you’re a fan of the lead duo.

When the movie ends, it was like completing the festival celebration

RATED 10/10 Language: Telugu Media Partner: Zee5 Source: Nil HIGHLY RECOMMENDED

Movie starts with two hero introductions, that itself like full meals satisfaction…Really the trailer shown the 30% of the movie, it has much more action blocks and goosebumps moments in the movie… its real double treat. Mass moments also doubled with dual heroes… Naattu song is the cherry on top, whole theatre goes mad on this one… the interval block action sequence is real jaw dropping one, even though we can guess this one, but cant guess the scale…

Second half starts with bit slow flashback, but it picks up to the peak immediately. Second half has more sentiments and more screen space for RC. RC outshines NTR in lot of places… All the action blocks are gravity defying but enjoyable…. After credit Janta song has cameo from Rajamouli. When the movie ends it was like completing the festival celebration….

Exceeding expectations in all aspects….