Baahubali 2: The Conclusion (2017)

• Year: 2017
• Released: 28 Apr 2017
• Country: India
• Adwords: 27 wins & 15 nominations
• IMDb: https://www.imdb.com/title/tt4849438/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/baahubali_2_the_conclusion
• Metacritics: https://www.metacritic.com/movie/baahubali-2-the-conclusion
• Available in: 720p, 1080p,
• Language: Telugu, Tamil, Hindi
• MPA Rating: Not Rated
• Genre: Action, Drama
• Runtime: 167 min
• Writer: Vijayendra Prasad, S.S. Rajamouli, C.H. Vijay Kumar
• Director: S.S. Rajamouli
• Cast: Prabhas, Rana Daggubati, Anushka Shetty
• Keywords: kingdom, bilingual,

	8.2/10
	86% – Critics
	86% – Audience

Baahubali 2: The Conclusion Storyline

Upon listening to a narrative of his parents’ love story and the treachery that led to his father’s death, Shiva, the son of Bahubali, must claim his place as the rightful heir to the throne of the Mahishmati Kingdom, but first, he must avenge the injustice committed against his parents and people.

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Baahubali 2: The Conclusion Movie Reviews

Baahubali 2: The Conclusion (2017)

The movie was fantastic. Everyone acted very well in the movie. VFX and Graphics in the movie was amazing. Songs and BGM in the movie was superb. Amazing movie.

Historic! Best Ever Magnum Opus and Commercial Film in The History of Indian Cinema

BAHUBALI : THE CONCLUSION REVIEW – A film which has taken Audience anticipation to next level finally released today and how can i miss FDFS? No way, Prequel released 22 months ago and everyone is waiting for the film since then and Film actually Worths that wait. Bahubali2 sets an Example for every Filmmaker in India that how to make a Complete Commercial film for all kind of audience. Almost all Highest grossing Indian films had quality and that quality was converted into commercial success but Bahubali does not have Quality, instead It Is The Best Commercial Film in The History Of Indian Cinema. Let me Elaborate.

Acting- Acting field does not offer anything as characters got nothing to do as an Actor but their Style, Attitude and Passion is Perfect.

Writing – Story also does not offer anything new, but you will get a satisfying answer to why Katappa killed Baahubali.

Screenplay – Outstanding. It offers every upcoming ordinary scene in Extraordinary Fashion. Completely gripped First half with Full dose of Entertainment. Comedy, Action, Claps, Whistles, Goosebumps everything is there. Second half is story oriented and takes pace in last 1 hour.

Music- Music is Dull, don’t know why they added songs in this Film? Completely Useless, perhaps the only time when you can leave your seats for a while. But Background score is Brilliant, it is used only in important scenes and it leaves you with Jitters.

Cinematography -Cinematography is of a whole New level, can’t imagine this kind of Excellent camera work.

Visual Effects – It’s a visual treat to watch Grand and eye pleasing locations and War scenes. Surely gonna swap all awards for VFX.

Direction – After watching Bahubali 1 and 2, i hereby declare SS Rajamouli “The Best Commercial Director In India.” What a Vision and what an Execution, it is something that’s beyond imagination of every good director in India. Some typical south flavor massy scenes are there but forgettable because of many never seen before scenes. Let’s take a moment and Appreciate Rajamouli sir for making best ever Historic and Epic Commercial films in the Indian cinema History. After this Film i’m excited what’s his Next? I mean just can’t stop thinking about his Direction Skills.

Final Words – Overall Bahubali The Conclusion is a MUST WATCH film for Every Indian Who always complaints that our industry can’t make Magnum Opus films like Hollywood. This films worth double, triple of whatever your ticket rate is. This film will have highest Repeat Value in this 21st Century. I didn’t like Bahubali1 that much still it became Highest Grossing Indian Film, so at Box Office Bahubali2 has no Limits. Just Go for it and enjoy this Historic film, once, twice, thrice or more times. Commercially 10/10, critically 6/10 so i’m going with 8/10* to balance it.

Concludes With High Drama, Faulty Action, And Authentic Emotions. ♦ Grade C+

The frenzy and thirst for more that the first part started and caused in 2015 had to be quenched by content that has more power, more action, and more grandeur. This epic romantic drama, which is South Indian director S S Rajamouli’s eleventh feature film, has the combined effect of all these factors, but is unsurprisingly let down by lack of logic.

Resuming exactly where the first part ends, the story follows king- slave Kattappa’s (Sathya Raj) narration of the past events that occurred in the Mahishmati kingdom and how they directly led to its degeneration under the rule of the foxy and narcissistic Bhallaladeva (Rana Daggubati). Shiva (Prabhas), upon realizing his lineage, has to save the kingdom now and settle some scores…

Predictability is all over the place as you follow the flashback story involving Bahubali (Prabhas), who uses a method previously sampled by the protagonist in the 2005 Tamil film “Ghajini”, to woo Devasena (Anushka Shetty), the fiery queen of a nearby smaller kingdom. Bahubali, with ample help from Kattappa, fool around with Devasena, as humor and borderline slapstick enter the concoction (but do not stay for long), which soon shifts to high drama as the lover boy’s brother, Bhallaladeva, now has his eyes on Devasena. It’s a ploy actually, which he masterminds with help from his crippled father, Bijjaladeva (Nassar). What ensues is a game of shifting, smarmy egos and value of integrity between Bahubali and his aunt, Sivagami (Ramya Krishnan), whom he regards as his mother. How things take a swift turn to what led to the events in the first part is what essentially the first two hours of this film is. It is up to Shiva to bring back the kingdom’s glory by doing what is right: unshackle Devasena, his mother, and take back what is lawfully his.

There is enough substance for an average film-goer to look at and appreciate here. Starting from the opening credits, which poses as a prologue and a visual narration of the first part so that you can brush up, to the high-octane stunts that defy logic and science to derive magic, the good old melodrama, and an obvious yet satisfying answer to the eternal question derived from part one’s climax. While Bahubali 1 banked on structural storytelling and a pretentious climax to hook its viewers, Bahubali 2 uses more firepower and style. On that front, it is imperative that we give the makers full marks for efforts and storytelling. Romance between Bahubali and Devasena is strictly martial, but is still palpable to our hungry senses. As is evident from the loads of social media mentions lauding both of these characters’ authenticity and idealism, if there is one thing that you will take away from the Bahubali films, it is the virtues that these characters adopt and explicitly endorse. Also, there is this faint sampling of didacticism swaying around in the plot – whether it is trying to erect a feminist character like Devasena or showcasing the brutal kingdom affairs of the bygone era or the sexist nature of things – the pedagogical element is present, making the film overwhelming to some.

Having said that, there cannot be any excuse to the substandard CGI that is at show here. The degree of implausibility blows through the roof, yet it’s the heroism that comes to the rescue in every single frame. Why the characters do not succumb to their injuries may be retorted by mythological and religious references, but for a learned viewer, there are going to be issues with the film. Weighing these issues with the grandeur and volumes of melodrama makes us reach to a conclusion which is slightly positive, only if you consider the entertainment value.

Director Rajamouli’s storytelling should be lauded, and film students may want to take notes. He directs his cast well, and in order to describe them, we must first appreciate the casting. I cannot imagine anyone else playing these characters with such finesse and fidelity. Prabhas is magnificent in his portrayal as the hero of the people, and puts up a tireless show in both the films. His nuanced performances as Shiva and Bahubali – two characters with little difference – can be counted as one of the biggest defining factors of the franchise’s success. Same goes for Daggubati as the classic villain. However, if I had to choose one star who shines like the greatest of all, it is Shetty, with her electric performance as Devasena. Sure, Bahubali supports her as the independent woman that she is, but her idiosyncratic stances on causes that matter to her, and her dialogues are all so defining (and relatable to the recent feminist uprising), it will be harder to not understand why she is the cinema character of the year. Nasser and Krishnan are equally good, but Sathyaraj is the man who will be remembered for his role and portrayal ten years for now, after Prabhas.

Overall, there is enough for viewers to both love and hate here. Which side you delve into more depends on how you perceive the sequences that make up the film. If you are someone who judges a film’s watchability on the basis of its score, screenplay, and cast performance – then this is going to be a fun affair. If you aim for the plot holes or the poor CGI, then disappointment is going to be your friend.

BOTTOM LINE: S S Rajamouli’s “Bahubali – The Conclusion” is a tightly-packed doll of goodies about kings, queens, love, and deceit that will entertain you most of the time. Arguably, one of the most entertaining films of 2017, if you choose to watch it, do it on the big screen. Go for a weekday show!

Can be watched with a typical Indian family? YES