The November Man (2014)

6.2/10
38/100
36% – Critics
46% – Audience

The November Man Storyline

In Lausanne, Switzerland, retired CIA agent Peter Devereaux is visited by his former chief John Hanley, who convinces him to extract agent Natalia Ulanova from Russia. Natalia is the assistant of the Russian candidate for President Arkady Federov and has collected evidence of war crimes committed by the candidate during the Chechen War and requested Peter to help her. However, during the operation, CIA chief Perry Weinstein believes that Natalia has been captured by the Russians and orders agent David Mason to kill her. Natalia gives photos and the name Mira Filipova to Peter before dying, and the agent informs Hanley. Peter kills the CIA agents, but when he sees Mason, he spares the agent who was trained by him. When Mason meets Weinstein, he learns that Peter and Natalia had a love affair in the past, and the agent is assigned to kill him. Peter heads to Belgrade, where he saves the social worker Alice Fournier who might know where Mira is from Federov’s assassin Alexa and from Mason. Soon Peter learns dirty secrets about Arkady Federov and the CIA and has to flee with Alice to save their lives and expose the crimes to the world.

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The November Man Movie Reviews

I’d say it’s better than about half of the James Bond movies.

‘THE November MAN’: Three and a Half Stars (Out of Five)

Spy thriller starring Pierce Brosnan as an ex-CIA agent who must take on an old pupil, when his former employers kill the woman he loves and target him for assassination. The movie was directed by Roger Donaldson; who’s directed such popular hits as ‘COCTAIL’, ‘CADILLAC MAN’, ‘THE BOUNTY’, ‘SPECIES’ and ‘DANTE’S PEAK’ (which also stars Brosnan). It was written by Michael Finch and Karl Gajdusek and based on the book ‘There Are No Spies’ (which is the seventh installment in ‘The November Man’ series) by Bill Granger. It costars Luke Bracey, Olga Kurylenko, Bill Smitrovich and Will Patton. I found it to be pretty entertaining and surprisingly dark, and violent, but still nothing too new or interesting to offer fans of the genre.

Brosnan plays Peter Devereaux; an ex-CIA agent who retired after a student of his, David Mason (Bracey), accidentally killed a kid (while the two were doing an assignment together in Montenegro). Since that time Peter has started a relationship with another CIA operative, named Natalia Ulanova (Mediha Musilovic). He comes out of retirement to aid her on a deep cover assignment in Russia, when she’s murdered by Mason; under the orders of CIA chief Perry Weinstein (Patton). Peter then wants revenge on the CIA, for killing Natalia, and will stop at nothing to find out what vital information she uncovered and why she was killed for it.

The story is that of a pretty routine espionage thriller but it does take some pretty dark turns, here and there. Both Brosnan and Bracey’s characters do some pretty questionable ‘anti-heroic’ things that, at times, leave the viewer questioning who they’re supposed to root for. So in that way I really enjoyed the movie. Brosnan does slip back into the ultimate spy role with plenty of ease and Donaldson does a pretty effective job delivering the action. Kurylenko looks stunning as usual (and even uncannily resembles a young Catherine Zeta-Jones in some scenes). The film might not have much original to offer, fans of the genre, but it’s still a lot of fun; I’d even say it’s better than about half of the James Bond movies.

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Best Pierce Brosnan 007 that never was.

Very slick, quite harsh and brutal in parts, and sustains suspense throughout; however, still essentially nearly totally predictable as it is built around a plot and stereotypical characters that have been done a thousand times before.

From a political point-of-view, it wouldn’t be unreasonable at all to consider this movie well-polished anti-Russian propaganda, although I’m not super bothered by this, since I’m not a big fan of mother Russian right now anyhow.

Pushes all of the right emotional buttons appropriate to a male fantasy of supreme macho competence. Pierce Brosnan plays a better and more realistic 007 than he ever did in any actual Bond film, insofar as you can use the term realistic with a film like this. He seems to have aged well into this kind of role. Now maybe we should dump the dour and pretentious Craig and return to Brosnan as an older, but better and wiser agent On Her Majesty’s Secret Service (just an idea folks).

For what this film intends to be, I think it succeeds very well, so I’ rating it pretty highly, although ultimately there is nothing here to really make you think. If you’re looking for a pretty relentless but not utterly ridiculous action movie, you might want to give this a shot.

Everything dies

The November Man feels like a reheated spy action film. A second rate Bond with some added touch of a John Le Carre conspiracy. It offers nothing much that is new or exciting.

Peter Devereaux (Pierce Brosnan) is a CIA agent that called it quits in 2008 after a botched job when his young reckless protege Mason (Luke Bracey) shoots a child dead.

Five years later Devereaux is brought out from the cold by his handler Hanley (Bill Smitrovich.) He has to protect a Russian informant who has the dirt on the next would be president of Russia, that he once plotted with the CIA.

Events go south as the informant is killed. Devereaux now needs to unravel the conspiracy which might lead to his employers and is now hunted by a Russian assassin as well as Mason.

There are shades of The Mechanic as Devereaux has to face off with the younger rival that he trained and who has taken his place at the agency. The film displays some appalling sexism. Hanley makes an off colour slur on a female that should had been left in the cutting room floor. Another female character has to don a gratuitous revealing costume to get near her mark.

This is a thriller made on a modest budget. It is all shot in some East European country. There are enough action and thrills to make this a serviceable film with a few well worn twists. You just know that both Brosnan and director Roger Donaldson once made bigger budget and better films.