Coco (2017)

8.4/10
81/100
15% – Audience

Coco Storyline

Rebellious Miguel, a twelve-year-old Mexican boy and hopeful musician, can’t understand the family’s continuing ban on all music, especially when his icon and the greatest guitar player ever, the deceased Ernesto de la Cruz, is the town’s hero. However, when an inadvertent mistake on the sacred Day of the Dead magically transports Miguel to the distant and bustling Land of the Dead, the scoundrel skeleton, Hector, will lead the way through the vibrant underworld to help the young trespasser find a missing ancestor. But can they do it before sunrise?

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Coco Movie Reviews

What’s not to like?!

I am very glad I saw “Coco” and understand exactly why it won the Oscar for Best Animated Feature, as it’s terrifically entertaining, fun to watch…and quite touching as well.

The story is set around Día de Muertos, the Mexican Day of the Dead. Miguel is a nice little boy whose family, inexplicably, HATE music and insist he never can grow up to become a musician. And, wouldn’t you know it, but that’s EXACTLY what the boy wants to become one day. But after destroying his homemade guitar, he is unable to enter a music contest…so he decides to take one from the local cemetery. Not surprisingly, this creates all sorts of problems…and Miguel is transported to the land of the dead. What’s next? Just see the film!

The CGI for this film is simply the best you’ll currently find…putting it well above the quality of competing studios, such as Universal and Fox. In addition, the scope of the images is just breathtaking….and a treat to see on the big screen. Additionally, the songs, story and characters are all lovely. One warning, however, is that this film will very likely start you crying now and again…be sure to have some tissues nearby, just in case. A must-see film.

It is absolutely a celebration of a lifetime

Have always loved Pixar, and really like to love most of their films (all three ‘Cars’ films and ‘The Good Dinosaur’ are my least favourites, and although the second ‘Cars’ had a lot of problems for me the third one is the only less than average one).

As for favourites, they are all three ‘Toy Story’ films, ‘Inside Out’ and ‘Up’, love ‘Wall-E’ and ‘Finding Nemo’ as well. After seeing ‘Coco’ yesterday, hearing nothing but great things about it and seeing the near-universal critical acclaim, from personal opinion (and many others it seems) it is right up there with the Pixar masterpieces. Would go as far to say it is easily their best since ‘Inside Out’, which is saying a lot since the films between that and this were lesser Pixar efforts (enjoyed ‘Finding Dory’ though, though it is a long way from being one of Pixar’s best).

‘Coco’ is one of the longest Pixar films, clocking in at nearly two hours, but it sure didn’t feel like it. Seeing it in the cinema, the audience was a quite large one, if on a side note not as many as thought. With it being a family film, the weekend and that it was only released three days ago, part of me was thinking it would be sold out. Throughout everybody, children and adults alike, was laughing, in awe and crying. It is also a different Pixar film, with a unique setting and that it is more music/song-oriented, and has replaced ‘Inside Out’ as their most mature and in depth, with themes that are remarkably daring and relevant.

Lets talk about what is so brilliant about ‘Coco’. The film is a triumph when it comes to visuals, one of Pixar’s best-looking easily. The animation throughout is absolutely spectacular, whether in the real world or the Land of the Dead. The colours are so vibrant and atmospheric and there is so much gorgeous detailing in the backgrounds, nuances in the way the characters look and the skeletal designs and movements have amazing dexterity that is both clever and ghoulish.

Just as triumphant is the music. Michael Giacchino’s score is one of his best and most multi-layered, capturing the spirit of Mexico in a way that’s celebratory. The songs are similarly infectious, “Remember Me” is not just a beautiful song but it has a great, upbeat message and adds a lot to the story.

The writing has so much spirit, poignancy and entertainment value. The jokes are sophisticated and amusing, neither childish or repetitive to me and Dante is both adorable and funny, and the emotional elements are truly heartfelt, especially in the last act. The story is bright and breezy in pacing, despite the fairly long length one doesn’t feel it. The Mexican culture and family values were clearly comprehensively researched and the film feels like a warm, fun and heartfelt tribute and celebration to culture, family, music and even Latino cinema in the Golden Age (the latter proving crucial to the revelation of a major plot twist).

Not since ‘Inside Out’ has a Pixar film made me laugh and bring tears to my eyes as much as ‘Coco’ did, not since ‘Paddington 2’ has a film’s ending leave me sobbing. The relationship between Hector and Miguel has a huge amount of heart and complexity, one can understand the point of view of the Rivera family (living and dead) and the macabre elements are very imaginatively realised.

The twists in particularly the last act keep coming, mostly unexpected and all very clever. Some elements of the reveal with Ernesto were not that surprising (Pixar have done similar and it is fairly clichéd, my one slight criticism with ‘Coco’ but found it easy to overlook) but none of it was guessable too early and it was extremely well done and tense regardless.

All the characters are fully formed and have strengths and flaws. Hector was the most fully rounded and provided the most heart and a lot of us are likely to find ourselves in Miguel and his aspirations. Imelda is also memorable as a character and the chemistry between all the characters is realised beautifully too.

Voice acting is first rate, especially the remarkably multi-faceted contribution from Gael García Bernal as Hector. Anthony Gonzalez also voices with spirit and emotion, Alanna Ubach achieves a balance to Imelda of not wanting to get on the wrong side of her and having a caring side and Benjamin Bratt shows a side that one is surprised is in him.

In summary, truly amazing and a celebration of a lifetime. One of the most deserving recipients of a perfect score in a while. 10/10 Bethany Cox

imaginative world, appealing characters, compelling adventure

In Mexico, a girl’s musician father leaves the family in search for fame and never returns. Her mother Imelda Rivera bans all music and goes into shoe making. The little girl grows up and becomes Miguel’s senile grandmother Coco. The family follows Imelda’s footsteps into shoe making and music hating. Miguel reveres late music legend Ernesto de la Cruz and secretly aspires to be a musician. When he tries to steal Ernesto’s guitar, he falls into the land of the dead and reunites with his dead ancestors.

This is an imaginative world with appealing characters and a compelling adventure. It has the terrific Pixar animation. Basically, it hits all the right notes and ends with a tear jerking climax. The has been animated movies about the Day of the Dead which may be diluting some of the impact. It is nevertheless quite a fun movie for the entire family.