The Grand Budapest Hotel (2014)

• Year: 2014
• Released: 28 Mar 2014
• Country: United States, Germany
• Adwords: Won 4 Oscars. 134 wins & 226 nominations total
• IMDb: https://www.imdb.com/title/tt2278388/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/The_Grand_Budapest_Hotel
• Metacritics: https://www.metacritic.com/movie/the-grand-budapest-hotel
• Available in: 720p, 1080p,
• Language: English, French, German
• MPA Rating: R
• Genre: Adventure, Comedy, Crime
• Runtime: 99 min
• Writer: Stefan Zweig, Wes Anderson, Hugo Guinness
• Director: Wes Anderson
• Cast: Ralph Fiennes, F. Murray Abraham, Mathieu Amalric
• Keywords: 1960s, hotel, 1930s, author, gunfight,

	8.1/10
	88/100
	92% – Critics
	86% – Audience

The Grand Budapest Hotel Storyline

A teenage girl visits the monument of the writer who penned the book, “The Grand Budapest Hotel”. In 1968, that author was inspired to write the book when he visited that hotel, located in the European mountainous country formerly known as Zubrowka. Once a luxurious hotel, it, in 1968, has fallen on hard times. The author meets the then current owner, Mr. Zero Moustafa (F. Murray Abraham), who recounts the story of how he became the hotel’s owner and why he holds onto it and keeps it open despite it obviously making him no money. Zero’s story begins in 1932, when the hotel was in its golden era. Zero (Tony Revolori) was the novice immigrant lobby boy, who, like all the other hotel staff, was under the guidance of M. Gustave (Ralph Fiennes), the devoted concierge. Gustave aimed to please, he giving the guests whatever they wanted, especially the wealthy blonde women. The story largely revolves around one of those women, the wealthy Madame Céline Villeneuve Desgoffe-und-Taxis – better known as Madame D. (Tilda Swinton) – her opportunistic son Dmitri (Adrian Brody), the bequeathing of a valuable painting called “Boy with Apple” to Gustave, the mysterious circumstances surrounding her death which is initially pinned on Gustave, and the attempts of Zero, his girlfriend – a baker’s assistant named Agatha (Saoirse Ronan) – and others to clear Gustave’s name while Dmitri does whatever he needs to get what he believes is rightfully his, namely the painting.

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The Grand Budapest Hotel Movie Reviews

Strange and pretty much impossible to describe.

Wes Anderson’s films are really hard to describe or define. Suffice to say that he is unique in his style–very unique. This uniqueness is what makes “The Grand Budapest Hotel” worth seeing. It’s an odd story where a story is told within a story–and it’s filled with famous actors making lots of odd cameos. And, like Anderson’s other films, it’s full of odd characters, unusual dialog and brisk-paced editing. And, not surprisingly, it’s NOTHING like other films by other directors.

The bottom line is that all these weird factors work together to make a film that you’ll probably enjoy–but, like me, you won’t be exactly sure why!

A hotel well worth revisiting more than once

That it was directed by Wes Anderson (who has a unique style that really fascinates, but admittedly not everybody will like or warm to his style) and that the cast is so stellar were reasons enough to see ‘The Grand Budapest Hotel’ in the first place, as well as its many accolades and critical acclaim.

While it isn’t quite flawless, and it is easy to see why a number of people don’t like or will not like it (due to a lot of the cast’s roles being pretty short, only Gustave and Zero being fully fleshed out of the characters and those who have a problem with Anderson’s style), ‘The Grand Budapest Hotel’ is a visually stunning, hugely entertaining, wonderfully weird and impeccably cast and acted film.

It really stuns visually, with cinematography that is not only clever in technique but also gorgeous in aesthetic and tight, fluid editing. The costumes, production design and hair and make-up richly deserved their Oscar/Academy Award wins, the costume and production design have a lusciously colourful fairy-tale feel while also given substance by the bleakly atmospheric quality that reflects the crime drama aspect of the story brilliantly.

Alexandre Desplat also received an Oscar, and with its hauntingly hypnotic and entrancing tones it richly deserved it as to me it was by far the best score of those nominated. Anderson directs superbly, the story balances darkness and quirkiness to great effect (the prison scene is unforgettable) and it’s never too simplistic or convoluted (though of course the visuals, dialogue and performances make much more of an impact) and the screenplay is a sublime mixture of the dark, the quirky, the witty and the subtle delivered with rapid-fire.

‘The Grand Budapest Hotel’ boasts an impeccable cast and pretty much everybody does a splendid job, though many of the roles are short. My only criticism of the film is that Harvey Keitel and Saoirse Ronan are underused and just get lost amongst everything else, an unrecognisable Tilda Swinton also has little to do but still gives a bat-out-of-hell performance.

Bill Murray, F. Murray Abraham, Jeff Goldblum, Jason Schwartzman and Owen Wilson give very entertaining performances, while Edward Norton is delightfully droll and Adrien Brody and especially Willem Dafoe bring sinister foreboding to the film. Some may say that Tony Revolori is overshadowed by the more experienced cast members (being the only newcomer in a large cast of big names), but to me he more than holds his own and effectively plays it straight. The film belongs to Ralph Fiennes, in what is essentially the heart of the film, while he has always been a fine actor he has not given a performance this brilliant in years, never knew he could be so riotously funny.

In conclusion, a wonderful film and a hotel well worth revisiting more than once if to one’s taste. 9/10 Bethany Cox

Quirky comedy that outlives its welcome

THE GRAND BUDAPEST HOTEL is another quirky comedy from director Wes Anderson, a man who can seemingly make no other type of movie. I watched and enjoyed the first half an hour of this film, finding it fresh and inventive; however, the magic began to wear off after this point, and by the end I found it more than a little tiresome. I have a feeling that the director’s style would best be suited to short films, not overlong efforts like this.

The problem with the film is that it has no meaning, no depth. What you see up on the screen is everything you’ll get. The plot is simplistic, and devoid of much interest; Anderson keeps you watching only by including endless random cameos from all of his celebrity friends and actors. I’ve never been a fan of Ralph Fiennes and he can’t shake off his coldness here, although the young cast members fare better. Some of the stars, like Willem Dafoe and Jeff Goldblum, are great but get too little screen time. The movie raises a few smiles and has some nicely dark moments, but I was left wanting more from it and I found the whole experience oddly hollow.