Gone Girl (2014)

8.1/10
79/100
87% – Critics
87% – Audience

Gone Girl Storyline

Under very curious and suspicious circumstances, the former New York City columnist, Nick Dunne, finds out that his home in Missouri has been intruded; his front door half-open; shattered glass everywhere, and his popular author wife, Amy, inexplicably missing. Amid an unbridled media feeding frenzy, inevitably, Nick’s life comes under the spotlight, as the experienced detective, Rhonda Boney, delves deeper and deeper into the husband’s seemingly perfect image. As a result, half-truths and full lies entangle Nick more and more in a foggy reality where nothing is what it seems. Is the caring family man, indeed, a cold-blooded murderer?

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Gone Girl Movie Reviews

Great Hype for a Too Long Movie with Plot Holes and a Deceptive Conclusion

In Missouri, the unemployed writer Nick Dunne (Ben Affleck) goes to the bar The Bar that he owns with his twin sister Margo Dunne (Carrie Coon) on the day of his fifth wedding anniversary and they talk and play a board game. Then he goes home and finds that his wife Amy Dunne (Rosamund Pike) is missing. He calls the police and Detective Rhonda Boney (Kim Dickens) is in charge of the investigation with Officer James Gilpin (Patrick Fugit). As long as the investigation proceeds, the evidences show Nick as the prime suspect of murder while the media fiercely attacks him. But is Amy really dead?

Spoilers ahead: “Gone Girl” is a movie with great hype, but actually it is a too long movie with plot holes and a deceptive conclusion. In addition, the lead characters are non-charismatic. The good thing is the criticism to the hypocrite behavior of the media. Amy leaves her house but no neighbor sees her. The diary in the stove is partially burned and the detective does not suspect that something is wrong. Amy travels but she does not change her face, lodges in a low-budget hotel and nobody recognizes her. Internet shopping is delivered by courier; wouldn’t the postman keep a record of who received the expensive delivery? The house by the lake of Neil Harris has surveillance cameras everywhere. The police and the FBI do not check the footages along the almost thirty days she claimed to be kidnapped. The police officers do not investigate how she could have a stiletto to kill Neil. She leaves the hospital covered in blood. Last but not the least, who would live with a psychopath and assume someone else’s baby? My vote is six.

Title (Brazil): “Garota Exemplar” (“Exemplar Girl”)

880 reviews and counting….

I just saw “Gone Girl” tonight. However, by now this will be the 880th review, so I will try to be very brief. After all, just about everything that can be said about the film probably has. Suffice to say I liked the film but think its extremely high rating on IMDb is perhaps a bit higher than I’d rate it. It’s good…but I can’t see it as the 140th best film of all time. So what did I like? Well, the Nancy Grace-like ‘journalist’, Ellen Abbott, was terrific and I am happy about anything that makes Ms. Grace look bad. I also liked most of the acting. I actually thought Ben Afleck was really good. The plot also reminded me a lot of a great old film “Leave Her to Heaven”. But I also felt the film was too graphic–too bloody and too much nudity for me to let a kid or teen or even more see the film. Overall, an impressive film but not among my favorites of 2014.

Another David Fincher winner and one of the year’s best

David Fincher to me is one of the most talented directors around today, and while Se7en from personal opinion is his best film Gone Girl is up there with his best. Fincher directs with his usual superb class, giving the film great style and keeping the story alive(Gone Girl is easily one of the year’s best directed films), and the whole film looks absolutely great with brooding lighting that evokes the creepy atmosphere brilliantly and Gone Girl is also a film that makes good use of digital, after seeing many directors over-using or cheapening it it was refreshing to see the technique done with taste. Trent Rezner and Atticus Ross’s music score gives the film a haunting vibe and adds much to the unsettling intensity that a lot of the film(at least two-thirds worth), managing to not do it in an in-your-face manner. The use of sound mixing was interesting and came off cleverly, almost like a distant thought process. Gone Girl also has a brilliantly written and adapted script that does a great job balancing dark humour- that’s not overused and is often hilarious- and suspense mystery (The Cool Girl monologue in particular is a masterpiece of script-writing, one of my favourite film monologues ever), while the story(apart from taking a bit of time to get starting) is absorbing from start to finish, rich in detail and characterisation and is filled with shocks and unpredictable twists that will be guaranteed to leave you reeling. That it is adapted from superb source material(one of the best books I’ve read in recent memory actually) helps it, and that it is faithful to it is commendable, a case of being faithful to the source material actually coming off wonders rather than being bogged down by being too faithful. The not-what-they-seem characters are incredibly interesting and richly developed, especially Amy who is one of the most chilling female characters of the year. And the acting is one of the high points of the film, as good as Fincher’s direction and the score are it’s Rosamund Pike’s knockout turn as Amy in restrained- she only has to raise an eyebrow or something like that and it says a lot- but quite terrifying mode(especially in the third act) that makes the film. It will be a great surprise if she isn’t at least nominated because it is easily her best performance. Ben Affleck has the other not-what-they-seem role and plays it with oozing charm and brooding intensity, while Neil Patrick Harris surprisingly excels in a very against-type role(who knew he could be sinister?) and Tyler Perry oozes charisma and is very funny. Carrie Coon is the standout in support, it’s a tricky role and the moral compass of the film but Coon is touchingly likable in it. The ending does for my liking end too suddenly and the storytelling got implausible and lazy at this point, but apart from that Gone Girl was a winner and one of the best of the year. 9/10 Bethany Cox