X-Men: Days of Future Past (2014)

7.9/10
75/100
90% – Critics
91% – Audience

X-Men: Days of Future Past Storyline

This movie opens in a dark and desolate future that was set in motion in 1973, when brilliant scientist Dr. Bolivar Trask (Peter Dinklage) created a series of giant robots called Sentinels for the sole purpose of wiping out mutants, who he claimed were a direct threat to the human race. Although initially programmed solely to target mutants, the Sentinels soon began eradicating humans who possessed the DNA to breed mutants, and eventually, any mortal mutant sympathizers. Desperate, Professor Xavier (Sir Patrick Stewart) and Magneto (Sir Ian McKellen) devise a plan to have Kitty Pryde (Elliot Page) send Wolverine back to the year when Mystique (Jennifer Lawrence) assassinated Trask. It turns out that Mystique inadvertently accelerated the Sentinel program when she was subsequently captured by Sergeant William Stryker (Josh Helman), who succeeded at harvesting her DNA to make the robots more powerful than ever before. Upon arriving in the past, Wolverine quickly seeks out a much younger Charles Xavier (James McAvoy), as well as Beast (Nicholas Hoult) and Quicksilver (Evan Peters), and together they help break a young Magneto (Michael Fassbender) out of a heavily fortified prison cell hundreds of feet beneath the Pentagon. Meanwhile, with the help of Havok, Ink, Toad, and Spike, Mystique is already moving in for the kill. Although Wolverine, Beast, Charles, and Magneto manage to thwart the assassination, Charles and Magneto once again find themselves at odds after the latter attempts to alter the plan at the last moment, creating a mass panic during a post-Vietnam War peace summit in Paris. And Dr. Trask, still fuming from having had the Sentinel program rejected by Congress, takes his proposal directly to President Nixon (Mark Camacho), laying the groundwork for an even darker future than the one Wolverine was sent back to prevent.

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X-Men: Days of Future Past Movie Reviews

Not only the best of the X-Men films since X2, but manages to be even better

The first X-Men was a good, fun, well-made start to the series, though with a yet-to-find-its-feet feel. That was found with X2, which turned out to be bigger, darker and even better. X-Men The Last Stand I didn’t find quite as terrible as its reputed to be but it was very disappointing and a big step-down, it had its moments like the visuals, some good performances and the action but suffered from too much going on, a script that was sorely lacking and too many characters that were largely underdeveloped and out of character. X Men Origins: Wolverine was just as disappointing and with very similar pros and cons to The Last Stand. The Wolverine was a definite improvement but still had a fair share of flaws. And First Class was excellent. I was hugely excited for Days of Future Past because the cast is such a good one and the return of Bryan Singer promised much. And Days of Future Past didn’t disappoint at all. It is a visually very stylish film that has an even darker and more audacious feel than the rest of the films in the series, the special effects are of great quality and everything looks very slick. The score is the best since the one for X2 in terms of memorability and how it fits and the script is the sharpest since X2 as well and is probably the best and most well-balanced script of all the X-Men films put together. There’s a bit of humour that is subtle and genuinely funny, not feeling overly-broad or overkill, while there are plenty of suspenseful and emotional parts. Bryan Singer makes a triumphant come-back, the action sequences really thrill especially the battle between past and future X-Men to stop annihilation while the drama resonates. Great also was the quietly powerful tete-a-tete between the two Xaviers. There is a fair bit going on and there are a lot of characters, but the solid pacing, chemistry between the characters/actors and how well everything’s balanced in the writing makes the story thrilling yet with plenty of space to allow you to feel emotion, and for the amount of characters there are here a vast majority of the characters have real personality and soul(plus they’re treated with respect), something which Last Stand and Origins did not do. The cast are spot on, Hugh Jackman is grizzled and charismatic while bringing the subdued quality he brought to The Wolverine and Jennifer Lawrence is surprisingly good as Mystique(blue is definitely not the warmest colour with her), the transformation sequences are as eye-popping as they were in X2. James McAvoy gives one of his better performances here and Michael Fassbender is suave and calculating. As the older versions of Professor X and Magneto, Patrick Stewart and Ian McKellen make a welcome return, Stewart is cool and McKellen is menacing yet with a sympathetic quality, Magneto is much more than a one-dimensional villain(a mistake Last Stand made and that the first two films did not). Evan Peters is excellent too as Quicksilver, like how Alan Cumming’s Nightcrawler almost stole the show in X2 Peters’ Quicksilver almost did here, a definite scene stealer. Nicholas Hoult is fine as Beast and is very well made-up, but Kelsey Grammar for me was a touch better, and Halle Berry gives her, by far, best performance of the series(the only time she really made an impression as Storm, who’s also developed best). My only complaint for Days of Future Past is the cop-out ending(outside of the action), other than that it was a brilliant film that was not only the best X-Men film since the second but a big contender for the best of the series. 9/10 Bethany Cox

Time travel is an engaging addition to the X-Men franchise

There was a lot of love for DAYS OF FUTURE PAST on its release. It’s a sequel to the X-MEN prequel FIRST CLASS that also ties it in to the older cast from the original X-MEN trilogy of the 2000s. As such there’s an absolutely huge and sprawling cast of characters but director Bryan Singer just about manages to keep a grip on things so that it doesn’t get too confusing.

What surprised me about the film is that the much-lauded plot is nothing more than virtual copy of that seen in the TERMINATOR films, although perhaps as the comic pre-dated THE TERMINATOR it’s James Cameron who did the ripping off. Certainly the story, about a future annihilated by sentient robots and the survivors sending back a sole hero through time in order to avert the disaster, is all too familiar, but that doesn’t mean it’s not fun.

DAYS OF FUTURE PAST is fun, that’s for certain. There’s a huge cast of familiar and unfamiliar faces and a constant stream of effective CGI to keep viewers occupied, so this is never a boring experience. The future scenes are clichéd and amount to little more than an FX showcase of robots vs. mutants with lots of mutant death to boot. The main story, which takes place in 1973, is better, benefiting from Hugh Jackman’s likable Wolverine and James McAvoy and Michael Fassbender doing their best with their engaging roles. Some of it is still too familiar, a lot of it is too over the top, and Peter Dinklage’s villain is oddly irrelevant, but this is still a fun watch, albeit not one I’ll be quick to revisit.

constructed well to connect old cast with the new

In the future, the world is devastated by constant war. Sentinels are robots created to hunt mutants. Xavier and Magneto team up with a plan to change history. Kitty Pryde sends Wolverine (Hugh Jackman) 50 years into the past to 1973. He has to find Xavier (James McAvoy), free Magneto (Michael Fassbender) and recruit them in a mission to stop the Sentinel program before it starts. They have to stop Mystique (Jennifer Lawrence) who tries to kill weapons designer Trask (Peter Dinklage).

This is a compelling sci-fi thriller achieving one of the most seamless transition from an old cast to the new. The story is terrific. It introduces Quicksilver as a fresh injection of fun. That’s probably the only minor complaint. It needs a bit more fun to offset the serious tones. It’s not really a complaint. OK! Forget about it. The new cast is set to take off in place of the old.