The Devil Wears Prada (2006)

6.9/10
62/100
75% – Critics
76% – Audience

The Devil Wears Prada Storyline

Miranda Priestley of “Runway” magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone around her, as quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that Miranda is not quite as hard as she tries to put on. Into this mix comes Andrea, a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn’t know who Miranda Priestley is. She sees this as only a stepping stone to another journalism position. Although Andrea shows no fashion sense and is immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine’s fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all the glamor that could be hers. While in Paris the two are held hostage by none other than Hans Grüber, who survived his fall from the Nakatomi Plaza years earlier. Celebrity cameos from Bruce Willis (reprising John McClane) and Stan Lee (Creepy office janitor) round out this comedy romp.

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The Devil Wears Prada Movie Reviews

Magnificent Meryl Completely Elevates a Sharp Look at the World of Predatory Fashionistas

Even though she portrayed variations of the same demonic character in 1989’s “She-Devil” and 1992’s “Death Becomes Her”, Meryl Streep truly nails it in this smart, creative 2006 comedy by underplaying the role and saving her verbal talons for pivotal moments. As Miranda Priestly, the despotic editor-in-chief of Runway magazine, Streep simply singes the screen every time she appears with her perfectly upswept hair; arrogant couture opinions and frequently unreasonable demands on her staff.

Fortunately, director David Frankel has come along well since his 1995 Woody Allen knockoff, the irritatingly unctuous “Miami Rhapsody”, and one can see his progression in his smart work on episodes of “Sex in the City” and “Entourage”. He moves the film at such a sharp, fast clip that it feels like an accurately frenzied portrayal of the inner workings of the world of haute couture. The one-line zingers also come fast and furious thanks to Aline Brosh McKenna’s deep-dish script based on Lauren Weisberger’s best-selling novel, but the vitriol does not come at the expense of character development and a shrewdly observed storyline about all-or-nothing careers when working for media royals and courtiers.

The plot’s protagonist is not Priestly but Andy Sachs, a young idealist and aspiring journalist who just graduated from Northwestern. Even though she has no interest in fashion, she lands an interview at Runway. Because she is not a typically bootlicking, anorexic fashionista toady, Priestly hires her as her second assistant. It becomes a nightmarish trial by fire, as Andy slowly earns the trust of Priestly much to the chagrin of the haughty first assistant Emily. And despite the derision of her circle of friends, including her live-in boyfriend, Sachs starts to respect Priestly’s style and power, which leads to the decision to have Andy go to Paris for Fashion Week. Further complications ensue when a hotshot writer takes an interest in her and a power struggle erupts at Runway.

It really takes someone of Streep’s caliber to pull off the impossible character of Priestly because when she does have a moment of vulnerability, it resonates so much more than it should. Although she is far too pretty to be considered frumpy by anyone’s standards, the naturally likable Anne Hathaway plays Sachs serviceably and looks sensational in a series of Chanel outfits. She brings the necessary heart to the story, even though the character arc is rather predictable. It does seem a shame that we are supposed to cheer the character’s reduction from size 6 to 4, but that is probably as accurate as anything else in the film.

There is terrific work from the reliable Stanley Tucci as Nigel, Runway’s no-nonsense fashion director, especially as he patiently works under Priestly’s shadow and gives Sachs hard-to-take survival advice, and from Emily Blunt, who plays first assistant Emily with the ideal combination of vitriol and desperation. Overly metrosexualized with the strangest blond eyebrows I have ever seen, Simon Baker lends an appropriately smarmy edge to his writer Christian Thompson. Far less interesting are Sachs’ judgmental friends, in particular Adrian Granier as Sachs’ sous-chef boyfriend and Tracie Thoms as art gallery owner Lilly. The ending is inevitable, but it moves in a creative way that makes neither Sachs overly heroic nor Priestly absolutely villainous. This is solid entertainment elevated by the artistry of Streep.

Glossy and entertaining, but a bit shallow!

This is a glossy and mostly entertaining film, if a little shallow in terms of story and depth. However, there is a well-written script, that sometimes borders toward predictability, and nice camera-work, not to mention the fashionable costumes. The film’s main merit is the performance of Meryl Streep, who rarely disappoints in anything she’s in. Here she seems to be relishing the role of the hard-to-please Melinda Priestly. Anne Hathaway of Princess Diaries fame, is very charming and suitably dorky as Andrea Sachs, though I will say her clothes at the beginning of the film were hideous. There is also scene stealing support from Emily Blunt, who delights in making catty remarks throughout the film, and Stanley Tucci, who helps transform Andrea from her former self. One may question whether the film is too long, but it’s very fast-paced, so I didn’t have a problem with the length. The few criticisms I had with the Devil Wears Prada, is the predictability of the story, and sometimes the lack of depth. Overall, an 8/10 Bethany Cox.

Budding fashionista

The Devil Wears Prada finds an eager young journalism major Anne Hathaway starting a new job at the fashion industry magazine Runway. She’s got the writing credentials, but experience in the industry not a bit. Which is going to be tough because she will be working for Meryl Streep a queenpin of the fashion industry. She’s a tough and exacting and demanding supervisor and can’t seem to keep good help.

Watching Streep as Miranda Priestley I was reminded about how law clerks worked that way for William O. Douglas on the Supreme Court. He went through them like tissue paper he was that demanding. A brilliant jurist not a very nice man.

Anne Hathaway ever since she was a Disney princess seems always to be cast as sunny, upbeat characters and the casting suits her well. Streep really puts her through the ringer. But the girl had grit.

Streep’s a survivor, she’s tough in a tough business. One wonders when she was up and coming herself what she might have gone through that make her the way she is.

Hathaway’s also got relationship problems with her boyfriend Adrian Greiner who is trying to make it in another tough business, cooking. Hathaway temporarily falls for the charming fashion designer Simon Baker on a quick trip to Paris with Streep.

The Devil Wears Prada got two Oscar nominations, one of the many for Meryl Streep as Best Actress and one for costume design. As this is a film about the fashion industry that would almost seem a requirement.

Fans of Meryl Streep will enjoy this one. You might try viewing this back to back with the Susan Hayward classic I Can Get It For You Wholesale. That film will give you an idea where Streep might have originated from.