Eternal Sunshine of the Spotless Mind (2004)

8.3/10
89/100
92% – Critics
94% – Audience

Eternal Sunshine of the Spotless Mind Storyline

This is the story of a guy, Joel, who discovers that his long-time girlfriend, Clementine, has undergone a psychiatrist’s experimental procedure in which all of her memory of Joel is removed, after the couple has tried for years to get their relationship working fluidly. Frustrated by the idea of still being in love with a woman who doesn’t remember their time together, Joel agrees to undergo the procedure as well, to erase his memories of Clementine. The film, which takes place mostly within Joel’s mind, follows his memories of Clementine backwards in time as each recent memory is replaced, and the procedure then goes on to the previous one, which is likewise seen, and then erased. Once the process starts, however, Joel realizes he doesn’t really want to forget Clementine, so he starts smuggling her away into parts of his memory where she doesn’t belong which alters other things about his memories as well…

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Eternal Sunshine of the Spotless Mind Movie Reviews

an modern artistic triumph for all involved

Michel Gondry, credited as the director and co-writer of Eternal Sunshine of the Spotless Mind, is only partly responsible for the success that the film achieves. He implements a awe-inspiring blend of style to a story that is perfectly non-linear. But then there is also the madman genius of the current screen writing plane- Charlie Kaufman- who has written three of the most ingenious, funny, and human of “little” Hollywood movies (Being John Malkovich, Adaptation, Confessions of a Dangerous Mind).

He understands, and perhaps likely experienced to a degree, what a relationship holds to- the truth, to understanding, and then when it ends, how out memory changes the relationship. Enter in the concept that makes ‘Eternal Sunshine’ something of a un-official science fiction film – the Lacuna corporation, led by Tom Wilkinson’s character, can erase just one person out of your memory, all of the experiences that you and the significant other had. So, when Joel (Jim Carrey) goes in to erase his memory of Clementine (Kate Winslet) after finding out she did just the same, he enters into a mind-warp. He goes through memories they had, happy ones, sad ones, some that are just what makes up what you have emotionally with the one you’ve loved. And sometimes, and to the behest of the assistants of Lacuna (Kirsten Dunst, Elijah Wood, Mark Ruffalo), Joel doesn’t want them all to be erased.

As I mentioned, the plot is non-linear, which could’ve gone the wrong way if not done with skill. With a film like 21 Grams, which has a talented director and cast, the non-linear structure isn’t necessary. But it’s an asset that the story doesn’t start from A to Z. To assist Gondry with this, he has the extraordinary Ellen Kuras as DP and Valdís Óskarsdóttir, an editor from Iceland. Their collaboration is crucial with Gondry and Kaufman (and co-writer Pierre Bismuth), as they bring all of these un-real images a real quality. Quite simply, there isn’t a finer example of surrealism crossbred with realism in any other American film so far this year. The usage of lights, cuts, and with the kinds of special effects not expected (i.e. no CGI), add to the effect it has on a viewer. That the characters of Joel and Clementine are as enveloping as they are is also a credit to Kaufman.

But then there’s one more part that completes the success of the film – the acting. Jim Carrey, very simply, is at his very best. He finds a balance from certain scenes in being like people we see everyday, feeling low, not much of interest, inward. And then when the memory erases begin, we get to see him act funny, but not like the kind of humor he brought with Ace Ventura or Dumb and Dumber. This is Carrey knowing this character just well enough to play off his counterpart, played by Winslet. She, meanwhile, is perhaps at her best. Her character is eccentric, funny, insightful, and wanting. She pulls it off. As do the supporting actors.

There’s not much more I can say about this film, except to say that even after seeing it three times, I feel like I could watch it over and over and see a new shot, a new sequence, and new set of emotions tied to things. It’s one of the great romantic dramedies of the decade.

Different.

Jim Carrey and Kate Winslet play young lovers who eventually have a falling out and their relationship ends. A bit later, Carrey sees her and she has no recollection of him–how could this be?! Later, Carrey learns that there is an organization that can wipe out specific memories and he realizes she’s done this. And so, he decides to do the same. However, it’s not that easy–Carrey really does love her down deep. Later, when they meet again, the story becomes VERY interesting and ends on a sweet romantic note.

I read one review which said that “Eternal Sunshine of the Spotless Mind” was incredibly original. Well, while it’s original in some ways, the basic plot idea is actually recycled from an old movie from 1939, “Remember?”. “Remember?” had a novel idea but the execution left a bit to be desired. In that film, Robert Taylor and Greer Garson marry and eventually grow to hate each other. They are offered a new experimental drug so they will forget each other completely–and they end up falling in love all over again! Well, if you take this idea and update it–this is, essentially, “Eternal Sunshine”….though this recent film is much better and ends well.

Now I am not saying “Eternal Sunshine” is a great film. While it’s rated extremely highly on IMDb, I disliked the style of the film at times. Lots of handycam shots and indie music made the film seem a tad pretentious at times. Plus, I was disappointed about the rough language in the film as it made it a rated-R film and the movie could have easily been a PG or PG-13 film–one that anyone could watch. But, if you can look past this, there is a sweetness about it that makes it worth your time.

Absolutely wonderful

When I first saw Eternal Sunshine of the Spotless Mind, I wasn’t expecting to love it, let alone like it. What a surprise when I saw it! I think this film is wonderful in every aspect, truly beautiful and packs a full emotional punch. In fact, if you don’t mind me saying so, it is one of my favourite films of the 2000s.

I especially loved how Eternal Sunshine of the Spotless Mind was shot. The whole film looks beautiful, not only with the cinematography which is indeed spellbinding but also in the scenery which was nothing short of amazing. Another impressive asset was the soundtrack/score. Eternal Sunshine of the Spotless Mind doesn’t have the best soundtrack/score I have ever heard in my life, but the score makes the film all the more moving, while the soundtrack is well selected and appropriate.

I was also very taken with the story. Eternal Sunshine of the Spotless Mind has one beautifully constructed story I can tell you, with an almost poignant message about it. It is strange and bizarre yes, but neither of those are bad, quite the contrary. Then there is the script which is both poignant and funny, not to mention very deep. The pacing very rarely feels boring if at all, and the direction is adept.

I have very little to complain about Eternal Sunshine of the Spotless Mind’s performances either. As good as the supporting performances are especially from the always splendid Tom Wilkinson, I have to give the real kudos to the leads. Jim Carrey has done some good performances in some good films, The Mask, Liar Liar, The Cable Guy and Bruce Almighty showcase his comedy talents wonderfully, but this and The Truman Show show he is perfectly good at drama too. He is very understated here, but it works as he still manages to be likable all the same. The real star though is Kate Winslet. A beautiful and captivating actress, Winslet is absolutely perfect in her role.

Overall, wonderful film. Bizarre yes, but very tender and poignant helped by the exceptional performances and cinematography. 10/10 Bethany Cox