24 Hour Party People (2002)

• Year: 2002
• Released: 20 Sep 2002
• Country: United Kingdom
• Adwords: 1 win & 13 nominations
• IMDb: https://www.imdb.com/title/tt0274309/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/24_hour_party_people
• Metacritics: https://www.metacritic.com/movie/24-hour-party-people
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Biography, Comedy, Drama
• Runtime: 117 min
• Writer: Frank Cottrell Boyce
• Director: Michael Winterbottom
• Cast: Steve Coogan, Lennie James, John Thomson
• Keywords: musical, 1970s, nightclub, northern england, celebration,

	7.3/10
	85/100
	86% – Critics
	87% – Audience

24 Hour Party People Storyline

A semi-fictional account of approximately sixteen years in the Manchester alternative music scene from 1976 is presented. The story is largely from the perspective of Tony Wilson, who, along with other characters in the story and Steve Coogan, who portrays Wilson, occasionally break the fourth wall in telling the story. As it is happening, Wilson, an on-air presenter for Granada television, believes that Sex Pistols’ concert at the Lesser Free Trade Hall should be a seminal moment in the Manchester music scene, despite there being only an unenthusiastic audience of forty-two in a venue holding several times that amount. Without highly visible outlets for punk and other alternative musical acts in Britain, Wilson and his partners go about creating such outlets. They include, in chronological order: a television program, So It Goes (1976), hosted by Wilson himself; a record label, Factory Records, which would sign at its core Joy Division, who would transition into becoming New Order, and Happy Mondays; and a live music venue, the Haçienda, which would feature primarily Factory’s stable of talent. But Wilson wanted the experiment as he calls it to be more about the end product than the business which would keep him true to his vision. That focus, for good or bad, could be the experiment’s ultimate downfall. Interrelated to the success or failure of the experiment is Wilson’s slight narcissism – his name which he believes should be sufficient to get things done – and his personal relationships with what would be his two wives.

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24 Hour Party People Movie Reviews

how did I miss seeing this movie till now?

24 Hour Party People is just one of those movies that has that click with the subject matter. The actual style of the film corresponds with the music, the irreverence, and the energy of it all. But there’s more than just the unconventionality of the script and direction; the film has that sort of stream-of-thought, wry, distinct British humor to it, and a sincerity beneath the absurdist parts. It follows its main character down the line, in a surreal way like a documentary, if that makes sense- we move between Tony Wilson addressing the audience (played by Steve Coogan, who is so on target with the honesty of the portrayal you can’t picture anyone else in the role), an almost behind-the-scenes filming of it (I think), and a dramatization shot on pure digital, independent vibes.

Wilson, who sees the Sex Pistols play in Manchester (his hometown, and the main base and heart in the location of this film), is also a journalist on television. He gets so enamored with what he sees as an extremely important part of history (the viewer will get a good idea of this), he gets involved with the bands, the locals, and goes from just bands, to maintaining the Hacienda, a club. Some parts of the film one might expect, if considering it includes the rise and fall of fame (or rather, in this film, a lot of times in the mind), and the drug scene coinciding with the music. One knows that Tony Wilson is the main character, the protagonist, basically in every scene, but somehow he does not become the only important part of the film’s success. The music too is a huge factor, and the speed it sets for a movie like this.

As much biography as musical, 24 Hour Party People brings to light the scene of Manchester as a history lesson, but an entertaining one to boot. Bands like New Order (the form after Joy Division split) will be known to most who follow music, but unless if you’re not really steeped in the new-wave/dance scene of the 80’s and 90’s, some of the bands may sound totally unfamiliar. Still, this is not an automatic deterrent- the music is what it is, and most who will want to see the film will know what they’re getting (in truth, the ratio of British punk and new-wave vs. electronica is fairly balanced). But even when some of the music doesn’t stand the test of time, it serves the story all the same (some of the more interesting and darkly funny scenes are when no one comes to the club the sort of ‘mix-way’ between the two musical eras).

And all through this, Coogan plays it like a pro. The Coogan Wilson, of course, is far from the real Tony Wilson (one of the DVD interviews says he’s a ‘Jerry Springer’-looking type), so it becomes more of being a character in this whole environment that springs up around and by him. In a way he’s kind of like a British Andy Warhol with the idealistic, serious journalist instead of the painter/filmmaker. There’s a sort of checked insanity that underlays some of his performance, and yet for most of the time, like a lot of the better British actors, he doesn’t play it more for laughs than he needs, and when serious drama/tragedy comes up it’s still kept to this reality. So, along with him, and the music, and the strange form of putting together a dramatized, documentary/musical/black comedy by director Michael Winterbottom and writer Frank Cottrell Boyce, it all gels. This is one of the finest sleepers I’ve seen in a while.

Music and madness in Manchester

Found ’24 Hour Party People’, telling the story of Tony Wilson and the rise and fall of the Manchester Factory Records, an absorbing and very well done biographical comedy-drama. Not a flawless film or among the best biopics or overall films ever seen but there is a lot to admire.

’24 Hour Party People’ may go on a little longer than necessary and the final parts are not as strong as the rest of the film, with a sense that it ran out of gas. It would help if one knew and had knowledge of Wilson and the music and mania of the Madchester years, that way they would find that it would make more sense. As a documentary-like film or a biopic it is inaccurate and strays far from the truth, but as it is common in biopics it didn’t feel as big an issue.

For its flaws, there is a lot to recommend with ’24 Hour Party People’. It is a good-looking film with a good amount of authenticity, and having the touch of Wilson often telling the tale talking directly to the camera was quite a masterpiece. The vintage music is just great.

The script is also strong, with an adept balance of irreverent and genuinely funny comedy, gripping conflict and poignant drama. The story has a huge amount of evocative energy and is always absorbing.

It’s very well cast, with a brilliant Steve Coogan who plays Wilson with gleeful relish and expert comic timing.

Overall, very well done. 8/10 Bethany Cox

Ian Curtis’ death leaves a big hole

It’s a semi-true story as Coogan would himself tell the audience as he breaks down the 4th wall. In 1976 Manchester, TV presenter Tony Wilson (Steve Coogan) is risking his life hang gliding for silly Granada Reports and he’s not happy about it. Then he is one of the 42 people to see the first Sex Pistols gig along with others like the kids in Joy Division. He would tout the overlooked music scene on his small show “So It Goes”. He rents out a club to play his type of music on Fridays. He turns that into Factory Records where he signs up Joy Division among others. Joy Division would attract skinheads because of their Nazi inspired name. Lead singer Ian Curtis commits suicide just when the group is on the verge of their American tour. Tony continues with the creation of the infamous dance club The Hacienda.

The movie starts pretty funny with Coogan breaking down the 4th wall within the first 10 minutes. Ian Curtis becomes the second most important character in the movie. That’s why his lost leaves a big hole in the emotional feel of the movie. It’s like the comedic air is let out and the movie feels flattened. The funny is gone. The movie still works but it’s just not as much fun.