The Devil’s Backbone (2001)

• Year: 2001
• Released: 20 Apr 2001
• Country: Spain, Mexico
• Adwords: 6 wins & 11 nominations
• IMDb: https://www.imdb.com/title/tt0256009/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_devils_backbone
• Metacritics: https://www.metacritic.com/movie/the-devils-backbone
• Available in: 720p, 1080p,
• Language: Spanish
• MPA Rating: R
• Genre: Drama, Horror, Thriller
• Runtime: 106 min
• Writer: Guillermo del Toro, Antonio Trashorras, David Muñoz
• Director: Guillermo del Toro
• Cast: Marisa Paredes, Eduardo Noriega, Federico Luppi
• Keywords: ghost, 1930s, spain, orphanage, gothic horror,

	7.4/10
	78/100

The Devil’s Backbone Storyline

It is 1939, the end of three years of bloody civil war in Spain, and General Franco’s right-wing Nationalists are poised to defeat the left-wing Republican forces. A ten-year-old boy named Carlos, the son of a fallen Republican war hero, is left by his tutor in an orphanage in the middle of nowhere. The orphanage is run by a curt but considerate headmistress named Carmen and a kindly Professor Casares, both of whom are sympathetic to the doomed Republican cause. Despite their concern for him, and his gradual triumph over the usual schoolhouse bully, Carlos never feels completely comfortable in his new environment. First of all, there was that initial encounter with the orphanage’s nasty caretaker, Jacinto, who reacts even more violently when anyone is caught looking around a particular storage room the one with the deep well. Second, and more inexplicable, is the presence of a ghost, one of the former occupants of the orphanage named Santi. Not long after Carlos’ arrival, Santi latches onto Carlos, badgering him incessantly at night and gloomily intoning, “Many of you will die.” As if that wasn’t enough to keep the orphanage’s occupants in an unrelenting state of terror, there’s the un-exploded bomb that dominates the orphanage’s courtyard, still ticking away; With the orphanage left defenseless by its isolation, and the swift progression of Franco’s troops, the ghost’s prediction seems depressingly accurate. Nevertheless, with every step of the plot, it becomes apparent that the ghost’s predictions as to who (or what) will die, the real source of danger and even the definition of death itself may be more ambiguous than first thought.

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The Devil’s Backbone Movie Reviews

a great modern ghost story

First and foremost, I need to point out that this is NOT a horror story for kids or teens. I know that both versions of The Ring (“Ringu”) and The Grudge (“Ju-On”) are popular with teens these days, but the level of violence (particuarly at the end) and sexuality in this Spanish movie make it a movie for parents to think at least twice before letting their teens view it.

Now, once you realize the adult nature of the movie, it is a great movie and well worth watching. Unlike the two movies listed above, this one is heavy on story and does not just consist of dead things hopping out at everyone to give you chills. Instead, it is a ghost story AND a story of greed and evil–almost like two different tales that are finally woven together at the end.

The acting is excellent (especially the kids at the orphanage), the writing is intelligent and the special effects, while not as omnipresent as in some movies, are excellent and really does the job of portraying a tortured ghost. I particularly thought the way the blood flowed from the skull of the ghost was a brilliant touch, though I won’t say more because I don’t want to ruin the story. And, the movie has one of the best endings I’ve seen in a long time.

Oh, and by the way, despite the word “devil” in the title, there’s nothing in the movie that deals with Satan.

It doesn’t get much better than this

Like the better-received PAN’S LABYRINTH that came later, THE DEVIL’S BACKBONE is a beautifully shot and extremely atmospheric ghost story with an innocent, imaginative child who retreats from the cruel world of adults at its core. There the similarities end. Where Pan’s Labyrinth focused heavily on the fantastical, this film is instead subtle and traditional, featuring a vengeful spirit who appears almost secondary to the main thrust of the plot, involving the machinations of various characters in a remote boy’s school during the Spanish civil war.

Del Toro hooks us from the very beginning with some outrageously good performances from the mostly child cast. I can’t imagine a more layered, affecting turn other than the one given by Fernando Tielve, the boy who plays the protagonist Carlos; he’s not alone however, as the rest of the actors playing the boarding school kids are exceptional. It’s a distinctly visual movie, and it’s clear that del Toro put painstaking effort into every composition, every sequence that occurs. The plot is original, the haunting itself refreshingly low key (little CGI on display here) and the film achieves its effect by allowing the story to develop naturally from the characters. Like The Orphanage, this Spanish ghost story puts most efforts from other cultures to shame.

compelling childhood ghost story

The Republicans are losing the Spanish Civil War to General Franco and the right-wing Nationalists. Carlos is sent to an isolated orphanage run by Republican sympathizers one-legged Carmen and Dr. Casares who are hiding a cache of Republican gold. He hasn’t been told that his father was killed on the frontlines. Dr. Casares sells his spiced rum “limbo water” to the villagers from a glass jar containing a baby with an exposed spine or the Devil’s Backbone. Carlos encounters the ghost of Santi, a boy who disappeared when a giant bomb landed in the middle of the courtyard. The bomb is suppose to have been defused. Carlos is bullied by Jaime and the other boys. Carlos rescues Jaime from drowning and they become friends. Angry groundskeeper Jacinto was once one of the orphans being cared for and Conchita is the beautiful teacher.

Carlos has a childhood innocence and this is an intriguing childhood ghost story from Guillermo del Toro. This is not scary but it has the tension of the Spanish Civil War like his later masterpiece “Pan’s Labyrinth”. It has a mood of dread and feel of wonder. The characters are all compelling. It would be nice to have Carlos and Jaime battle it out a little longer. It’s all very well made.