Exit Wounds (2001)

• Year: 2001
• Released: 16 Mar 2001
• Country: United States, Canada
• Adwords: 4 nominations
• IMDb: https://www.imdb.com/title/tt0242445/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/Exit_Wounds
• Metacritics: https://www.metacritic.com/movie/exit-wounds
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Action, Crime, Thriller
• Runtime: 101 min
• Writer: Ed Horowitz, Richard D’Ovidio, John Westermann
• Director: Andrzej Bartkowiak
• Cast: Steven Seagal, DMX, Isaiah Washington
• Keywords: police, corruption, scandal, shadowing,

	5.6/10
	39/100
	33% – Critics
	45% – Audience

Exit Wounds Storyline

Orin Boyd is a cop who works in Detroit’s 21st precinct, and his attitude and rough means of enforcing the law always end up annoying the precinct captain, Frank Daniels. When terrorists try to kill the Vice President of the United States, Orin kills the terrorists. Even though Orin saved the Vice President’s life, Frank doesn’t like the way Orin did it, so Frank transfers Orin to the 15th precinct — Detroit’s worst precinct. Orin’s new captain, former internal affairs officer Annette Mulcahy, knows of his reputation and tells him that she won’t tolerate it, and she sends Orin to an anger management class where he meets Henry Wayne, the high-strung host of a local talk show called “Detroit AM.” Despite this measure, Orin doesn’t change his ways of doing his job, and it’s not long before he comes across local drug dealer Latrell Walker and his fast-talking sidekick T. K. Johnson doing a shady deal with a man named Matt Montini. After a brief fight, Orin discovers that Montini has been working undercover trying to nail Walker, and Orin messed it up, a point that doesn’t sit well with Montini’s musclebound partner Useldinger. Not all of the cops of the 15th precinct give Orin a hard time. Sergeant Lewis Strutt steps in to cool things down when Orin gets in a fight with Useldinger, and George Clark is assigned to be Orin’s partner. After Orin stumbles upon the theft of $5,000,000 worth of heroin from Piper Tech, a place where evidence is stored, Orin and George begin focusing their efforts on Latrell and T.K., and also Shaun Rollins, a man that Latrell has been visiting at the local jail. Orin asks Henry to do some digging on Latrell’s background. What Henry discovers is that Latrell is not a drug dealer. Latrell is a computer expert and billionaire whose real name is Leon Rollins — he’s the brother of Shaun Rollins. Orin confronts Leon, who explains that a group of corrupt cops were in danger of losing one of their drug dealers, so the corrupt cops planted heroin on Shaun, setting Shaun up to take the rap so they wouldn’t lose their dealer. Sergeant Lewis Strutt is the leader of the group of corrupt cops, who also include Montini and Useldinger, and Strutt and his gang are the ones who stole the heroin from Piper Tech. Leon and his friend Trish have been videotaping the corruption, hoping that it might help prove Shaun’s innocence and get him out of jail. Orin meets with Annette at a parking lot and he gets in Annette’s truck and tells Annette what’s going on. When Montini and Useldinger and a bunch of their men show up and try to kill Orin and Annette, Annette screeches out of the parking lot with Orin still in her truck. Orin and Annette are chased, and Annette is killed in the chase when her truck slams into the back of a bigger truck, sending her into her windshield. Orin tells Frank that Strutt will be having a meeting at a warehouse in about an hour, to sell the heroin that was stolen from Piper Tech. Strutt plans to try to sell it to Leon and T. K., not knowing that Leon is working against him. Frank promises that he’ll be there with some backup. Orin then goes to George’s house and tells George what’s going on. George agrees to help Orin bring Strutt and his gang down. But it may be someone higher up who is behind the whole thing.

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Exit Wounds Movie Reviews

no CG, no BS, just action

Orin Boyd (Steven Seagal) is a Detroit cop who gets into trouble all the time by acting impulsively and his cowboy ways. Latrell Walker (DMX) is a new mysterious drug dealer with a surprising cash stash to throw around. Little did Orin know that there are corrupt cops in his precinct hand-in-hand with the drug dealers.

This movie starts with some hilarious gags. The best one comes from Seagal himself in the Anger Management Class. Also Tom Arnold and Anthony Anderson keep it in a lighter tone. We know we’re going to have some fun here. There is an incredible car chase. There is no CG, just real action. They don’t make them like that anymore. The twists are a little silly. The fighting is good, but with Seagal, nothing special.

Cops and Corruption

Exit Wounds is a cheesy action film starring Steven Seagal as a lone wolf type. He saves the life of the Vice President from a right wing militia and for his efforts he gets demoted to a dangerous precinct in downtown Detroit as well as taking anger management classes.

Once there, he finds corruption and crooked cops begins to take things in his own hands to sort out the streets. Tom Arnold provides light relief as a chat show host.

Once again we see a Seagal action film with a liberal message and I guess the mystery of the head honcho of the crooked cops is rather predictable. Seagal by this time was looking over the hill, but its still a decent if dumb kick ass action film.

I loved it! A total blast!

Anybody should know when you’re getting ready to see a Steven Seagal movie you’re not getting ready to see a Greek tragedy. What makes “Exit Wounds” special is it’s all in good fun. There’s no pretentions whatsoever. In fact, it even leaves a good share of the running time for comic relief. You have spectacular action in one corner…you have hilarious comedy in the other…what the hell more can you ask for?

Seagal hasn’t made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he’s heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in “Above the Law” and “Hard to Kill.” His action scenes are always fun to watch. As I tell people, I’m not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of “Masterpiece Theater.” But Seagal’s action scenes have a sense of originality and flare. Big deal. He’s not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let’s be sensible. I think people are way too hard on the man. He’s still cool with me.

In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There’s a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher “I’m a happy person!” with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of “Me Myself and Irene” fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don’t be so quick to walk out the theater.

DMX is not a terrific actor, but he’s fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams’ “Belly.” In that film, he pretty much portrayed a character out of all his rap videos. So that wasn’t a big stretch. “EW” gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing “gangsta.” And did I mention Jill Hennesy is in the cast? Oh…mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.

With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One–which was used in the previews and thankfully was used in the movie too–is a remix of “Ain’t No Sunshine When She’s Gone.” It’s quite innovative how they insert an artist’s songs into a movie’s soundtrack. There’s also a scene where DMX is picking out a car and blasts on the stereo his song “Why Do Good Girls Love Bad Guys.”

There isn’t much depth to “Exit Wounds.” In fact, I don’t know if there’s any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It’s exciting! It’s funny! It’s rousing! It’s a thrill a minute! You won’t be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! “Exit Wounds” won’t have you heading to the exit. In fact, you probably won’t even want to go out for popcorn you’ll be having such a great time! Strap in!

My score: 7 (out of 10)