Princess Mononoke (1997)

• Year: 1997
• Released: 19 Dec 1997
• Country: Japan
• Adwords: 14 wins & 7 nominations
• IMDb: https://www.imdb.com/title/tt0119698/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/Mononoke_hime
• Metacritics: https://www.metacritic.com/movie/princess-mononoke
• Available in: 720p, 1080p,
• Language: Japanese
• MPA Rating: PG-13
• Genre: Animation, Adventure, Fantasy
• Runtime: 134 min
• Writer: Hayao Miyazaki, Neil Gaiman
• Director: Hayao Miyazaki
• Cast: Yôji Matsuda, Yuriko Ishida, Yûko Tanaka
• Keywords: friendship, anime, demon, fight, rural area,

	8.4/10
	76/100
	93% – Critics
	94% – Audience

Princess Mononoke Storyline

While protecting his village from rampaging boar-god/demon, a confident young warrior, Ashitaka, is stricken by a deadly curse. To save his life, he must journey to the forests of the west. Once there, he’s embroiled in a fierce campaign that humans were waging on the forest. The ambitious Lady Eboshi and her loyal clan use their guns against the gods of the forest and a brave young woman, Princess Mononoke, who was raised by a wolf-god. Ashitaka sees the good in both sides and tries to stem the flood of blood. This is met by animosity by both sides as they each see him as supporting the enemy.

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Princess Mononoke Movie Reviews

Breathtaking. Watch with “eyes unclouded.”

In its theatrical Japanese release of 1997, PRINCESS MONONOKE was the hugest box office grossing movie of all time in the land of the Rising Sun until it was overtaken by James Cameron’s TITANIC, and, four years later, director Hayao Miyazaki’s own SPIRITED AWAY. No wonder. This movie, like an earlier project of Miyazaki’s, NAUSICAA OF THE VALLEY OF THE WIND, explores man’s relationship with nature, hatred causing destruction, and, more importantly, real characters (in other words, no real “hero” or “villain”) trying to get by in a world continually torn by war.

This is not a movie for young children, as there are disturbing shots of decapitations, amputations, and occasional blood spurts. Sometimes these elements of violence turn squeamish viewers away from Anime (especially when they’re done gratuitously), but Hayao Miyazaki presents it not to sicken people but to show it for the horror that it is (plus, in this film, the violence is not overdone). Take, for example, the scene where the protagonist, Prince Ashitaka of the Emishi Tribe, possessed by a curse he received from killing a Demon God (in trying to protect his village), tries to stop samurai attacking innocent people, and in doing so shoots the arms off of one man, and, later, takes off a man’s head with two arrows. The sight is horrifying to see, but the deed also increases Ashitaka’s demon mark on his arm, which is slowly preparing to take his life. This is a truly horrible depiction about the dangers of violence.

Also worth noting is Princess Mononoke herself, a human girl named San raised by the Animal Gods, and her struggle against Lady Eboshi of Iron Town, who is destroying the forest merely for her people’s own good (the folks are outcasts, including lepers and prostitutes). San distrusts and despises all humans, and is especially determined to destroy them all (particularly Eboshi)… or die trying. When she’s rescued by Ashitaka, however, a conflict within her begins to surface: are *all* humans evil, or is there at least one who is trustworthy? If there is any character who could be considered a villain, it would be the monk, Jigo, who wants the head of the Spirit of the Forest to bring to the Emperor. Such a deed would destroy the entire forest (as we find out in the film’s chilling climactic scenes) but even Jigo has his own motives, too. He is not so much evil as much as he is just “trying to get by”. This pretty much sums up the conflicts between all our characters here.

PRINCESS MONONOKE may not have enjoyed similar box office success here in America, but at least a lot of work and care went into the translation. As with Disney’s other English language tracks for Miyazaki’s films, this one is very, very well done. Acclaimed writer Neil Gaiman worked on the script, rewording it only to a) fit the mouth flaps, and b) make it understandable to a non-Japanese audience who would probably not comprehend a lot of the cultural nuances found in this film. Added to which, the voice cast includes a commendable list of stars; Billy Crudup is perfect as Ashitaka, eliciting just the right amount of warmth, kindness, compassion, wisdom, and courage, while Claire Danes delivers passionately angry, conflicted turmoil to San. (Folks said she was miscast, but I beg to differ; her character is *required* to be outraged and aggressive, and Danes does have a strong voice to carry such emotions.) The rest of the cast includes Billy Bob Thornton as Jigo (a grossly underrated performance; his Southern drawl adds to the character), Minnie Driver (elegant choice!) as Lady Eboshi, Gillian Anderson as the Wolf-Goddess Moro, and Jada Pinkett-Smith as the friendly (if no-nonsense style) worker Toki. The translation flows smoothly to those who are not familiar with Japanese folk tales, and the story succeeds in making its point, too.

This movie may not be for everybody, as it is the kind of film that may disturb young children, but older audiences will find themselves absorbed in the artwork, which showcases gorgeous, unmatched imagination, from the finely detailed forests to the cute little Tree Spirits who appear and disappear at will to the Forest Spirit itself — a huge deer who makes plants grow with each step he takes. And at night he becomes a ghostly specter known as the Nightwalker, traveling higher than the trees. Such images warrant the purchase of this film. Better yet, its message is not too preachy, and rarely do animated movies (save those from Japan) showcase characters portrayed as, well, human beings.

One of the only Miyazaki films that disappointed me

Every movie viewer has different tastes and sometimes a film appeals to one person and not another, or vice-versa. I know that this film set attendance records in Japan and is adored by many and I will admit that TECHNICALLY it is a super well-made film–with nice animation throughout–and in many ways better than the average Disney film. However, despite all this, I just felt very little connection to PRINCESS MONONOKE as the story didn’t interest me very much and lacked the charm of other Miyazaki films. Apart from the cute little forest spirits, it was obviously a very adult film and was 180 degrees different from MY NEIGHBOR TOTORO, my personal favorite Miyazaki film. So, if you like the cute style Miyazaki films like me, you’ll probably not appreciate this film as much as others who want a film with an agenda that focuses on nature and conservation. As for me, I don’t want a message film–I want one that is just plain fun.

Absolutely breathtaking!

Princess Mononoke is one of the best animated movies I have seen in a long time, and is up there with Studio Ghibli’s best along with Spirited Away. I will say I am probably biased, as I am a huge Studio Ghibli fan, and love all of their films, I even like Cat Returns, which along with PomPoko is considered as one of the weaker Ghibli efforts. The animation in Princess Mononoke is absolutely stunning, with rich detailed backgrounds and brilliant character animation. The image of the Stag actually made my jaw drop. The music is fantastic as well, and although environmentalism is a subject matter very difficult to get right, what the filmmakers succeeded in doing was making a highly intriguing story that was not only original but succeeded in not being preachy at all. The film is also helped by the high calibre vocal talents of Minnie Driver, Claire Danes, Billy Bob Thornton et al (voicing quite remarkable characters) and a strong script. True, some of the images like the Demon Worm, may frighten younger viewers, but it is fair to say they were very powerful. All in all, Princess Mononoke is breathtaking and I recommend it highly. 10/10 Bethany Cox