The Flower of My Secret (1995)

• Year: 1995
• Released: 08 Mar 1996
• Country: Spain, France
• Adwords: 5 wins & 13 nominations
• IMDb: https://www.imdb.com/title/tt0113083/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_flower_of_my_secret
• Metacritics:
• Available in: 720p, 1080p,
• Language: Spanish, French
• MPA Rating: R
• Genre: Comedy, Drama
• Runtime: 103 min
• Writer: Pedro Almodóvar, Dorothy Parker
• Director: Pedro Almodóvar
• Cast: Marisa Paredes, Juan Echanove, Carme Elias
• Keywords: spain, madrid, spain, parent child relationship, suicide attempt, novelist, old woman,

	7.0/10
	75/100
	76% – Critics
	false% – Audience

The Flower of My Secret Storyline

Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in Brussels and Bosnia that is never at home. She will try anything to change her life.—Miguel A. Andrade

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The Flower of My Secret Movie Reviews

An interesting, important step in Almodovar’s evolution

Sweet, and very well acted. This is much less wild and outrageous than earlier Almodovar, but compensates by having more real emotion. Still, this has two of his usual key elements — dramatic use of intense color, and a melodramatic, almost soapy, story. It’s clear he loves melodrama at the same time he gently pokes fun at it.

But in ‘Flower of My Secret’ the soap has more underpinnings in humanity, with subtler behavior and humor. Technically he gets even better with this film. It’s beautiful, shot in a more subdued style than his earlier work. Not a great movie, but a good, entertaining, human one that paves the way to his later fully ‘real’ and moving masterpieces like ‘Talk to Her’. Lovely performances.

There seem to be two distinct groups among Almodovar fans. Those who prefer his earlier, wilder, more genre busting work, and those who prefer his more recent, subtler films. I’m in the second group, but can completely understand those who feel differently. And where you fall on that scale is likely to have a big impact on your reaction to this film.

Certainly not his best movie.

In a very short period of time I’ve seen several of Pedro Almodóvar’s movies and I’ve become a fan of his work. I love his style of mixing drama with (sometimes absurd) humor and music. I like the fact that he always knows to make you feel as if you know the characters personally after seeing the movie… Having said this, I have to admit that I was a bit disappointed by “La flor de mi secreto”.

The characters aren’t as well developed as I’m used to see in his movies and it’s sometimes very hard to care for his main character: Leo Macías (Marisa Paredes). As Amanda Gris (her pseudonym), she is a writer of very successful sentimental novels who deal about love, sex and happy endings. But her personal life is a complete mess. She doesn’t want to write this kind of novels anymore and she gets an assignment from a magazine to write a review on the work of… Amanda Gris. Her relationship with her man isn’t any good. He works for the Nato, is more abroad than at home and when he’s at home he wants to leave as soon as possible. She drinks too much, her mother is a cause of many concerns… She wants to change her whole life, but it isn’t as easy as she hoped it would be.

Even though the story isn’t bad or boring, it doesn’t really succeed to be as captivating as I would like it to be. The positive thing about this movie is that you already can see Almodovár’s talent for the use of humor and music, great camera work, interesting story telling… sipping through. Things that became more obvious in his later work. This movie may not be the best example of his work, but it is worth a watch. I give it a 6/10.

Colour is emotion.

The film famed for pivoting Almodovar’s move away from formless farce to the rich delights of melodrama, which would produce his two masterpieces, LIVE FLESH and ALL ABOUT MY MOTHER. SECRET isn’t quite up to those films (the mix of comedy and drama isn’t quite digested) but is a wonderful start, with its amazing heroine, whose delusions and needs are revealed but never resolved; its typically eccentric supporting cast; its ruminations on the artist and her art – there are writers, editors, dancers, filmmakers all in the film – and secrets, both private and public; its silly men; its use of interiors and decor; Almodovar’s still cherishable, unparalleled use of colour, allied with a new found sense of composition (the later films would reveal his increasing mastery of the camera); some extraordinary shots, especially the paper shower during the students’ demonstration.