Rain Man (1988)

8.0/10
65/100
89% – Critics
90% – Audience

Rain Man Storyline

Charles Sanford “Charlie” Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father’s 1949 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that “someone” is Raymond, Charlie’s unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond’s acts and nagging, including repeated talks of “Abbott & Costello”, “Four minutes till Wapner” and refusal to fly on an airline except Qantas drives Charlie insane… and out of his selfish world into a cross-country trek of pure love and understanding that these two both have.

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Rain Man Movie Reviews

My main man Charlie Babbitt.

It is something of a great cinematic achievement that Rain Man became the great film it clearly is because the story surrounding it is interestingly Hollywood in itself.

Four directors, six screenwriters, two cinematographers, eight producers, writers strikes, crew change, and a studio fighting for its life.

All of the above are common knowledge but it doesn’t hurt to remember these facts when viewing the award wining triumph of a movie that stands the test of time today. The film is so simple in structure it really needed something special to pull it out of the prospective banality of being “just another road movie about finding oneself”, Rain Man achieves something special by tackling its subjects with very sensitive hands and splicing a believable human concept into the story via the incredible shows from its two leading men.

Dustin Hoffman gives a magical moving performance as the Autistic Savant Raymond, the ultimate complement I can pay the performance is that it really is believable, both moving and clever rolled into one artistic result. Tom Cruise is equally as great in a role that called for drastic layer changes, a role that demanded much conviction from the actor taking it on, and Cruise gives the role much depth as he goes from shallow bastard to a very emotive and feeling human being, it’s a great show that stands up to reevaluation these days. A performance that seems to have sadly been forgotten in light of Hoffman’s film stealing show. With a film such as this you pray that the ending can do it justice, and I’m glad to say that there is no pandering here, it’s an ending that says so much because it doesn’t cop out, I thank god for those rewrites because the endings to the original scripts would of had me booting the TV set out of the window.

Essential cinema. 10/10

Very good but not as good as its Oscars would imply.

Charlie (Tom Cruise) has just learned that his estranged father has died. But the biggest surprise comes soon after when he learns that his father’s fortune is NOT coming to him and Charlie is NOT the only child in the family. It turns out that he has a much older brother, Raymond (Dustin Hoffman) and the money has been placed in a trust to care for him because he is mentally disabled and dealing with the effects of autism. In a jerky move, Charlie kidnaps his brother and decides he’ll care for him until the trustee will agree to give him some of the $3,000,000 fortune. Much of the film is a road trip where the two go cross-country–making money at Vegas and having a laugh or two. However, the ending where Charlie supposedly grew and changed (just a bit) did seem a bit difficult to believe.

“Rain Man” won four Oscars–including one for Best Picture. This would seem to imply that it is an amazingly good film. However, I would argue that the film is actually a very good one but it also appeared during a year in which the competition just wasn’t very good. The list of other nominees would include “The Accidental Tourist”, “Dangerous Liasons”, “Working Girl” and “Mississippi Burning”–all films that just don’t seem particularly Oscar-worthy.

The film is interesting and also is a funny look into the awful fashions of the late 1980s. Just don’t expect a film that is anything else.

What a brilliant movie!

I heard a lot about how good this film was, and when I saw it myself I can completely see why. Rain Man is beautifully crafted; funny, moving and startling, sometimes all at once. The cinematography and scenery is beautiful, and the music is effective. The story never loses steam or feels boring, and the script is excellent while Brian Levinson directs absolutely beautifully. The performances from the two leads are brilliant. As fantastic as Dustin Hoffmann is, and he is, his character is one of cinema’s greatest triumphs and Hoffmann adeptly is hilarious, unsentimental and completely and utterly believable, that is not to say Tom Cruise should be dismissed, because Cruise is every bit as good as a character whose emotional journey ranges from confused and impatient to understanding and protective. Overall, brilliant film elevated by the two leads and the direction primarily. 10/10 Bethany Cox