Indiana Jones and the Raiders of the Lost Ark (1981)

  • Year: 1981
  • Released: 12 Jun 1981
  • Country: United States
  • Adwords: Won 4 Oscars. 38 wins & 24 nominations total
  • IMDb: https://www.imdb.com/title/tt0082971/
  • Rotten Tomatoes: https://www.rottentomatoes.com/m/Indiana_Jones_and_the_Raiders_of_the_Lost_Ark
  • Available in: 720p, 1080p, 2160p
  • Language: English, German, Hebrew, Spanish, Arabic, Nepali
  • MPA Rating: PG
  • Genre: Action, Adventure
  • Runtime: 115 min
  • Writer: Lawrence Kasdan, George Lucas, Philip Kaufman
  • Director: Steven Spielberg
  • Cast: Harrison Ford, Karen Allen, Paul Freeman
  • Keywords: nazi, 1930s, treasure hunt, treasure, saving the world,
8.4/10
85/100
96% – Critics
96% – Audience

Indiana Jones and the Raiders of the Lost Ark Storyline

With Adolf Hitler’s Nazis rumoured to have pinpointed the secret resting place of the fabled Ark of the Covenant, the sacred artefact that holds the Ten Commandments, the U.S. government enlists the help of the American archaeologist, university professor, and man of adventure, Indiana Jones. Assumed to contain an unfathomable destructive force, Indiana travels to the dangerous mountains of Nepal, and then, to mysterious Cairo, where he teams up with his old flame, Marion, and his friend, Sallah. But, this is a frenzied race against time, and the road to the coveted relic passes through Indy’s scheming arch-rival, Dr René Belloq, and the sadistic Gestapo commander Major Toht’s armed-to-the-teeth army. Can Indiana Jones prevent the Ark from falling into the wrong hands?

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Indiana Jones and the Raiders of the Lost Ark Movie Reviews

To me, this will always be the best of the Indianna Jones series

For me it is not only the best of the series but one of the greatest adventure films ever made. It is breathless excitement from start to finish, and to be honest I cannot fault it really. The production values are wonderfully evocative, and John Williams’s score is outstanding. The script is filled with wit and invention, and the story is slickly paced and exciting. The action is spine-tingling, with booby-trapped caves, snake chambers, Nazi spies, religious demons, damsels in distress and romance, and the special effects are dazzling especially in the superb climax. The direction is effortless, and there is little to complain about the acting either. The part of the unorthodox archaeologist fits Harrison Ford like a glove and Paul Freeman brilliantly plays a smooth villain. Karen Allen, Denholm Elliot and John Rhys-Davies are excellent as well. In conclusion, brilliant and if you haven’t seen it do. 10/10 Bethany Cox

The Ark Should Have Come With A Warning Label

Raiders of the Lost Ark marked the debut of Harrison Ford as Indiana Jones, two fisted archaeologist with a mean bull whip. The film also reawakened a longing in the American public for some good old fashioned pulp fiction adventure even if it is done tongue slightly in cheek.

Archeology certainly is a competitive business, but I think Indiana Jones takes it to an exponential level. He certainly has to when he’s dealing with the up and coming German Reich.

What they and Jones are after is high stakes indeed. Both have a lead on where the Ark of the Covenant might be buried. It was spirited away after the destruction of the second temple in Jerusalem, whereabouts unknown until the 1930s.

As the Good Book tells us the Kingdom of Israel was undefeated as long as the Ark was ahead of them in battle. So even with the Nazis rather well known policy about Jews, they’d like to have this thing with whatever powers it has.

It’s a pretty delicate matter. If you remember a soldier of King David was struck down for just touching the Ark as it was about to fall. You can catch that in the Gregory Peck-Susan Hayward film, David and Bathsheba. It should definitely come with a warning label.

Anyway, Ford ably assisted by Karen Allen, Denholm Elliott and John Rhys-Davies goes after it and has to battle the Nazis for possession. As for the Nazis, it’s like that old adage of being careful what you wish for.

Raiders of the Lost Ark was nominated for several Oscars and came away with a few in the 1982 ceremony for 1981’s films. After almost thirty years it’s still rollicking good entertainment.

As for Karen Allen and Harrison Ford. Go see Indiana Jones chasing down that Crystal Skull in theaters now if you want to find out what happened with these two.

Classic action adventure is pleasingly old-fashioned

Stephen Spielberg and George Lucas – once, two fine directors before they “sold out” to the masses – teamed up to create this outstanding adventure movie which brings back the classic days of the cliffhanging serials, with an intrepid hero, exotic locations, and lots of escapes from deadly traps and villains. RAIDERS OF THE LOST ARK is a film blessed with brilliant action sequences – some of the best ever put to film in my opinion – and plenty of jokes and comic relief (a little too much, actually) to make it fun to watch. Add in a great cast of fresh and veteran performers, one of the most memorable theme tunes ever and a plot which takes in locations including Brazil and Egypt and concerns the mystical Ark of the Covenant, and what you have is a genuinely pleasing blockbuster of a movie.

I remember watching all three films in the trilogy and loving them as a kid, as well as being terrified and having nightmares in some instances (and who’s to blame me, with all those POLTERGEIST-style rotting corpses dropping on Karen Allen in that dank tomb?). The adrenaline flows during the fluid, excellently-choreographed action scenes, which, like in John Woo’s films, are almost balletic in approach. I’m talking about the classic opening shots (which beats the entire TOMB RAIDER movie hands down, and probably inspired the original game) of Indy stealing a jungle idol and getting chased by a huge rolling boulder; the exceptional fist-fight between Indy and scary-looking Pat Roach by a rotating plane, and a fine set-piece involving Indy boarding a moving truck. There are lots of other bits in there too, but those are my favourite moments.

Harrison Ford stars in his most famous and best role and has Indy’s character spot on. He’s dependable, charismatic, handsome, heroic, brave and, best of all, very human: a character even the most cowardly of viewers can identify with. The strong supporting cast is also very good, with Paul Freeman memorably slimy as Belloq; Karen Allen as the slightly annoying female lead/love interest Marion (nothing compared to the irritating blonde in INDIANA JONES AND THE TEMPLE OF DOOM though); Ronald Lacey as the supremely villainous trench coated Nazi Toht, John Rhys-Davies as cuddly aide Sallah, and minor parts for Alfred Molina, Denholm Elliot and others.

Seen today, as an adult, what I most admire is Spielberg’s refusal to pander to a young audience. Yes, the film is violent, with bloody deaths and people being brutally shot and injured. There’s also refreshingly little sentimentality here – just constant breathtaking thrills and spills. Incidentally, the film was apparently a big hit in Italy, where directors were quick to rip it off for a whole sub genre of their own (HUNTERS OF THE GOLDEN COBRA, anyone?). Even whole individual scenes were lifted for the likes of TEASURE OF THE FOUR CROWNS, with a boulder-rolling escape for the hero, and LIGHT BLAST, with its memorably gooey melt-deaths copying the fantastic ones in this film. I still remember when I caught this on daytime telly a few years back and was disgusted to find that the shots of Freeman, Lacey and co. melting had been cruelly excised – surely top-quality special effects should be celebrated, not hidden away to avoid scaring youngsters. I was scared, and I’m still glad of it!