The Road Warrior (1981)

• Year: 1981
• Released: 21 May 1982
• Country: Australia
• Adwords: 8 wins & 10 nominations
• IMDb: https://www.imdb.com/title/tt0082694/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/Mad_Max_2
• Metacritics: https://www.metacritic.com/movie/the-road-warrior
• Available in: 720p, 1080p, 2160p
• Language: English
• MPA Rating: R
• Genre: Action, Adventure, Sci-Fi
• Runtime: 96 min
• Writer: Terry Hayes, George Miller, Brian Hannant
• Director: George Miller
• Cast: Mel Gibson, Bruce Spence, Michael Preston
• Keywords: sequel, dystopia, dog, action hero, post-apocalyptic future,

	7.6/10
	77/100

The Road Warrior Storyline

Wandering the deserted highways of an energy-starved dystopian Australia after eradicating the Night Rider’s followers in Mad Max (1979), the former patrolman, Max Rockatansky, finds himself roaming the endless wasteland scavenging for food and precious petrol. Suddenly, in the scorched wilderness, the hungry for fuel Max chances upon a small oil refinery; however, the place is under siege by Lord Humungus’ barbarian horde of biker warlords, hell-bent on destruction and mayhem. Now, to get his hands on as much gas as he can carry, “Mad” Max will have to provide the defenceless community with a powerful truck to transport the gasoline to safety; nevertheless, this is easier said than done. Is Max, the battle-scarred Road Warrior, up to the task?

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The Road Warrior Movie Reviews

This stirring movie in comic-strip style is packed with unbelievable car stunts, thrills, chills and noisy action

Violent movie about a futuristic road-warrior cop with high-velocity action and kinetic energy .This classic is set a few years from now, a dangerous, desolate post-industrial world of the future where rules the strongest law . It concerns about the ex-police named Max (Mel Gibson), some cutthroats and revenge takes place. The nasties attack , rape, ravage to hapless and unfortunates. But vengeance will be terrible against some bands of depraved crazies thirsty for blood on high facility roads. A group (commanded by Mike Preston) located at an oil fortress is besieged by motorised warlords looking for fuel and they’ll have to fight against the cutthroats, a band of depraved crazies (Vernon Welles and several others) thirsty for blood and survive some battles to-the-death with lots of blood and gore, including throating-slit ,beheading, impaling and blow up.

This exciting picture packs kinetic action , thrills, chills, shocks and abundant violence. Spectacular stunt-work plenty of motorcycle races, cars with bounds and leaps and explosions . Top-notch Mel Gibson as revenger angel at one of his first main roles, he embarks a spectacular escape against vicious murderous. Rumbling and screeching musical score fitting to action by Brian May. Special and weird futuristic atmosphere created by cameraman Dean Semler who reflects splendidly the barren outdoors. The motion picture is stunningly directed by George Miller, author of the excellent post-apocalypse ¨Mad Max¨ trilogy along with the writer and producer Byron Kennedy. It’s followed by ¨Mad Max beyond Thunderdome¨ with Tina Turner, George Ogilvie, Frank Thring and again Bruce Spence as sympathetic helicopter pilot. In addition, numerous imitations as the recent ¨Doomsday¨(2008, Neal Marshall), rip offs, and exploitations ,especially Italians products. Rating : Good, better than average, this is one of the most successful Aussie movie of all time. This remarkable action film will appeal to Science Fiction buffs. Rating : 8’5, Above average. Well worth watching.

Best of the trilogy, and a road chase classic

Apparently a big hit in Italy, considering the number of knock-offs and rip-offs that followed after its release, MAD MAX 2 is one of the grand daddies of the post-apocalypse genre, especially in a visual sense with the desert locations, bizarrely-dressed villains, tattered heroes, modified bikes and cars and raw action. This is a solid and well-paced little movie, my personal favourite of the MAD MAX trilogy, with better action than the first and not as silly as the third one. Although the budget isn’t the highest, the film contains some phenomenal scenes of action and stunts, especially the finale which involves about a dozen assorted cars and bikes chasing an oil ranker through a 2000-mile desert. The bleak Australian desert conditions can’t be bettered, and the thumping music – from Queen’s Brian May, of all people – really gets the adrenaline pumping.

At heart, this is still a pretty dark movie, with a large body count, brutal violence, and characters being killed off in scenes that you wouldn’t see in a Hollywood movie. Most of the good guys end up being brutally killed and even Max hardly makes it out alive at the end, a battered and scarred victim. Mel Gibson essays the role of Max once more and makes the hard-edged loner with an honest heart his own, and with only a little dialogue he creates a strong screen presence that not many actors could so assuredly achieve. Being an Australian movie of the ’80s, there are plenty of weird and bizarre characters, the most-remembered of which is the Feral Kid, who uses a razor-sharp boomerang to cut of people’s fingers and the like. The bad guys are dressed in outrageous costumes of chains and leather and led by the hilarious Humungus, a huge bald muscular bloke with a Jason mask.

Vernon Wells (later to play the chief baddie in Arnie’s COMMANDO) has a ball as Wez, a permanently psychotic biker with a mohawk who goes over the edge when his girlfriend is slaughtered by the Feral Kid, and his overacting is something to behold. Although the cast is comprised of unknowns, Bruce Spence really makes an impression as the “Gyro Captain”, a desert mechanic/eccentric who flies a bizarre contraption and supplies some of the film’s intermittent comic relief. The vehicle and costume design is imaginative, and combined with the locations gives the film a realistic look so that you really think that you’re in a futuristic world. All this and more is topped off by the excellent car chases, which are truly pulse-pounding and some of the best put on screen. MAD MAX 2: an odd – and unique – masterpiece, as only the Australians could have made.