Barry Lyndon (1975)

• Year: 1975
• Released: 18 Dec 1975
• Country: United Kingdom, United States
• Adwords: Won 4 Oscars. 19 wins & 15 nominations total
• IMDb: https://www.imdb.com/title/tt0072684/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/barry_lyndon
• Metacritics: https://www.metacritic.com/movie/barry-lyndon
• Available in: 720p, 1080p,
• Language: English, German, French
• MPA Rating: PG
• Genre: Adventure, Drama, War
• Runtime: 185 min
• Writer: Stanley Kubrick, William Makepeace Thackeray
• Director: Stanley Kubrick
• Cast: Ryan O’Neal, Marisa Berenson, Patrick Magee
• Keywords: based on novel or book, gambling, epic, 18th century, ireland,

	8.1/10
	89/100
	88% – Critics
	92% – Audience

Barry Lyndon Storyline

The rise and fall of the adult life of Irishman Redmond Barry (Ryan O’Neal), who, in his later life, would be known as Barry Lyndon, from the mid to late eighteenth century, is presented. Growing up in humble means, largely due to the early death of his aspiring lawyer father, the potential family breadwinner, Barry strives to live up to the standards of being a gentleman in every respect of the word, including monetarily. He leads a disjointed early adult life in trying to find his way, sometimes being unfairly given some hard knocks as the ways of the world work around him. He seems to find his stride in falling in love with wealthy and married Lady Lyndon (Marisa Berenson), who he ends up marrying following the death of her elderly first husband, Sir Charles Lyndon (Frank Middlemass). In taking over the affairs of the Lyndon mansion, Barry is able to live a means of his liking, all off the Lyndon’s now quickly dwindling wealth due to Barry’s squandering. As Barry is without money of his own, Mrs. Barry (Marie Kean) encourages her son to work toward a peerage as a means to have money of his own, as she fears that if Lady Lyndon were to die, she would leave all of what would remain of the Lyndon wealth to her son, Barry’s stepson, Lord Bullingdon (Leon Vitali), with whom Barry has always had an antagonistic relationship to the point of Lord Bullingdon wanting revenge on the woes that his stepfather has created in their lives. Outwardly, Lord Bullingdon may seem to be the cause of Barry’s fall, however, it may be more attributed to Barry being unable to adapt to any of the lives into which he is thrust to truly reach his goal of being a gentleman.

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Barry Lyndon Movie Reviews

Gee,…I feel like such an unsophisticated boob!

This is a movie that is often hailed as a masterpiece because of its godlike director, Stanley Kubrick. And I know I’m going to get some serious negative reactions out there, but I really didn’t like this movie at all and think it’s one of the most overrated films of the 1970s.

This is a costume drama that looks very pretty on the surface, but down deep it lacks a soul and any trace of warmth or humanity. Ryan O’Neil is inexplicably chosen to play the title character, though why this American was chosen I have no idea–particularly since, at times, he appeared to be half asleep during the film. This movie is just dreadfully dull and uninteresting.

I seriously wonder what would have happened if a lesser-known or obscure director had made this film. I’m sure it wouldn’t have received all the kudos and people might have recognized that it was a poor film.

After noting all the “not helpful” scores given to the other reviewers who panned this movie on IMDb, I guess I’ll just sit back and wait for them to start pouring my way!

One of Kubrick’s best and most misunderstood

Not his best(2001), but Barry Lyndon is a beautiful film that is so easily dismissed. I am fond of Stanley Kubrick’s movies, and I honestly think Barry Lyndon is one of his best. I am not sure about it being underrated, but it is almost certainly misunderstood. Yes it is long, and yes it is slow. The length didn’t bother me, and neither did the pace actually. The slow pacing as others have said is deliberate, it is essential to the rhythm of this film. Even if you can’t adjust to the film’s pace, so many other things compensate, especially the authentic period look, the ravishingly beautiful photography, Kubrick’s superb direction and a hypnotizing music score. The story is well constructed, as is the dialogue, while the acting is fine. Ryan O’Neal and Marissa Berenson have often been criticised, but I think their bloodlessness and vacancy are a strength rather than a weakness. That aside, Leonard Rossiter, Hardy Kruger and especially Leon Vitali give fine supporting performances, while the climatic duel scene is definitive and the narration from Michael Hordern is excellent. So all in all, actually an excellent film. 10/10 Bethany Cox

Irish social climber

Acclaimed by many as Stanley Kubrick’s finest, I think Barry Lyndon is a good film that misses being a great one due to some truly bad casting. I can only imagine such folks as Peter O’Toole, Richard Harris, and Albert Finney were off doing other projects that Ryan O’Neal was selected for the title role. Try as he might O’Neal is just way too American to fit the part of an 18th century Irishman who wishes to rise in society and not care how he does it.

I have to say that Kubrick’s recreation of the 18th century in both its look and mores is nothing short of magnificent. Small wonder that Barry Lyndon won Oscars for Costume Design, Best Music Score, Cinematography and Art&Set Design. The technical aspect he nailed down beautifully.

As for O’Neal in 18th century Ireland and assuming he’s a Protestant there are still limited means of opportunity. Seduced by Gay Hamilton his first love, she abandons him for marriage to a wealthy British officer. And when O’Neal refuses to leave she and her family play a very interesting trick which I won’t reveal to force him to leave.

After time in both the British and Prussian armies during the Seven Years War and some lucrative years at the gaming tables, O’Neal has his turn at seduction when he beds Marisa Berenson while she’s still married to the titled Frank Middlemass. Then he dies and O’Neal weds her and her money, but earns the undying enmity of her son Leon Vitali. That in fact seals his fate.

O’Neal and Berenson do have a child of their own and seeing the scenes between O’Neal and his own son made me think that Thackerey’s treatment of the father/son relationship was the model for what Margaret Mitchell did with Rhett Butler and Bonnie Blue Butler in Gone With The Wind.

Kubrick opted for a full treatment of Thackerey’s novel just as David O. Selznick did with Gone With The Wind. Unfortunately Ryan O’Neal just did not fit the title role as Clark Gable did with Rhett Butler.