A Woman Under the Influence (1974)

8.1/10
88/100

A Woman Under the Influence Storyline

The Longhettis are a working class family, Nick who heads a city works crew, and Mabel who stays at home looking after their three adolescent children, Angelo, Tony and Maria. Many people who look at the family from the outside believe Mabel is crazy, her behavior which Mabel largely attributes to her exuberance in trying to be who she thinks Nick wants her to be to put their family in a good light in whatever social situation. Nick too knows the perception others have of Mabel, he who tries to do whatever he needs to to protect her. An incident involving Mabel may cross that line for Nick of what he believes he can handle on his own, versus needing the assistance of medical professionals, all in protecting the children and Mabel from herself, but equally what he believes is the good Longhetti name. Nick’s collective actions in dealing with Mabel before, during and after this specific incident demonstrate how emotionally capable Nick is in his own right.

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A Woman Under the Influence Movie Reviews

Courageous and Uncompromising Film

This movie is a breakthrough – courageous and uncompromising view at the family and at the marriage where both spouses love each other deeply but they are both not well, they don’t know how communicate when somebody else present, even their own children. They could be happy on the deserted island but not surrounded by friends and families. I was fascinated by both, Peter Falk’s and Gena Rowlands’ performances. She looked like a little girl, trapped in a woman’s body – confused, insecure, listening to what is inside of her. When she said to her children, “I hope that you will never grow up”, she meant it because she never felt comfortable as a grown up. I could not take my yes off Rowlands. Her performance is on par with the best study of nervous breakdown I’ve seen, and this is Liv Ullmann in Bergman’s “Face to Face”.

Peter Falks was also a revelation – I love him as Lt. Columbo in the TV series but he is a completely different character here; in a way, he is as mentally unbalanced as his wife is. The fact that he loves her but never hesitates to abuse her makes him terrifying – you never know how he will act in the next moment, and he does not know himself. Directing and writing are absolutely first class, and I am very exited to see more films by John Cassavetes, the Godfather of American Independent film-making and a father of American “New Wave” 9.5/10

About as pleasant and enjoyable as gargling with razor blades!

I know that among film snobs that the films of John Cassavetes are considered amazing works of art. And, of all of Cassavetes films, this is his most famous because it was nominated for two Academy Awards. Yet, despite this and some very positive reviews, I felt that watching this film was like SLOWLY chewing on broken glass! It was thoroughly unpleasant and seemed to be in need of massive editing. As a play, this might have worked….as a film, I see it as something that the average film viewer couldn’t possibly enjoy.

The film consists of what appear to almost be home movies that last a very, very long time. The camera work is better than home movies but the graininess of the print and the complete lack of even minor editing made it seem like a movie not yet ready for the movies. There isn’t a lot of story. Instead it’s full of scenes were Gene Rowlands screams and yells–acting at times like she’s mentally ill but at others like she’s just a very nasty and occasionally self-destructive person (more like a person diagnosed with a Borderline Personality Disorder than anything else). And, as for her husband (played by Peter Falk), mostly he’s impassive…until he blows up and screams at her. If you like this sort of thing as well as knowing that it is an art house favorite, you’ll probably enjoy the film. As for me, it was a major chore to finish it.

Gena Rowlands’ immersive performance

Nick Longhetti (Peter Falk) is an angry hard working blue collar worker. His wife Mabel (Gena Rowlands) has some mental issues. She’s stressed out and manic. She gets into drunken one night stands. He flies into rages over her craziness. He loves her and never physically harms her. She’s sent to a mental institution for 6 months. He throws a large party for her return but his mother berates him for inviting so many people. Even with only the family, she is overwhelmed by the experience.

This is a showcase for Gena Rowlands’ acting abilities. She is worthy of her accolades. Her performance is completely immersive. Peter Falk yells a lot and matches her intensity. This is a movie for the acting classes.