Hang ‘Em High (1968)

7.0/10
62/100
92% – Critics
73% – Audience

Hang ‘Em High Storyline

Jed Cooper (Clint Eastwood) is accused by nine men of killing one of their neighbors and stealing his cattle. When he fails to convince them of his innocence, they hang him. Fortunately, there is U.S. Marshal Dave Bliss (Ben Johnson), who is in the area, and saves Cooper, who is then brought to Fort Grant for trial. Eventually, it is discovered that the man Cooper bought the cattle from was, in fact, the killer. Cooper is released, but still wants to get the nine men who hung him. Judge Adam Fenton (Pat Hingle) warns Cooper about taking the law into his own hands, who responds by saying that he knows the law, being a former lawman. The judge then offers Cooper a job as a Marshal. Cooper, while in a town picking up a prisoner, discovers one of the nine men and kills him after he draws on Cooper. When he returns to Fort Grant, Cooper learns that another member of the mob has turned himself in after learning of Cooper’s innocence. He provides Cooper with the names of the rest and Cooper leaves to round them up. On his way to bring in the lynchers, Cooper is sidetracked by a report of another rustling and murder. Upon finding the rustlers, one of whom was in the posse that lynched Cooper, the posse wants to lynch them, but Cooper insists that they need to be tried and is left to bring them in on his own. Following a difficult road back to Fort Grant, the remaining members of the posse that hung him try to buy him off, then decide that the only way they can live free is to finish the job and kill him.

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Hang ‘Em High Movie Reviews

A wonderful and underrated Eastwood western

Although Clint Eastwood is incredibly famous for his “spaghetti westerns”, this film was made domestically just after his spaghetti phase and I think it’s as good any of these movies (even “The Good, The Bad and The Ugly”). His acting is about the same, maybe a little better, but it’s nice to see his supporting cast is much more competent than what we’d been used to seeing. Pat Hingle, Charles McGraw, Bruce Dern and Eg Begley, Sr. all provide able support, as do lesser-known characters such as the “good man” about to be executed or the two young boys who assisted Dern in his cattle rustling.

So apart from an able cast, why did I like it? Well, the story was the key. Clint Eastwood was wrongfully hung by a lynch mob at the beginning of the movie. He miraculously survives and becomes a lawman bent on apprehending the men who almost killed him. Despite this, Eastwood’s character has depth and the movie really has something to say about frontier justice. Unlike some westerns, the bad guys are not ALWAYS killed by the Marshall but are brought to justice–which almost always means a hanging. Over time, Eastwood’s lust for vengeance diminishes, as it’s tough and not always a fair way to exact justice. You see and ultimately believe Eastwood’s internal struggle.

“If This Territory Is To Become a State………………..”

Hang ‘Em High marks Clint Eastwood’s return to the American cinema, taking his character from those Sergio Leone films back to the good old USA. And even giving the man with no name, a name.

In this case he’s Jed Cooper who has bought some cattle from some rustlers unknowingly and is accused of rustling and murder by a self constituted posse headed by vengeful Ed Begley. The dozen in the posse hang him.

Up to now this sounds like The Oxbow Incident. But unlike what happened to Dana Andrews, Anthony Quinn, and Francis Ford a very old and fraying rope was used. Eastwood’s neck doesn’t snap and the group don’t wait until he chokes to death. He survives and becomes a man with a mission.

The nicest part for Eastwood is he gets to do his mission with the imprimatur of the law. The best performance in the film comes from Pat Hingle who’s a no-nonsense hanging federal judge in the territory. He intends to see that laws are enforced and justice is swift.

Besides Hingle and Bailey, director Ted Post gives Eastwood a good cast of film and TV regulars in support. The tragic Inger Stevens is his leading lady here, a woman who’s got a vengeance quest of her own going and who really does understand what makes Clint tick. This was one of her last films, she was a troubled and tragic woman in life. A very sad loss.

Clint’s legion of fans will love this one.

Tough Eastwood western with a great soundtrack

Obviously styled on the Sergio Leone DOLLARS trilogy and with a similar approach to dramatic music and sun-bleached locales, HANG ‘EM HIGH is one of Eastwood’s toughest films. It has a plot that almost writes itself: Eastwood starts the film by being mistaken for a cattle rustler, at which point he’s lynched without trial. He somehow survives, and ends up becoming a marshall, vowing to track down the gang responsible.

That storyline is standard revenge fare for the genre, but two things lift this film above the norm: the style and the musings on capital punishment. As well as the various lynchings, one of the main characters (the great Pat Hingle) is a hanging judge and a (legal) execution sequence is the film’s most powerful and harrowing shot. As for the style, for much of the film the action carries along to a loud, crashing score which I loved and which suited the events perfectly.

Eastwood plays one of his sternest characters yet, a man always cheating death and driven by vengeance; there’s little of his laidback, laconic charm from the Leone trilogy. The supporting cast is excellent: tragic actress Inger Stevens makes her mark as a woman whose life is driven by her own dreams of revenge, there are tons of western actors present (Ed Begley, Ben Johnson, Bruce Dern, L. Q. Jones) and even an outrageous cameo from Dennis Hopper. The film grips your attention throughout until the final violent, inevitable conclusion.