The Hustler (1961)

8.0/10
90/100

The Hustler Storyline

With his friend Charlie Burns, “Fast” Eddie Felson has long earned whatever money he has as a pool shark, he and Charlie traveling the country hustling new unsuspecting targets at each stop. Against Charlie’s wishes, Eddie wants to give up his anonymity to prove that he is the best by taking on the best, namely Minnesota Fats whose home pool hall is the Ames in New York City. Eddie knows he’s talented, but gambler Bert Gordon, who Eddie meets at the Ames and who can also see that Eddie is talented, believes that Eddie needs more than talent to beat Fats. Bert wants to take Eddie under his wing to finance Eddie’s challenge, not only against Fats, but against all comers, in turn showing Eddie the character that he is inherently missing to be the best. The price?: a seventy-five percent cut. As Eddie decides what to do with regard to Bert’s proposal, Eddie begins a relationship with Sarah Packard, a woman who has as self-destructive tendencies as Eddie, she who is not averse to imbibing first thing in the morning. Being involved with Bert and Sarah may be incompatible in Eddie’s current life, especially as Bert and Sarah see different things that Eddie needs for fulfillment, which do not include the other person.

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The Hustler Movie Reviews

Superb film by a great director.

Because of his tragically erratic, often interrupted career, Robert Rossen is rarely put into the pantheon of great Hollywood directors. However, he produced three films which deserve a permanent place among the classics, All the Kings Men( probably the best film about American politics), Lilith( one of the greatest films about mental illness) and this, a movie which DESERVES to be ranked with the hundred greatest, and possibly the fifty greatest, American films. It is superbly acted, brilliantly photographed and edited, and directed with clarity and assurance. In a just world ( if there is such a place), an special Oscar would have been bestowed on Newman, Laurie, Scott, and Gleason AS A GROUP. Piper Laurie was unforgettably poignant, Scott unforgettably sleazy, and Gleason… well, Gleason simply IS Minnesota Fats. Paul Newman almost certainly deserved the Oscar.It was an amusing irony, perhaps a little joke by God, that the bartender in the movie was played by none other than Jake LaMotta.

It’s all about the acting…

“The Hustler” is a great example of a film with a relatively simple plot, simple sets, not a lot of action and yet it’s a great film nonetheless. Why is it great? The acting, writing and direction are simply superb and are great examples to folks in the field. So, without glitz, special effects and huge casts, you can STILL make a terrific film.

The story is simple. Fast Eddie (Paul Newman) is a pool hustler. But he wants to be more–he wants to be the best there is. The best, it seems, is Minnesota Fats (Jackie Gleason) and Eddie will do almost anything to beat Fats. It’s a mania…one that dogs him through most of the film.

In addition to amazing performances by Newman and Gleason, the film features particularly strong supporting performances by George C. Scott and Piper Laurie. The bottom line is that these four did a terrific job–thanks in no small part to a wonderfully written script and excellent direction. See this film.

An iconic classic and a contender for the best sports drama ever

There are some good sports films out there, drama or comedy, but few are as atmospherically made or as intelligently written with unforgettable performances as The Hustler. The whole film looks fabulous, with the photography not only looking beautiful and moody but adding so much to the gritty atmosphere, the pool scenes (especially the first one) beautifully shot. The set design is great as well. The jazzy music score is both intensely sleazy and emotionally sombre, like the photography adding so much to the mood. As said previously, few other sports drama are written as intelligently as The Hustler, the dialogue really provokes thought and has an almost poetic, searching quality and genuine meat, this is not skim-the-surface writing, this is meaty stuff that has an at times harrowing effect. A lot of it is quotable, who can forget Burt’s “you owe me MONEY”, George C. Scott’s delivery playing a huge part of its impact, without him the line could have been just ordinary. The same can be said for the story which gives the world of pool a grittiness and excitement, the pool scenes have intensity as does the almost scary conflict between Paul Newman and George C. Scott. This is ceaselessly compelling stuff with no sugar-coating, it’s not pleasant and can be downbeat but is done with such realism. The characters are far from black-and-white, for the types of characters they are they could have been easily, but flesh-and-blood complex characters especially Eddie and Sarah. The Hustler is brilliantly acted (all four leads giving among their best ever performances, a possible career-best for Laurie and Gleason), with Paul Newman giving one of his greatest and most balanced performances. And the supporting cast are just as unforgettable, with Piper Laurie at her most poignant and tortured, Jackie Gleason at his most restrained and most cool (remarkable for a performance that couldn’t be far different from his comedy roles) and especially George C. Scott at his sleaziest and most chilling. All in all, a sports drama that is hugely deserving of its iconic classic status, one of the best of the genre. 10/10 Bethany Cox