The Gun Runners (1958)

• Year: 1958
• Released: 01 Sep 1958
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0051687/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_gun_runners
• Metacritics:
• Available in: 720p, 1080p,
• Language: English, Spanish
• MPA Rating: Approved
• Genre: Crime, Drama, Film-Noir
• Runtime: 83 min
• Writer: Ernest Hemingway, Daniel Mainwaring, Paul Monash
• Director: Don Siegel
• Cast: Audie Murphy, Eddie Albert, Patricia Owens
• Keywords: fisherman, gun runner,

	6.3/10
	38% – Critics
	38% – Audience

The Gun Runners Storyline

Remake of “To Have and Have Not” based on Hemingway short story. Plot reset to early days of Cuban revolution. A charter boat skipper gets entangled in gunrunning scheme to get money to pay off debts. Sort of a sea-going film noir with bad girl, smarmy villain, and the “innocent” drawn into wrong side of law by circumstances.—

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The Gun Runners Movie Reviews

Deserves More Recognition

A remake of “To Have and Have Not” based on the Hemingway short story. The plot is reset to the early days of the Cuban revolution. A charter boat skipper (Audie Murphy) gets entangled in gunrunning scheme to get money to pay off debts.

Director Don Siegel may be the third person to tackle this tale, but he is not working fro ma dry well. By updating the story to involve the Cuban Revolution (before its success), the film takes on new life and now works as not only a great story but something of a historical document. Assisting Cuban rebels in 1958 may have had a very different sense at the time than it does today after fifty-plus years of Castro.

This was the first feature from the fledgling Seven Arts Productions, before they went on to make “The Misfits” (1961), “Lolita” (1962), and several others, including a large number of co-productions with Hammer films.

No Political Stand

Ernest Hemingway’s classic short story To Have And Have Not gets yet another remake, an independent production for Seven Arts that stars Audie Murphy taking the place Humphrey Bogart and John Garfield as Hemingway’s iconoclastic fisherman/charter boat skipper.

No Lauren Bacall like slinky low voiced siren to take our hero’s mind off business. In fact Murphy is happily married to Patricia Owens. But while he has a happy home life he owes some big money around Key West. His boat isn’t even completely paid for and the bank is breathing down his neck.

Eddie Albert maybe the answer to his financial prayers. He wants to charter Murphy’s boat for mysterious reasons for a trip to Cuba and remember this is 1958 and the Cuban government is rightly suspicious of strangers without proper clearance going to their island. In fact Albert is a gunrunner looking to sell to revolutionaries at a nice profit.

The film takes no political sides as to whether it favors the Batista government or the Castro revolutionaries. All you gradually learn along with Murphy is that Albert is one ruthless individual and quite the user.

Director Don Siegel shot this film on location in Newport Beach, California, curiously enough exactly where Michael Curtiz shot The Breaking Point, John Garfield’s film of this story. Bogart’s was done on the Warner Brothers back lot, none of them got anywhere near Papa Hemingway’s beloved Caribbean waters. Siegel did keep the action going at a good clip.

Audie Murphy showed a bit of versatility here as an actor, taking a break from the B westerns he was doing at Universal. But Eddie Albert who when he does play a villain does remarkably well as he did in The Longest Yard and Attack. One never thinks of him that way, his image is forever fixed with Green Acres, but he was a favorite of mine and his range never ceased to amaze me.

The Gun Runners is your average B picture film about a controversial political issue in which it takes absolutely no sides.

Third time still lucky!

It puzzles me why producer Clarence Greene and Seven Arts thought the public would go for yet another re-telling of Hemingway’s “To Have and Have Not” when both the Bogart-Bacall and Garfield-Neal versions are so widely regarded as definitive. But here it is, and I must admit that Mainwaring and Monash have added a few more suspenseful wrinkles to the screenplay and that Audie Murphy does surprisingly well by the Bogart-Garfield role. The other players are equally adept, particularly Eddie Albert as the chillingly convincing heavy and the lovely Gita Hall (in the first of only two movies, alas). And it’s always good to see players like Richard Jaeckel, Herb Vigran and Jack Elam in roles that allow them to display their talents.

Beautifully photographed by Hal Mohr on actual Key West locations, the movie also gives director Don Siegel some splendid action opportunities which he handles in his usual dramatic style, although the climax itself seems somewhat truncated by comparison with the preceding versions.