• Year: 2024
• Released: 14 Mar 2024
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt22863968/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/something_in_the_water
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Thriller
• Runtime: 86 min
• Writer: Cat Clarke
• Director: Hayley Easton Street
• Cast: Lauren Lyle, Hiftu Quasem, Nicole Rieko Setsuko
• Keywords: survival, shark,

	5.5/10
	false% – Audience

Something in the Water Storyline

Follows a group of five girlfriends who must fight for their lives in open water after a dream wedding transformed into a nightmare.

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Something in the Water Movie Reviews

• Year: 2023
• Released: 03 Mar 2023
• Country: Canada
• Adwords: 2 nominations
• IMDb: https://www.imdb.com/title/tt24417030/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/frontiers
• Metacritics:
• Available in: 720p, 1080p,
• Language: French
• MPA Rating: N/A
• Genre: Drama, Thriller
• Runtime: 95 min
• Writer: Guy Édoin
• Director: Guy Édoin
• Cast: Pascale Bussières, Mégane Proulx, Micheline Lanctôt
• Keywords:

	5.9/10
	53% – Critics
	false% – Audience

Frontiers Storyline

-Diane Messier lives on a farm in the Eastern Townships, near the American border, with her daughter Sarah and her two sisters, Carmen and Julie. Following a tragic accident, Diane feels constantly threatened and even believes her house is haunted. Worried by her daughter’s actions, Angèle returns from Florida to bring comfort to Diane and try to reunite the family clan.

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Frontiers Movie Reviews

• Year: 2023
• Released: 03 Jun 2024
• Country: United States
• Adwords: 1 win
• IMDb: https://www.imdb.com/title/tt18973958/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/new_life
• Metacritics:
• Available in: 720p,
• Language: N/A
• MPA Rating: N/A
• Genre: Horror, Thriller
• Runtime: 85 min
• Writer: John Rosman
• Director: John Rosman
• Cast: Sonya Walger, Tony Amendola, Hayley Erin
• Keywords: apocalypse, lethal virus, catastrophe,

	7.8/10
	26% – Critics
	false% – Audience

New Life Storyline

A mysterious woman on the run, and the resourceful fixer assigned to bring her in. Their two unique stories inextricably link, as the stakes of the pursuit rise to apocalyptic proportions.

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New Life Movie Reviews

Catch it if you can.

When Jessie (Hayley Erin) befriends a stray dog that, unbeknownst to her, has escaped from a laboratory, she becomes an asymptomatic carrier of a deadly ebola-like virus and goes on the run from the authorities. ‘Fixer’ Elsa (Sonya Walger) is hired to track down the girl before the contagion can spread, but finds that her increasingly debilitating medical condition, ALS (Amyotrophic Lateral Sclerosis), hinders her progress.

I attended one day at Frightfest 2023 in Leicester Square, my ticket for the main screen on the Friday. It says a lot about the overall quality of the films screened that day that this one was far and away the best (not including the closing film, That’s A Wrap, which I had to miss in order to get home). New Life is by no means a brilliantly original film, tackling a subject that has been done many times before, and it is extremely low-key, but it was entertaining from start to finish, with engaging performances and solid writing and direction from first-time film-maker John Rosman.

Rosman takes a different approach to the familiar subject matter, New Life more of a character-driven piece than an out-and-out horror movie (although there are still a few scenes of yuckiness), and while, on the face of it, the film is a fairly depressing tale in which ‘carrier’ Jessie unknowingly infects anyone kind enough to help her and ultimately has no chance of a happy outcome, it actually carries a surprisingly life-affirming message, Elsa ultimately learning from her quarry to appreciate what time she has left.

Eye of the tiger

No pun intended – I will not delve or rather explain my reasoning for choosing this summary line! If you know the song and watch the movie, you might be able to guess where my head is at. Or rather the head of our main actress! No this is not a boxing film – other than that I would advice you not to read anything about the movie. Go in blind – watch it without any preconception of what this will be .. it is quite worth it! This may be a slow burner, but when it finally gets going, it hits you quite hard (again no pun intended).

That all being said, the actors are amazing in this – considering what they have to go through, the parallels, between our two main characters and where they end up … and what that means .. if it even means anything … is this an open ending we get? Or is it conclusive and I just read something into it? Well you’ll be the judge, but really clever writing and superbly edited. You could argue the movie will be bit mean to you as a viewer … but you can take it … hopefully! And if you can, this will really hit a home run (finally not a boxing pun)

New Life is amazing.

New life was a shockingly good time! Caught a screening during panicfest and it was literally one of my favorite films at the fest! The “shocking reveal” halfway through made my jaw DROP. Parallel stories for both female leads was such a good move here. You really FELT the pain in both characters for different reasons. Filled with great performances, surprises, scares and heart- this film should not be missed! I got to experience a wonderful Q&A with the filmmakers and it was just an amazing experience!

Sonya Walger really really shines here.

Bravo John Rosman! What an intense, thrilling, harrowing experience.

• Year: 2024
• Released: 22 Feb 2024
• Country: South Korea
• Adwords: 5 nominations
• IMDb: https://www.imdb.com/title/tt27802490/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/exhuma
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: Korean
• MPA Rating: N/A
• Genre: Horror, Mystery, Thriller
• Runtime: 134 min
• Writer: Jae-hyun Jang
• Director: Jae-hyun Jang
• Cast: Choi Min-sik, Kim Go-eun, Lee Do-hyun
• Keywords: ritual, coffin, exorcism, grave, shaman, undertaker,

	7.2/10
	93% – Critics
	false% – Audience

Exhuma Storyline

Renowned Korean shaman and her protégé, Hwa-rim (Kim Go-eun) and Bong-gil (Lee Do-hyun) are enlisted by a wealthy Korean American family to identify the mysterious illness of the family’s newborn son. Hwa-rim uncovers the curse to be a ‘Grave’s Call’, a vengeful ancestor’s spirit haunting them. The family’s patriarch, Park Ji-Yong, entrust them to relocate the grave to appease the ancestor, his grandfather. Hwa-rim enlists colleagues, a Feng shui master Kim Sang-deok (Choi Min-sik) and a mortician Yeong-geun (Yoo Hae-jin).Sang-deok specializes in selling burial locations for the wealthy, while Yeong-geun owns a funeral home. During their first encounter with Ji-yong, Sang-deok becomes wary when Ji-yong insists on cremating the grave, which is located in a remote mountain near the North Korean border. Sang-deok backs out, sensing a sinister energy. However, Hwa-rim convinces them that she can perform rituals while the grave is being dug to avoid the curse. Ji-yong tells them about a famous monk named ‘Gisune,’ who provided the grave location for his grandfather.Hwa-rim and Bong-gil perform the ritual, and the excavation proceeds smoothly. One of the grave-diggers severs the head of a human-headed snake, which triggers a bad omen. Yeong-geun insists on cremating the coffin once the rain stops so they store it at a nearby ward. The local custodian opens the coffin and releases the vengeful entity inside, Ji-yong’s grandfather. The entity targets his bloodline, killing Ji-yong’s parents and Ji-yong himself. The grandfather is revealed to be a Japanese loyalist during the Korean occupation era. Before he can reach the newborn baby, Sang-deok cremates the coffin, abolishing the curse.Months later, Yeong-geun informs Sang-deok about the disturbed gravedigger who killed a snake. He revisits the cursed gravesite and discovers the head of an ‘onna’ along with a double burial site for a seven-footed standing coffin. He enlists Hwa-rim, Bong-gil, and Yeong-geun to dispose of the coffin. The four excavate it and rest at a temple, where Hwa-rim learns about Gisune Monk, who is Japanese. That night, Bong-gil witnesses a seven-foot figure obliterating a human and pigs. They find the coffin ripped from the inside. Bong-gil gets possessed and the other three witness the creature turn into a ball of fire and fly back to the mountain. The four are taken to a hospital and Bong-gil recovers after surgery.Hwa-rim investigates the creature’s origin through the possessed Bong-gil. Sang-deok returns to the grave and finds the creature dormant on the coordinates written on the tombstone. He discovers that the grave’s robbers were Korean patriots attempting to unearth a metal pole as part of a Japanese military conquest in Korea. Sang-deok, Hwa-rim, and Yeong-geun devise to unearth the pole when the creature rises after midnight. Hwa-rim will distract the shogun while the others dig. A vision reveals Monk Kitsune embedding a katana inside a decapitated samurai’s body, turning the samurai into a ghoul, with Ji-yong’s grandfather’s grave serving as a cover for the relic. Sang-deok realizes the pole is a sword embedded in the creature’s body. Using the Korean patriots’ wooden tool and blood, he slays the creature based on his elemental knowledge and regains consciousness with the others by his bedside. The four later attend Sang-deok’s daughter’s wedding.

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Exhuma Movie Reviews

an extremely well-crafted and ambitious horror film that has an uniquely korean historical/mythic DNA at its core.

Disturbing, eerie, and tense, the first half of Exhuma is an explosive mixture of south korean folklore and mythicism. It effectively evokes the universal dread and mystery regarding the afterlife, and what we, people still living and walking on this earth, can and should do with regards to that. The spiritual and supernatural bridge dangling between the two worlds. It works excellently as a paranormal occult horror film. Great atmosphere, never looses the steam, with fairly memorable moments.

But then it reaches the mid point of the film, something happens that made me not exactly sure about how I feel about this film as whole. To be clear: I still did like it a lot and it is nonetheless a strong film, but the aforementioned uneasiness and tension quickly goes away, and never quite reaches the same high as the previous half. It is a reveal/decision that I do appreciate: it is ambitious, creative, and is a big swing that we do not often see in a south Korean film. Also helps that practical effects accompanying it are simply amazing. However, the tonal shift/jarring nature of it kinda turned me off. I do recommend going into the film completely blind!

Kinda torn between 3.5 and 4 stars. It the film carried the strengths of the first two acts to the third act, and kept the film more consistent, it easily would’ve been4 stars and maybe 4.5. Again, still a great film and I highly recommend this to anyone interested in horror films with uniquely korean/asian DNA embedded to it.

Korean Horror Delves into the history of the Japanese occupation

“Exhuma” emerges as a bold tapestry of horror, weaving together an array of tropes that challenge the boundaries of the genre. Its narrative is a complex interplay of classic horror elements, grave digging, psychological twists, demon hunting, and unexpected comedy, creating a cinematic experience that is as unsettling as it is innovative. The overlay of the history of the Japanese occupation adds a layer of moral complexity. While some cultural symbolism may be lost on international audiences, the film’s deliberate pacing cultivates a tension that transcends cultural barriers, culminating in a climax that is both disorienting and impactful. “Exhuma” may not prioritize narrative clarity, but it compensates with a visceral journey through the macabre, leaving viewers with a lingering sense of unease and contemplation long after the credits roll. The film’s commitment to a slow-burn approach rewards patient viewers with a thought-provoking exploration of horror that refuses to be confined by conventional expectations.

The hype works at its best

True. In my country the ticket has gone up unreasonably. Reviews came from movie goers even experts e.g directors make this film as a must see not only for horror lovers but also korean movie lovers. Yes. The hype. Now does it worth it? My answer is no.

Actors are well known. The shaman lady supposed hold the major key to scare spectators. Kim Go Eun should have learnt from Vera Vermiga portraying the famous psychich Lorraine Warren. People have no idea how was Lorraine Warren in real. But Vermiga shows no matter her extra capability and expertise, she’s never in fine mood during scanning or experiencing any paranormal activity.

And when eventually the evil is a giant samurai is somehow outrageous. Never described how that’s possible. I am sensing classic Hollywood horror which exploiting unexplained creatures. Not stopping there, the giant samurai could alter into huge fireball. Ouch!

So I was so curious, because viewers comparing it with The Wailing, then I’m disappointed. Indeed The Wailing is a must see, way better plot and end in one horrific scene. Many other must see Korean thriller/horror movies are: The Call and The Forgotten.

Anyway my appreciation is on the script, connecting the history of Peninsula. Other thing to give a thumb up is the cinematography.

• Year: 2024
• Released: 12 Apr 2024
• Country: Canada, United States, Ireland
• Adwords: 1 nomination
• IMDb: https://www.imdb.com/title/tt22939186/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/arcadian
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: English
• MPA Rating: R
• Genre: Action, Horror, Thriller
• Runtime: 92 min
• Writer: Michael Nilon
• Director: Benjamin Brewer
• Cast: Nicolas Cage, Jaeden Martell, Maxwell Jenkins
• Keywords:

	5.7/10
	55% – Critics
	false% – Audience

Arcadian Storyline

Arcadian is about a man played by Nicolas Cage, and his twin teenage sons, Max Jenkins and Jaeden Martell, who must fight to survive in a remote farmhouse at the end of the end of the world. The challenges of growing up are made worse by the terrors awaiting the boys and their father after the sun has set.—Ben Brewer

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Arcadian Movie Reviews

Arcadian is frustrating as it has the potential to be a terrifying, but…

I’d Watch It Again

“Arcadian” claws its way onto the screen with a promising premise: a post-apocalyptic world where a father and his sons fight for survival against nocturnal horrors. Nicolas Cage delivers a subdued performance as Paul, the father desperately clinging to normalcy for his children.

Nicolas Cage is, as always, a compelling presence. His performance grounds the film, even when the shaky cam and creature design falter. The young actors portraying his sons are believable as well.

Overall, Arcadian is frustrating. It has the potential to be a terrifying exploration of survival, but shaky camerawork and underwhelming creature design hold it back.

Please, take off cameras from Parkinson’s DoP

I was growing slowly confident that finally we went off that time of movie industry where everything must be shot “run and gun” guerrilla style, I mean, where the camera is handheld and sequences are unstable and shaky.

This movie is shaky for the 98% of it.

The directory of photography never heard of tripod, steadycam, dolly or whatever could put a stop to his Parkinson’s movements all across every sort of shot.

This boring, unnecessary and constant shake makes this movie pretty much unwatchable, unless you view it on a mobile phone, otherwise get ready for motion sickness.

Please, directors, forget this handheld mania. It’s not 2010 anymore.

Lost Its Focus

The constant shakiness of the camerawork makes this film physically challenging to watch unless you have an iron constitution that prevents motion sickness. I found the most relief during the scene when the camera is mounted on an ATV. Otherwise, every scene rattles and blurs and bounces and trips on a rock, distracting from the quality acting, storytelling, and world-building. I would have really enjoyed seeing more of everything in the film, but I couldn’t focus fast enough before the camera swished up and down and vibrated until I had to look away. In the end, I listened to more of the movie than I saw of it, which is a shame because I was very excited after seeing the preview.

• Year: 1974
• Released: 19 Jun 1974
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0072267/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_terminal_man
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: PG
• Genre: Horror, Sci-Fi, Thriller
• Runtime: 107 min
• Writer: Michael Crichton, Mike Hodges
• Director: Mike Hodges
• Cast: George Segal, Joan Hackett, Richard Dysart
• Keywords: mind control,

	5.6/10
	41/100

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The Terminal Man Movie Reviews

Haywire & Empty Thriller.

Based on the Michael Crichton novel, this adaptation(directed by “Get Carter” Mike Hodges) tells the story of computer programmer Harry Benson, who, in an attempt to cure his brain seizures, agrees to an experiment where he has micro-computers implanted in his brain, in order to correct the faulty brain chemistry. Things don’t go as planned when his new mind starts to get pleasure from the violent impulses he now feels, and so escapes from the hospital, starting a desperate manhunt to prevent him from murdering anyone, and of course to cover-up the scientific failure.

George Segal is believable as Harry, and the rest of the cast is fine, and though Mike Hodges tries, this film is simply too dreary and downbeat to succeed, and by the end, there doesn’t seem to have been any discernible point to it all.

It manages to make a modern Frankenstein story dull…

… and I am not saying slow, which is different from dull. “Babbette’s Feast” is confined in cast and setting and although I guess you could call it slow, it is not at all dull. George Segal plays Harry Benson, a man with a form of epilepsy in which he becomes violent during his seizures and then awakens remembering nothing. He also is paranoid about machines controlling humans ten years before “The Terminator” was released.

His wife leaves him, and it looks like his outbursts will have him traveling through the criminal justice system which can do nothing for this situation or maybe he will wind up shot dead by some would be victim.

So some scientists think that Benson could be a beneficiary of an experimental procedure in which a small computer is implanted in his brain and his epilepsy is controlled by impulses the computer transmits. Post operation, things seem to be a success, but Dr. Janet Ross (Joan Hackett) discovers that Benson’s brain is becoming addicted to the impulses, and in time – and she actually can calculate the time – he will have more frequent and severe violent outbursts.

But before she can do any kind of medical intervention, Benson leaves. Apparently he has prearranged an escape with some woman he barely knows, sporting a blond wig so you can’t tell he just had surgery.

So the last half of the film is just Benson having those predicted seizures and becoming horrifically violent during each one. It doesn’t have the pathos or irony of the Frankenstein monster’s trek through the German countryside. Segal just begins to shake, his eyes roll up in his head, and he does violence to whomever and with whatever is at hand. That’s it. That’s essentially all that the last half is.

George Segal never really got the credit he deserved for some of the really good roles he had in the 70s. This is not one of those good roles, and I really don’t see how he or anybody else but the writer could have saved a film that is really only half there. I’d give the pre-escape part of the film a 7 or 8. I’d give the last half a three. This is where I come up with my 5/10 rating.

Overlooked and interesting 70’s science fiction effort.

“The Terminal Man” is written for the screen, produced, and directed by Mike Hodges (“Get Carter”, “Flash Gordon”, “Croupier”), based upon the Michael Crichton novel, and tells an intriguing story, the likes of which Crichton always excelled at, that combined science and thrills.

The likable George Segal stars as Harry Benson, a computer scientist who, since a car accident, has suffered from blackouts & seizures that made him dangerously violent. Now a team of surgeons is performing ground breaking surgery on him: attaching electrodes to 40 of his brain terminals that will hopefully counteract his violent impulses. However, as the viewer certainly suspects will happen, this doesn’t work, and his brain ends up craving the shocks / stimuli that it receives, and Harry loses control once again.

I can certainly understand the problems that some people may have with this production, as it’s really not the typical thriller at all. It’s slow, and it’s quiet; there’s not even that much musical accompaniment on the soundtrack. It does exhibit a fairly cold, clinical approach, and the emphasis on the story’s exposition will inevitably bore people more conditioned to non- stop action in what they watch. Even after Harry has made the expected escape from the hospital, he doesn’t spend that much time running amok, and certainly does not kill very many people.

But this movie *is* noticeably intelligent and thoughtful and does offer rewards for patient viewers. It has one striking murder set piece that’s rather artfully done; it takes place atop a water bed, and the sprays of water and the way the blood spreads definitely are what make the scene. And, like other movies of this kind, there is a certain wariness (voiced by Harry) on the part of mankind regarding the computer age and what it could mean for us all.

Another wonderful element to “The Terminal Man” is its incredible cast of both stars and rock solid character actors. Segal is effectively low key in the lead, and is nicely supported by Joan Hackett, Jill Clayburgh (in a small but welcome appearance), Richard Dysart, Donald Moffat, Matt Clark, Michael C. Gwynne, William Hansen, and Norman Burton. (It’s particularly fun to see Dysart and Moffat sharing scenes eight years before they did John Carpenters’ “The Thing” together.) And playing smaller roles are the likes of James B. Sikking, Steve Kanaly, Jack Colvin, Ian Wolfe, Lee de Broux, Victor Argo, and Nicholas Worth.

This is all reasonably engaging stuff, leading up to an ending that, while somewhat conventional, is staged in a very unique way. All in all, “The Terminal Man” is a good movie that does deserve to be discovered or rediscovered.

Seven out of 10.

• Year: 2018
• Released: 07 Feb 2019
• Country: Russia, France, Armenia
• Adwords: 3 nominations
• IMDb: https://www.imdb.com/title/tt5966602/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_factory
• Metacritics:
• Available in: 720p, 1080p,
• Language: Russian
• MPA Rating: N/A
• Genre: Crime, Drama, Thriller
• Runtime: 109 min
• Writer: Yuriy Bykov
• Director: Yuriy Bykov
• Cast: Denis Shvedov, Andrey Smolyakov, Vladislav Abashin
• Keywords:

	6.7/10
	40% – Critics
	false% – Audience

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The Factory Movie Reviews

A masterpiece

I loved this movie, like all of his previous ones, there is a common dark atmosphere and a raw look into Russian society and mankind in general.

The actors are excelent, the script is brutal and honest, the writing is very good and it will make you think in the end.

It’s a movie about man, greed, despair, numbness, lost souls, what’s not to love.

A Russian version of « Aux armes, citoyens! »

The atmosphere is profoundly dark with a medieval exploitation of Russian workers in an outmoded factory in the suburbs of a small industrial town. Unless you are born with a silver spoon in your mouth and/or suffer from aggravated autism, you should be immediately in empathy with this bunch of no-hopers who rebel mainly because of a lack of choice against the oligarch who informs them, coldly and without any qualm, the impending closure of the factory. The continuation is a modern and military adaptation of Germinal (Émile Zola, 1885).

Moreover, as the society is profoundly changing, this story is probably a harbinger of manifold similarities in the real life, as the ravages of the French « gilets jaunes » which have been world-widely broadcasted.

Brutal. Cold.

Atmospheric, bleak. I really liked the beginning scene, as a russian citizen I quite felt that. Bykov does a great job at portraying good shots, I believe them. Brings the memories of watching “The prisoners” by Denis Villeneuve. Characters are good, almost everyone has a unique story and something in common – nothing to lose. Well, not exactly. Freezing metal, never ending night rain, sad reality which pursues the workers of the factory. Welcome to zavod, tovarishi.

Some scenes feel incomplete, obscure and break the dynamic. Several action moments are unpredictable and better than today’s Hollywood junk. The story itself is good, but not great, at least for me. For non russian viewers it will seem odd, probably. I didn’t get what Bykov had to say specifically. Maybe something about people’s egoistcal nature, two completely different figures fighting against each other ideologies, but are they really that different? Perhaps not.

• Year: 2024
• Released: 15 Mar 2024
• Country: India
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt16139258/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/yodha
• Metacritics:
• Available in: 720p, 1080p,
• Language: Hindi
• MPA Rating: Not Rated
• Genre: Action, Drama, Thriller
• Runtime: 130 min
• Writer: Sagar Ambre
• Director: Sagar Ambre, Pushkar Ojha
• Cast: Sidharth Malhotra, Raashi Khanna, Disha Patani
• Keywords:

	6.0/10
	false% – Audience

Yodha Storyline

After failing to secure a hijacked aircraft and suffering a huge collateral – the system makes commanding officer Arun Katyal the scapegoat of his elite unit, the Yodha Task Force. As a result, Arun loses his uniform, family, friends and his wife. Years later, another flight gets hijacked and the system is shocked to find Arun on board in very mysterious circumstances. All evidence points towards Arun being on a mission for revenge against the system that snatched everything away from him. Is Arun really a traitor or is he the patriot that his father wished to be? It all unfolds in a high octane action packed thriller – 15,000 feet in the sky.

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Yodha Movie Reviews

• Year: 2024
• Released: 26 Apr 2024
• Country: Canada
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt16280912/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/humane
• Metacritics:
• Available in: 2160p,
• Language: English
• MPA Rating: R
• Genre: Horror, Thriller
• Runtime: 93 min
• Writer: Michael Sparaga
• Director: Caitlin Cronenberg
• Cast: Jay Baruchel, Emily Hampshire, Peter Gallagher
• Keywords: dystopian,

	5.3/10
	35% – Critics
	false% – Audience

Humane Storyline

In the wake of an environmental collapse that is forcing humanity to shed 20% of its population, a family dinner erupts into chaos when a father’s plan to enlist in the government’s new euthanasia program goes horribly awry.

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Humane Movie Reviews

Great Concept, Horrible Execution

I watched Humane. I liked the idea. And the movie kept my interest. But I just couldn’t really believe it.

If D. O. C. S. did all that, (by “all that,” I mean details that would spoil the movie if I were to write them,) and any family knew about it, that information would spread like wildfire. It wouldn’t have been a big surprise to the family.

The end was cheesy AF. Not believable at all.

I disliked the politics of the film also. It would have been way more believable to have the World Health Organization doing all of it, rather than a single political party.

There are numerous other things that just didn’t add up in it also.

Buuuuut… it held my interest. And the CONCEPT of the film was very original and intriguing, which is way more than I can say for the other movies coming out nowadays. The movie was good, but it could have been great with just a bit more thought put into it.

It’s not bad

So I won’t go into a movie summary since IMDb already does a pretty good job of doing that. It is watchable, but kind of slow to get started. The acting is very average for all involved except for the two main character husband and wife…they of course are quite seasoned. The soundtrack, yea that is really lacking. And actually takes away from many scenes while always playing softly in the background. But where this film is actually quite strong is the cinematography. Whoever the cinematographer was for the movie knew his business. Not a single shakey-cam anywhere. They set up the scenes and and shots it all really well. That is something so new. Typically it is annoying shakey-cam and high school level film class shots. So it’s worth a watch.

nice enough idea but can’t carry the whole movie

The concept of this movie is pretty good, government needs to reduce population so pays people to be euthanised. Rich guy invites family round to tell them he’s enlisted to do this. All kinda makes sense and can go along with the general idea.

The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.

But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.

Nice idea. Ok to watch, could have been waaay better in every single way.

• Year: 1973
• Released: 29 Dec 1973
• Country: Japan, Iran
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0174699/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/golgo_13
• Metacritics:
• Available in: 720p, 1080p,
• Language: Japanese
• MPA Rating: N/A
• Genre: Action, Crime, Thriller
• Runtime: 104 min
• Writer: Takao Saitô, K. Motomitsu
• Director: Jun’ya Satô
• Cast: Ken Takakura, Mohsen Sohrabi, Jaleh Sam
• Keywords: hong kong, killer,

	6.1/10
	false% – Audience

Golgo 13 Storyline

Golgo 13 is assigned to murder a man named Boss Goa.

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Golgo 13 Movie Reviews

A recently rediscovered gem

Junya Sato’s Golgo 13 is a much more human and melancholy adaptation of the source material, it loses the seemingly superhuman aspects of his anime counterpart. Making gorgeous use of a pre-revolution Iran, a decidedly off-the-wall idea even for the time and one that gives it a unique flavour, sees a perfectly cast Ken Takakura in the title role radiate with an ice-cold countenance matched only by his deadly skills and irresistibility to women. Oozing with menace and masculine suave, Golgo 13 trudges across desert landscapes, a man on a mission, decidedly anti-heroic but brilliantly realised encountering kaleidoscopic villains along the way. Excellently shot and choreographed action, striking editing and a classic slice of Toei-style orchestration for its soundtrack give Junya Sato’s Golgo 13 a decidedly Spaghetti Western tinge. I can’t thank Eureka Entertainment enough for finally giving this movie the attention it so justly deserves.

Looks like an amateur movie.

Ridiculous cheap japanese action movie. The action occurs in Iran, a surrealist Iran since everybody seems to speak japanese fluently, where is the logic ? The main character is not charismatic and hardly talks during the whole movie. Each detail seems ridiculous: the killed people close their eyes when they die, the burned cars are empty while there were full of gangsters during the car chase, etc.

Unfairly obscure Japanese/Iranian action gem

This is an early live-action adaption of a manga comic of the same name. I think the best way to think of it is as a Japanese version of James Bond. Except in this case the lead character is a hired professional killer (in fairness Bond was really more this than an actual spy) and, as could probably be expected given its Japanese origins, it’s decidedly more violent. In actual fact, despite a few moments of memorable humour, this is hardly campy fare and is more an example of straight-ahead gritty 70’s action. The lead character Golgo 13 is played brilliantly by Ken Takakura, who looks like a genuine bad ass throughout the picture. This is clearly a character that deserves to be better known. As does the film itself. It remains extremely obscure. Having seen it I find this a strange scenario as this is not a ropey z-grade film or avant-garde oddity but a pretty well made b-movie with lots of action and memorable scenes. Aside from its strengths as a solid action flick, one of its main interest factors nowadays is that fact that it is set in pre-Revolution Iran. Set in and around Tehran the action roves around the streets of the city, the ancient ruins and holy temples. There is even a nightclub with an erotic dancer. It’s a time-capsule scenario where we see a far more liberal culture very different to the one we know today. It makes a really great backdrop for the events in the film – simply something we are not accustomed to seeing any more.

The story has Golgo 13 hired to take out a villain called Goa who has been killing secret agents as well as conducting a terror campaign in which many women have been abducted from the streets. Nothing much is known about Goa but it eventually becomes clear that he has a pet parrot, which results in a genuinely hilarious ending – you really have to see it to believe it. This is a film that it almost goes without saying deserves to be seen by a far wider audience. It remains so far off the radar that it barely even qualifies as a cult item! I say seek it out, it holds up very well compared to the best of the western urban action movies of its day. It’s tough, cool, strange and unique – it is well worth your time checking this one out.

• Year: 1999
• Released: N/A
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt1619856/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/mulholland_dr
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: TV-14
• Genre: Drama, Mystery, Thriller
• Runtime: 88 min
• Writer: David Lynch
• Director: David Lynch
• Cast: Justin Theroux, Naomi Watts, Laura Harring
• Keywords: investigation, pilot, audition,

	8.2/10
	87% – Critics
	false% – Audience

Mulholland Dr. Storyline

Yearning to spread her wings and make a name for herself in the cut-throat world of Hollywood’s film industry, instead, the bright-eyed actress, Betty, has a chance encounter with the amnesiac and alluringly mysterious brunette, Rita. Having survived a terrible car accident, Rita struggles to piece together the fragmented memories of what happened just before the incident, to find out who she is; however, this is easier said than done. Now, Betty and Rita embark on a mission to unearth clues scattered all over Hollywood. Is there a shocking truth hiding in plain sight on the winding Mulholland Drive?—Nick Riganas

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Mulholland Dr. Movie Reviews

A movie that really leaves ultimately everything up to you

I can’t get over this movie. WOW.

How do I put what I feel into words? OK, let me give it a shot. Have you seen or felt something that leaves you wondering or sweeps your feet away? This movie does exactly that. The twists and turns that happen along the way just blows you away.

I think you’d need to watch this movie a couple of times so you can at least “TRY” and comprehend what Lynch is trying to say.

If this isn’t the best movie I’ve watched, I don’t know what is!

20/10 rating if that was possible.

Not the movie, but still very well-made

So the backstory of this TV Movie/Pilot is well-told, Lynch made this as a pilot for ABC. ABC didn’t want it, so Lynch moved on. But, it still lingered in his mind a year afterward and decided to rework it into a feature film.

And while this pilot is missing some of the best elements of the Film, it is still a well-acted, well-directed, well-shot, and thrilling TV Movie that has scenes that pretty much all ended up in the final feature film in 2001.

And even with the poor quality of the copy I watched, it is still incredibly entertaining and there is a perfect atmosphere that lingers throughout the 89-minute runtime. I don’t think this would have worked well as a TV Show, and it turning out to eventually be made into a feature is something that was the best thing that could have happened to this story, David Lynch, Naomi Watts, and Justin Theroux.

The full pilot is on YouTube if you want to check it out, for a pilot it is quite amazing and I believe you won’t regret watching it.

So glad that this became a feature

In 1999 David Lynch was tasked with this TV series pilot that was ultimately rejected by ABC. Once Lynch said in an interview that he is “a sucker for a continuing story”. I think the remark is pretty down right. Look for instance at “Twin Peaks” and Lost Highway, both of which I am a big fan of. Also consider Inland Empire as well as all the post-2001 shorts, of which I am not a fan at all.

Be as it may, in this one case the miracle happened. Lynch took the rejected pilot from the drawer and made it in a great full feature film, released in 2001, after re-shooting a few scenes and adding several others. Mulholland Dr. the feature, an apparently elusive but ultimately full sense-making story, is the best of Lynch’s so far, in my opinion, and one of the best movies of the last twenty years.

Now looking back at the pilot, I could not be more grateful that things went the way they did. The episode as such is great looking and builds up a lot of atmosphere. It is definitely of a far superior quality than the average TV show, probably even better than the “Twin Peaks” pilot. But precisely because of this, Mulholland Dr. the pilot deserved more than being just the first episode of a series (and of course more than being left in a drawer).

When you consider it, the pilot has so many merits it is hard to believe it was made for TV. The score by Angelo Badalamenti, the cinematography by Peter Deming, the production design and the technical values in general are all top notch. And what’s more, the acting is superb. Harring and Watts are mesmerizing and it is no surprise that they (especially Watts) went on to star careers after the full feature was released. Watts delivers according to her standards, i.e those of one of the best actresses of her generation. While the same cannot be said of Harring, she is nonetheless good and brings forth a lot of noir atmosphere, sheer sexiness and emotion. And the supporting cast also do an exceptional work, making all of the characters memorable. Just think of then relatively unknown Theroux playing the utterly unlikable film director or of veterans Hedaya and Forster. And of course, the characters are good because the dialog is so good.

Overall, this is clearly not required viewing if you are not a hardcore fan of David Lynch, in which case go to the 2001 movie instead. However, if you already saw and liked the movie, the pilot becomes interesting as it shows how Lynch, for once, beautifully closed the loop. Something that I have missed him doing in the last ten years.

• Year: 2021
• Released: 13 May 2021
• Country: India
• Adwords: 3 nominations
• IMDb: https://www.imdb.com/title/tt10888594/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/radhe
• Metacritics:
• Available in: 720p, 1080p,
• Language: Hindi
• MPA Rating: TV-MA
• Genre: Action, Crime, Thriller
• Runtime: 109 min
• Writer: Vijay Maurya, A.C. Mughil
• Director: Prabhu Deva
• Cast: Salman Khan, Disha Patani, Randeep Hooda
• Keywords: police, gang war, cop,

	1.9/10
	61% – Critics
	false% – Audience

Radhe Storyline

Drugs mafia has increased in India where more and more youngsters are addicted to drugs and taking their lives ,The Mumbai police decides to get back suspended officer Radhe on duty to clean the city.Radhe joins soon and firstly makes two rival groups of Dagdu Dada and Dilwar to join hands as they are against drugs business and will help him clean the city.Radhe’s reporting officer is funny ACP Avinash Abhyankar who runs away with Radhe’s credits while Radhe loves Avinash’s sister Dia and pretends to be an upcoming model.Rana the drug lord who has landed in Mumbai and forces people to sell drugs and gets Dilwar killed from his brother Mansoor who works for him,Radhe manages to trace Rana which starts a long cat an mouse race between them.—alex.mjacko@gmail.com

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Radhe Movie Reviews

As always.

This is the best movie if you want to nit watch it.

Very poor performances by all artist .

Donate money for Corona patients rather to waste for radhe.

Salman has competition from himself to make worst movie.

And he won this time too.

Trash of the year

Storyline Trash, Acting of Salman khan Trash, songs are Trash, Randeep hooda and Jackie Shroff’s acting not save the movie.

So, my final rating for overall this trash is 1 out of 10, so plz don’t waste your time on this garbage.

• Year: 2014
• Released: 18 Oct 2014
• Country: United States, Canada
• Adwords: 2 nominations
• IMDb: https://www.imdb.com/title/tt3831810/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/big_driver
• Metacritics:
• Available in: 720p,
• Language: English
• MPA Rating: Not Rated
• Genre: Crime, Mystery, Thriller
• Runtime: 87 min
• Writer: Stephen King, Richard Christian Matheson
• Director: Mikael Salomon
• Cast: Maria Bello, Ann Dowd, Will Harris
• Keywords: revenge, rape and revenge, mystery writer,

	5.6/10
	29% – Critics
	false% – Audience

Big Driver Storyline

Driving home along a generally unused country road following a speaking engagement, famed mystery novelist Tess Thorne experiences a flat tire on her car. She accepts the help of who she believes is a good Samaritan who stops to help her, but who instead rapes her, leaving her submerged in shallow water in a drainage pipe as dead. She found out that he actually orchestrated her getting the flat tire just moments before the rape. Alive, she, in shock, is able to make her way home, but she does not go to the hospital, dealing with her wounds herself, does not call the police, or tell any of her friends or acquaintances how she sustained her obvious injuries. Once the issue of what happened to her settles into herself, she decides to use her skills as an investigative writer to find out the reason behind what happened – if she was a random or targeted victim – and especially if the latter, how best to use that information to her advantage. Using her stories’ grandmotherly heroine, Doreen Marcus, as her inspiration, Tess decides that the best course of action is revenge, and figuring out a way not to get caught. In the process, she may discover more than she bargained for.—Huggo

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Big Driver Movie Reviews

A distinct King film

If you’re at all familiar with the work of Stephen King then you wouldn’t even need to be told this was an adaption of one of one of his short stories to know it. It has his signatures written all over it from the talking GPS, the elderly character from one of our heroines book who is an extension of herself, the dark humour – it’s all there. I’m told this sticks very faithfully to the book and I’ve always felt adaptations of King’s work are at their best when they do this.

It’s very similar to Jodie Foster’s 2007 film ‘The Brave One’. A woman taking revenge for a heinous crime committed against her. These days the revenge genre, when the lead character is a man, has become a little stale so filmmakers are having to think up creative ways to keep it interesting with unique killing styles and traveling half way across the globe to find their prey. It seems the female lead character is still fresh enough though that the revenge can be enacted in a pretty straight up and down way.

For a TV movie the quality is certainly all there. The acting is very decent and the story never drags nor feels rushed. Maria Bello impressed me in the lead role. She was gritty and believable and never makes you turn against her which is very important in this type of film. It never really does anything original enough to be considered great which is the only thing holding it back. But overall a good watch.

Maria Bello is a Superstar

The lead actress in this movie gives a staggeringly superb performance.

She is a famous fiction writer who becomes the victim of a horrendous crime and decides to seek revenge.

The problem with this film is that it is presented in the screwball style(the story comes from Stephen King) which turns it into what the English call a ‘black comedy’ with imaginary characters and objects speaking out loud and the dead talking after their demise. Despite these challenges, the lead player still manages to make this a compelling view:

7/10.

View more than once

This is written after my second viewing, not having remembered the first viewing when I first got a copy of it, judge that how you like.

Unabashed fan of anything Stephen King and almost anything that Maria Bello is in, this is a good watch. It starts off at a pedestrian enough pace, has a shocking bit that he viewer has to digest then powers on and builds to the climax like almost all Stephen Kings writing does with twists along the way.

Some of the story is a little predictable, but the acting by all concerned is well above average which made the movie quite believable. No silly mistakes and drawn out sequences where the villain gains a temporary upper hand like most revenge movies was a nice change.

Overall an enjoyable movie, but not for the faint hearted.

• Year: 2024
• Released: 26 Jan 2024
• Country: India
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt30429449/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/case_of_kondana
• Metacritics:
• Available in: 720p, 1080p,
• Language: Kannada
• MPA Rating: N/A
• Genre: Crime, Thriller
• Runtime: min
• Writer: Deviprasad Shetty
• Director: Deviprasad Shetty
• Cast: Vijay Raghavendra, Bhavana, Kushee Ravi
• Keywords:

6.1/10

Case of Kondana Storyline

In the outskirts of Bangalore lies the fictional town of Kondana, where ASI Wilson, portrayed by Vijay Raghavendra, joins the police force. Known for his aggressive nature, Wilson’s first day clashes with a local gangster. Meanwhile, his love life with Sahana, played by Kushee Ravi, faces obstacles as her brother rejects Wilson’s proposal. ACP Lakshmi, played by Bhavana Menon, leads the search for a notorious killer and thief, posing the department’s biggest challenge. Raju, a North Indian panipuri seller, struggles to save his ailing son Basanth. As their paths intertwine, a mysterious case in Kondana connects them all, forming the gripping crux of the story.—Director

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Case of Kondana Movie Reviews

• Year: 1988
• Released: 14 May 1988
• Country: Japan
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0223150/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/door
• Metacritics:
• Available in: 720p, 1080p,
• Language: Japanese
• MPA Rating: N/A
• Genre: Horror, Mystery, Thriller
• Runtime: 95 min
• Writer: Ataru Oikawa, Banmei Takahashi
• Director: Banmei Takahashi
• Cast: Keiko Takahashi, Daijirô Tsutsumi, Shirô Shimomoto
• Keywords: salesman, home invasion, back stabbing, obsessed with a woman, house intruder, suspense,

	6.6/10
	false% – Audience

Door Storyline

After several strangely threatening calls from a local salesman, a homemaker becomes increasingly afraid to answer her apartment door.

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Door Movie Reviews

Doa ni oto shinaide kudasai

Yasuko (Keiko Takahashi) is alone. The kind of alone where even though she has a husband and a son, she’s alone. Longingly alone. Trapped at home all day, unless she’s running errands. She lives for her family and the only people that she often interacts with are the constant sales calls and salesmen knocking at her door. Some of them are pretty determined. Not all of them are as deranged as Yamakawa (Daijirô Tsutsumi).

He wants to sell her English lessons and she’s made a mistake by leaving the door just chained and not locked. His invasion of her high rise apartment is dealt with by slamming the door, injuring his hand. That’s not where things end.

Yamakawa — like many of the salesmen — knows way too much about his marks. Now, he starts calling Yasuko constantly, breathing heavy, leaving obscenity-laced messages and even leaving tissues stained with his bodily fluids in her mailbox. He nearly gets into her bedroom before her son comes home from school. Yamakawa is innocent now, joining mother and son for a friendly dinner, an invader smiling at the table.

Director Banmei Takahashi, who co-wrote Door with Ataru Oikawa, has a career filled with movies that infuse sex and violence. Incredibly, Keiko Takahashi is his wife and he puts her through hell here, but in the final moments of the movie, she rises above, literal chainsaw in hand, and pays her attacker back. She never apologized for breaking his hand and she’s not about to apologize now.

This was followed by two sequels, Door II: Tokyo Diary about a call girl and the risks she takes, and Door III, in which a salesgirl is “stalked by the strange and supernatural,” which means that now I need to hunt down both of those movies.

Man, the sound of that doorbell is making me nervous now.

Don’t open … the Door

No pun intended – also the main character does not want to do that anyway. I reckon you could call that clever. On the other hand, certain circumstances make things even worse. It also says a lot about your neighbors who care more about when you take the trash out (there are only certain days you are allowed to do so – stinky floors and all that), but not so much about your well being.

The apartment is quite big I have to admit. I reckon the man of the house earns a lot of money – never been to Japan but I don’t think the 80s were cheaper than they are now … and now apparently it is quite … well expensive. So suspend your disbelief and go or rather stay home with those crazy characters.

Some interesting effects – and a mother who has to go above and beyond … who is left to clean up the mess though? Well you have to watch and see … it is a slow burner for most of the time … but when the mayhem starts … well there is no hiding … especially when the camera follows you (a scene that is shot from above is just amazing to say the least) …

it has much suspense

I really liked this and it was so much more thrilling than I thought it would have been. She is there as a beautiful mother and her sweet little boy in this high rise apartment and threatened one after another with spam calls and door to door salesmen. Just this couple and these annoying interruptions and between that front door. It is a strong one, often in Japan being a steel one, and with splendid locks and chain. But there is one guy who is really upset and is sure that he was going to get in. It begins to get something more personal. It is clever that although we are really just in this flat for about an hour it has much suspense and then he gets inside and it is something else. Of course it becomes terrible but somehow Banmei Takahashi also provides some humour and I just about manage to smile in between.