• Year: 2024
• Released: 03 May 2024
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt29919979/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/prom_dates
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: N/A
• Genre: Comedy
• Runtime: min
• Writer: D.J. Mausner
• Director: Kim O. Nguyen
• Cast: Patty Guggenheim, John Michael Higgins, Chelsea Handler
• Keywords: high school, coming of age, prom, teenage girl, pact,

	5.0/10
	false% – Audience

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• Year: 2016
• Released: 03 Jun 2016
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt5670394/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/wedding_bells
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: TV-G
• Genre: Comedy, Romance
• Runtime: 84 min
• Writer: Les Alexander, Rob Gilmer, Julie Sherman Wolfe
• Director: Gary Yates
• Cast: Danica McKellar, Kavan Smith, Tammy Gillis
• Keywords:

6.3/10

Wedding Bells Storyline

In Manhattan, fashion designer Molly Quinn and executive chef Nick Turner were once set up by their respective best friends, couple Amy and James, but there were no romantic sparks largely in their differences. Molly’s style is classic and timeless, while Nick’s is modern and trendy. While Nick’s style of cooking is experimenting with flavor combinations in putting together the perfect bite of food, Molly is theoretically allergic to “chef foam”, she believing the two major food groups being ranch dressing and bacon, both in large quantities. Even if there were sparks, they would both probably have denied it in being afraid of commitment, albeit each for different reasons. Now in being maid of honor and best man for Amy and James, Molly and Nick have to band together to figure out a way for the wedding to happen after Amy’s wealthy parents, who were to pay for the wedding, are hit with a financial crisis. Although a stretch, an alternate venue is proposed in the inn in the Berkshires owned by Nick’s father, Charlie Turner. The many problems with it even as a suggestion are that: the inn has been closed ever since Nick’s mother, Charlie’s wife Clarissa passed away years ago, it having gone into a state of disrepair over time; the country setting does not mesh with Amy’s urban sensibilities; and arguably most importantly, Nick and Charlie have long not been on speaking terms in the aftermath of Clarissa’s passing. In Nick making the request regardless for his friend, Charlie does agree to let them use the inn. In the process, Molly and Nick have to handle most of the wedding planning on a shoestring as Amy and James attend to family finance business. In Molly and Nick trying to find a common ground around the style and the food for the wedding, the collective five of Molly, Nick, Amy, James and Charlie may truly come to an understand of the meaning of love, both in the familial sense as well as the romantic sense, with Molly and Nick only if they are open to allowing themselves to feel love.—Huggo

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Wedding Bells Movie Reviews

Charming bells

2016 was a hit and miss year for Hallmark, likewise with all the subsequent years too. With winners such as ‘Love in Paradise’, ‘Love on the Sidelines’, ‘Tulips in Spring’, ‘Summer Villa’ and ‘Journey Back to Christmas’. But also some duds such as ‘Ms Matched’, ‘Unleashing Mr Darcy’, ‘Dater’s Handbook’, ‘The Convenient Groom’ and ‘A December Bride’. Am not always a fan of Danica McKellar, who tends to be typecast and whose acting tends to be more of the same to a varying degree.

Despite having initial issues with her character, she does come off well here and ‘Wedding Bells’ comes off well as an overall film. Not one of the very best 2016 Hallmark films, but closer to being one of the winners than one of the duds and for me it is one of the better 2016 June Weddings films easily (which was not a good batch on the whole that year). ‘Wedding Bells’ may not be a great film and has a few issues, but it also has a lot of worthwhile things executed well.

Starting off with what doesn’t quite come off, McKellar’s character does take time to warm to with the whining in the early stages going overboard.

Like a lot of Hallmark films, the ending is too pat. Did feel as well that the secondary relationship was too much of a mismatch.

Once her character became more interesting and likeable, McKellar fully relaxes and gives a very winning performance full of charm and energy. Kavan Smith matches her very well and his performance is likeable and easy going, nothing looking stiff or forced. Their chemistry always looks natural and genuine and didn’t have any real problem with how it was written and developed. The supporting cast are solid and while they are cliched the characters weren’t annoyances or bores, with the only reservations being with McKellar’s early on.

Furthermore, ‘Wedding Bells’ looks good with lovely scenery and the music doesn’t distract tonally or in placement. The script isn’t cheesy or schmaltzy and flows well, while the story even though very formulaic is very sweet (without being overly so) and light hearted with a nice energy going on.

Concluding, not great but good and one of the few above average 2016 June Weddings films. 7/10.

It’s worth watching

In the very beginning of the story the lead man who is a chef, double dip’s a French fry into ranch dressing which was a turn off for me also I really did not care for his personality but when the story progressed he did better and I wanted to watch it anyway. I actually enjoyed his father’s character (Bruce Boxieitner) in the movie and that guy looks pretty darn good for his age. (Danica) did great with her heart felt acting. It’s worth watching.

Lovely Danica McKellar film

A best man and a bridesmaid who seemingly have nothing in common are given the task of planning their friends wedding, and of course sparks start to fly in this fun Hallmark film.

I thought this was great, with the ever lovely Danica McKellar on good form, and well matched by Kavan Smith.

With some lovely themes and moments, this is worth a watch.

• Year: 2016
• Released: 13 Feb 2016
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt3515524/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/valentine_ever_after
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: TV-G
• Genre: Comedy, Drama, Family
• Runtime: 84 min
• Writer: Dylan Neal, Alan Smithee
• Director: Don McBrearty
• Cast: Autumn Reeser, Eric Johnson, Vanessa Matsui
• Keywords:

	6.6/10
	49% – Critics
	false% – Audience

Valentine Ever After Storyline

When socialites Julia and Sydney (early 30’s) leave their cushy – if stagnant – lives in Chicago to embark on a road-trip, they end up on the wrong side of the law in a tiny town in Wyoming. Forced to serve 30 days community service, Sydney discovers there’s more to life than can be purchased with a gold card and Julia learns that her “perfect” life back home might be a sham and what she thought she wanted isn’t what she wants at all.—Becky Southwell

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Valentine Ever After Movie Reviews

Darling Valentine

The 2016 Countdown to Valentine’s Day films were mostly quite good, and of a more consistent standard of most of the succeeding years’ Countdown to Valentine’s Day batches. With the only major misfire being ‘Dater’s Handbook’, which for me was one of the worst Hallmark films from that year, and ‘Appetite for Love’ was slightly above mixed feelings. Also saw ‘Valentine Ever After’ for having seen Autumn Reeser and Damon Runyan in other things.

‘Valentine Ever After’ is mostly a winner. It isn’t great and has its flaws, but it also has a lot of very good things and among the better 2016 Countdown to Valentine’s Day films along with ‘All Things Valentine’ (though this has the more appealing, if admittedly more typical, premise. Much better than ‘Dater’s Handbook’ at any rate. If asked whether ‘Valentine Ever After’ is recommended, the answer is yes. 2016 was a very uneven year for Hallmark, and luckily this is one of the hits.

It has its issues. The story is patchy, the predictability and silliness at times getting too much while the final act is contrived with a too neat ending.

Also found Runyan out of his depth here surprisingly, here he looks unusually stiff and has very little personality, coming over as dull and over serious.

Can’t fault the rest of the rest, loved the perky charm and down to earth quality to Reeser’s performance in a role that plays to her strengths very well while Eric Johnson excels against type. Don’t usually associate him as a romantic lead, but he is very likeable and charming and has a sweet and natural chemistry with Reeser. Vanessa Matsui enjoys herself without overdoing it. The characters are engaging and easy to connect with, with the sole exception of Runyan’s who is an over serious bore and unattentive.

Furthermore, it pleases visually. It is beautifully photographed and can’t say anything bad about the scenery. The music at least fits and doesn’t feel as overbearing, over constant or repetitive as some Hallmark scores can be. The script is the right amount of light hearted and heart-warming, with some non-mushy serious moments and genuinely funny ones as well. The banter is playful but not overwritten or hostile. The story is rarely dull and it has a warm heart and light hearted charm.

Overall, very pleasant and well done if not anything that blows the mind. 7/10.

Enjoyable

There is a lot of humor in this Hallmark formulaic movie. What sets it apart are the supporting characters; I wanted more of them and less if the leads.

seemed unrealistic at first but funny and charming

The plot seemed a bit ridiculous at first but I just laughed it off and especially enjoyed the country music, dancing and cowboys. It was a little difficult to see Eric Johnson as someone other than Jack Hyde (Fifty Shades series) but I’m sure that’s just because I haven’t seen him in much else. I also really like Autumn Reeser, who always seems effortlessly charming and down-to-earth.

• Year: 2019
• Released: 02 Feb 2019
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt9556850/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/valentine_in_the_vineyard
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: TV-G
• Genre: Comedy, Romance
• Runtime: 84 min
• Writer: Marina Adair, Rick Garman
• Director: Terry Ingram
• Cast: Rachael Leigh Cook, Brendan Penny, Marcus Rosner
• Keywords: valentine,

6.2/10

Valentine in the Vineyard Storyline

Frankie Baldwin and Nate DeLuca have been able to bridge the Baldwin/DeLuca family feud – the families the major players in the grape growing and wine making business in St. Madeleine, California – by not only making a success of Sorrento in their first full season, their winery where Frankie is in charge of the wine making and Nate the grape growing, but by falling in love. In that love, Frankie and Nate, who are opposites in working by intuition and by science respectively, are trying to understand the other better both for professional and personal reasons. Without telling the other, Frankie has gone back to college to take her final course needed to graduate, that class being biochemistry, while Nate and his youngest brother Gabe DeLuca are taking an organic gardening class to understand the art rather than science of gardening. Also in that love, the two get engaged despite the pressures they are facing in just having expanded Sorrento with the upcoming season even more more important in that needed success to pay off their debt. But they learn that they won’t be the first two to bridge the Baldwin/DeLuca divide, as her cousin Lexi Moreau and his brother Marco DeLuca announce before Frankie and Nate are able to do so that they too have just gotten engaged, and due to circumstances are planning to get married on Valentine’s Day in four weeks. As such, Frankie and Nate decide to postpone the announcement of their engagement until after Valentine’s to give Lexi and Marco due time to bask in their impending marriage. But in helping Lexi and Marco plan their wedding, Frankie and Nate may believe that the cosmos are telling them that they are not meant to be together as one personal or professional issue after another seems to dog them.—Huggo

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Valentine in the Vineyard Movie Reviews

Compatibility

Bonus points for texting bubbles that a viewer like me can actually read.!!!!

Frankiie is a little too neurotic. After a while it is more annoying than funny.

This miscommunications were funny at times and cliche at other times.

There were some funny lines. “Reign of terriers.” That whole sequence brought out some lol’s even though some of the puns were bad too.

There are multiple romantic relationships either going on or springing up.

I like Rachael Leigh Cook and Brandon Penny together.

The story is a little thin but I don’t think it’s intended to be anything complicated.

I have to admit there was an element of suspense for the ending. I really wasn’t sure how it was going to go.

My marital valentine

‘Valentine in the Vineyard’ is the third film in the ‘Into the Vineyard’ trilogy, after ‘Autumn in the Vineyard’ and ‘Summer in the Vineyard’. It is also the first of the 2019 Countdown to Valentines Day films, a very short series of films this year, followed by ‘The Story of Us’ and ‘Love Romance and Chocolate’. Of the other two ‘Into the Vineyard’ films, ‘Autumn’ is the best one and that was pretty good, while ‘Summer’ disappointed while still being watchable enough.

As far as the ‘Into the Vineyard’ films go, ‘Valentine in the Vineyard’ is in the middle. Better than ‘Summer’ but not as good as ‘Autumn’, with strong flashes of what was good about ‘Autumn’ but also with flashes of what disappointed about ‘Summer’. Of the three 2019 Countdown to Valentine’s Day films, it is second best after ‘Love Romance and Chocolate’. ‘Valentine in the Vineyard’ is not great or flawless, but it’s enjoyable enough if not too much is expected. It is my feeling though that one does have to see the previous two films beforehand to save any confusion.

Will agree that the indecision and constant flip flopping of decision making was a bit too much and annoying, which makes one frustrated by the characters and motivations at points. It also tries to do a little too much in the plot, on paper it does sound thin structurally but the double wedding and double engagement sees a good deal going on and it started feeling on the busy side.

It doesn’t always flow in the dialogue and some of the sentiment could have been toned down. While Rachael Leigh Cook does fine, her character is a bit too neurotic this time.

However, there is a lot to like. Cook and Brendan Penny are still very engaging and bring a lot of charm and heart to their roles, never looking uncomfortable or bored. Their chemistry is sweet and never felt forced. The supporting cast are good as well. The characters could have had more dimension but they are not as one-dimensional as they are in ‘Summer’. The direction is never hyperactive but also not pedestrian.

The vineyard setting is beautiful and made the most of, the scenery in general is beautiful and shot well. The music doesn’t overbear or intrude, things that can happen in Hallmark films. The script isn’t perfect, but it is sincere, has playful moments and doesn’t take itself overly seriously. The story is warm-hearted and charming, if on the busy end of things, with some nice energy, and the ending is less predictable than most endings for Hallmark films.

Overall, decent end to the trilogy. 6/10.

Surprisingly good

“Valentine in the Vineyard” is apparently the third film in a trilogy in which Rachel Leigh Cook and Brendan Penny as Frankie and Nate, rival vintners who have fallen in love. I suppose at one point they were competitive yet by now the two of them have purchased a vineyard and are growing their own grapes. Cook is an emotive actress with good emotional range for a woman stressed by the big loan she has taken out. Penny is equally talented and the two of them make a good onscreen couple. It helps that the script is pensive for a movie like this and defies your expectations.

The proposal takes place at the very beginning simultaneous with Frankie’s sister announcing her engagement. Frankie and Nate decide to hide their engagement from everyone, including themselves. As the film progresses, each of them realizes he may not be ready for the wedding and each comes up with a reason to postpone. This is a realistic portrayal of the doubt many people have when getting married. In spite of this, it becomes clear this couple loves each other. They decide to learn the other person’s perspective about how to grow grapes. He takes a class with a holistic gardner and she decides to complete her undergraduate science degree. I suppose in an earlier film these character traits were established.

Each person uses knowledge from the program she completed to devise a manner of saving the grapes from frost. The strategy they come up with, which I won’t spoil ties in nicely to the “education” scenes. I like this idea because it brings these otherwise out of place scenes into the focus of the main narrative. This is a love story after all not a fish out of water comedy.

Even the ending, which would be cheesy in any other movie, kind of works. Frankie and Nate get married using the leftovers from her sister’s wedding to Nate’s brother (that’s really cheesy, isn’t it?)

The vineyard gets some nice panoramic shots. It is situated in a valley with a large manor at its center. The couple has a guard lama who we see sometimes standing next to them. I believe Frankie keeps it. I enjoyed seeing her feed the lama grapes. Hallmark films aren’t usually quirky like that. It’s a nice touch. The film as a whole is nothing spectacular but very well done for the genre.

• Year: 2024
• Released: 02 Jan 2024
• Country: Romania
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt30430918/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/tati_part_time
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: Romanian
• MPA Rating: N/A
• Genre: Comedy
• Runtime: min
• Writer: Matei Dima, Letitia Rosculet
• Director: Letitia Rosculet
• Cast: Alex Bogdan, Eva Maruta, Raluca Aprodu
• Keywords:

6.5/10

Tati Part Time Storyline

Iustin (Alex Bogdan) is a lawyer whose ambitious career aspirations have led him to make nearly every necessary compromise. However, his professional dreams are suddenly at risk when Maya (Eva Maruta), his 8 year old goddaughter, unexpectedly enters his life, requiring his care despite his lack of experience with children. Iustin’s well-ordered life is turned upside down, yet Maya is also not thrilled about her new ‘part-time dad’. Will Iustin manage this new type of gentle parenting for which he has no clue about?”

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• Year: 2023
• Released: 29 Sep 2023
• Country: Romania
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt28456694/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/dragoste_pe_muchie_de_cutit
• Metacritics:
• Available in: 720p, 1080p,
• Language: Romanian, English
• MPA Rating: N/A
• Genre: Comedy
• Runtime: min
• Writer: Salex Iatma
• Director: Germain Kanda
• Cast: Carmen Tanase, Alexandru Pop, Ada Gales
• Keywords:

5.3/10

Dragoste Pe Muchie De Cutit Storyline

Two lovers are kept away from each others during childhood because of a secret family recipe war between the two families. After they grow up they meet again and try to regain the recipe to make a new family restaurant work.

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Dragoste Pe Muchie De Cutit Movie Reviews

• Year: 2004
• Released: 02 Jul 2004
• Country: India
• Adwords: 1 nomination.
• IMDb: https://www.imdb.com/title/tt0419828/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/hyderabad_blues_2
• Metacritics:
• Available in: 720p, 1080p,
• Language: English, Hindi, Telugu
• MPA Rating: N/A
• Genre: Drama, Comedy
• Runtime: min
• Writer: Nagesh Kukunoor
• Director: Nagesh Kukunoor
• Cast: Tisca Chopra, Jyoti Dogra, Anuj Gurwara
• Keywords:

	6.2/10
	33% – Critics
	false% – Audience

Hyderabad Blues 2 Storyline

Six years after they got married, Ashwini and Varun come across a new challenge which tests the integrity of their marriage.

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Hyderabad Blues 2 Movie Reviews

A change from the usual Indian stuff

Just caught this movie on TV late last night. Despite not having seen the first Hyderabad Blues, I have to say that the film gave me a new vision of the social lives of contemporary middle-class Indians. The plot was quite tedious – focusing on one guy’s indiscretions with a work colleague and his fiancée’s subsequent soul searching over whether to take him back – and the characters were mostly a bunch of macho, unsympathetic yuppies, but the acting was on the whole quite natural, and the film didn’t glamourise the petty events of these people’s lives. It surprised me to see an Indian movie, made for Indian audiences, presented in a realistic way. Maybe this isn’t such an odd thing for an Indian viewer, but for someone whose main exposure has been to subtitled Bollywood musicals or sanitised Westernised productions (think ‘Monsoon Wedding’), it was quite novel to hear such casual swearing and vulgar talk from both men and women.

Go Watch it!

A movie with a reasonable presumption and a decent attempt at the conflicting demands of an Indian society on a married couple. The story roles out on Kukunoor’s reluctance to grow his family tree and Ashwini’s desire to do so. A major part of the movie, though has nothing to do with this subtext. It is the affair of a few minutes of Kukunoor with one of his employees. Ashwini the strong independent Indian woman that she is, she also tends to view the affair a man’s indulgence granted by a patriarchal society. She refuses to forgive Kukunoor, who is genuinely sorry for his lapse, and the story goes on and on with Kukunoor’s attempt to win her back.

The movie goes at an easy pace. Though, it is a little stretched out in the middle. The pairing of Ashwini with her friend and her friend’s husband with Kukunoor adds its enjoyable moments/conversations. The movie appeals to the people of the current generation in similar age/situation.

It is a definitely enjoyable. Go Watch it!

****CONTAINS SOME MINOR SPOILERS****

Many things are enjoyable: A lot of neat little incidents: The guy and his father at the marriage broker place going: ‘We are particular about the caste. It is okay if it is not the same sub-caste. you see we are …’ and the son adds ‘liberal’. That was hilarious and deep.

The opening scene with the loud speaker singing ‘Ma Shakthi Om Shakthi’ song in front of his house on a Sunday morning.

All the conversations between Kukunoor and his friend.

I hate to be the bearer of bad news…

… but this film does let you down like most “sequels” do… I came out wishing the makers of the film had not bothered at all with this!!

What made the former special was it’s originality, spontaneity and raw energy that appealed to almost everyone – mostly Indian techies like me in the US who could relate to lots of it! The sequel on the other hand just prods on, quite aimlessly for the most part, and never really builds the pace to keep your engrossed or care for the characters on screen!

However, there are moments that are genuinely funny – mostly involving Nagesh’s government employed buddy Sanjeev and his wife Seema – I am surprised I have not seen these 2 in more mainstream movies. Production quality though is below average and so is the acting; with Nagesh’s success with more superior work like “Teen Deewarein”, I was surprised with the “home movie” feel this film had.

That said, the few good moments don’t really hold the movie together or make it nearly as charming as the former. I surely would not have missed anything if I had decided to skip this one entirely 🙂

• Year: 2019
• Released: 21 Feb 2019
• Country: India
• Adwords: 12 wins & 11 nominations
• IMDb: https://www.imdb.com/title/tt8413338/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/kumbalangi_nights
• Metacritics:
• Available in: 720p, 1080p,
• Language: Malayalam
• MPA Rating: Not Rated
• Genre: Comedy, Drama, Romance
• Runtime: 135 min
• Writer: Syam Pushkaran
• Director: Madhu C. Narayanan
• Cast: Shane Nigam, Soubin Shahir, Fahadh Faasil
• Keywords:

	8.5/10
	95% – Critics
	false% – Audience

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• Year: 2023
• Released: 24 Jun 2023
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt25035940/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/three_dates_to_forever
• Metacritics:
• Available in: 720p, 1080p,
• Language: English, Italian
• MPA Rating: N/A
• Genre: Comedy, Romance
• Runtime: 89 min
• Writer: Nick Hopkins, Tim James
• Director: Louise Alston
• Cast: Chelsea Gilson, Adam Huss, Jessica Gillespie
• Keywords:

	5.7/10
	false% – Audience

Three Dates to Forever Storyline

Maddie Mckenzie is a hard-working presenter whose drive and talent has made her a popular radio host. John Reed is a carefree tech entrepreneur who’s more interested in hosting parties. The two couldn’t be more different… but when John’s new dating app pairs them together live on Maddie’s show, sparks start to fly and love is about to go on the air.

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Three Dates to Forever Movie Reviews

Three Dates to Forever – more than three reasons to watch

Three Dates to Forever is a fun & light-hearted romantic comedy. Chelsea Gilson is delightful and perfectly cast as the skeptical radio host Maddie Mackenzi who is pressured by her radio audience into proving the dating app ‘Triple Date’ is a con. Adam Huss is just right as the aloof and very laid-back Triple Date CEO, John Reed, who must secure financing to keep his product launch on track. Together they agree to test the app’s success in finding their perfect mates in ‘three dates or less’. Jack Pearson is very likeable as Kevin, Maddie’s first mystery date. Jessica Gillespie does a nice job as Maddie’s bubbly radio producer. Overall: this movie feels fresh and is very amusing. Is the movie predictable? Of course. Does that ruin the move? Of course not. This is exactly what we tune in for. This movie is worth your time and a bowl of popcorn.

Too safe and predictable

Another day and another barely passable Reel One Entertainment TV movie. I don’t know why, but for 2023 season, Reel One and their co-producing partners just hyper produce TV movies. That means they hire for lead roles basically anybody, and obviously writing and directing have to suffer, too. The good news, this movie doesn’t suffer from obvious technical issues – only few minor lightning issues, but other than that… I’m honestly positively shocked as this is The Asylum co-produced movie.

This movie doesn’t have anything badly done which would drag it to the unwatchable / skip category. For example I never watched Chelsea Gilson and Adam Huss, and I would say they were all right.

Unfortunately, on the flip side, the writing is weak – it’s predictable, too safe (how many times we have to watch about revolutionary relationship app?), obligatory food tropes, and above all, I simply didn’t buy romance between Maddie and John (opposites attract trope).

In the end of day, it’s not a bad movie, but Reel One has (much) better TV movies in their catalog – watch if you have nothing else, and to kill some free time.

And don’t watch trailer if you plan to watch movie as this is ROE’s one and it shows everything.

We enjoyed it.

Three Dates to Forever is a fun movie with a little twist on the “boy meets girl” movie.

The story line moves along at a good pace, keeping the viewer interested throughout.

It’s impossible not to like the lead actress, Chelsea Gilson. She has a warm spirit and a smile that draws you to her. She played her role as the radio host well. Totally believable.

The main actor, Adam Huss, is a good choice for the genius tech geek that hasn’t been able to find the right girl. But it’s his sincere desire to help others find happiness that makes us like him so much.

Jack Pearson, plays Kevin, the incredibly loveable love interest. We were rooting for him the whole time. He came across as such a sweet guy.

Jessica Gillespie was also very likeable in her role and cute as can be in those red glasses! She and Chelsea made a cute team.

This is a cute film that pulls you in right at the start. We love family friendly movies and have recommended this one to several friends.

• Year: 1974
• Released: 01 Dec 1974
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0072625/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/alice_goodbody
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Comedy
• Runtime: 80 min
• Writer: Tom Sawyer
• Director: Tom Sawyer
• Cast: Colleen Brennan, Daniel Kauffman, Keith McConnell
• Keywords:

	4.4/10
	false% – Audience

Alice Goodbody Storyline

A classic, wild 1970s R-rated sex comedy about movie-nut hamburger waitress Alice Goodbody (Sharon Kelly – star of Supervixens), who sleeps her way to stardom via encounters with crew and cast of a rock-musical movie. A ribald romp that Roger Corman called, “Hilarious. The funniest, truest take on Hollywood — EVER!”

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• Year: 2016
• Released: 25 Jun 2016
• Country: United States, Canada
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt5775370/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_wedding_march
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: TV-G
• Genre: Comedy, Drama, Family
• Runtime: 84 min
• Writer: Neal H. Dobrofsky, Tippi Dobrofsky
• Director: Neill Fearnley
• Cast: Jack Wagner, Emily Tennant, Josie Bissett
• Keywords: wedding,

6.3/10

The Wedding March Storyline

Long divorced workaholic Olivia Pershing née Phillips, a Long Island stager, is getting remarried, to her pseudo business partner, equally workaholic Josh Johnson, a high end real estate agent. If they had their way, they would get married in a simple civil ceremony, however they are letting Olivia’s daughter, Grace Pershing, arrange a small weekend getaway wedding for them, no major questions asked on their end. Grace believes they are unromantic, epitomized by the fact that her mother desentimentalizes spaces for a living, hence the reason why Grace wants to arrange something special for them. Grace chooses to hold the festivities at the Willow Lake Inn, a lakefront Vermont country property, Julie Turner, on behalf of the Inn, making most of the arrangements locally. When the band that Grace chooses to perform at the ceremony cancels at the last minute, Julie even arranges for an alternate, namely her father, the Inn owner who has always had music in some form in his life, it which he does solely for his own pleasure now. The weekend starts off with a bang when Olivia arrives at the Inn to discover the owner is former pop star Mick Turner, her college sweetheart, they who were each other’s first love. Olivia performed in and wrote songs for his band at the time. Without Olivia, Mick and the band left when they got their first tour and a record deal, Mick and Olivia never having reconnected after that based solely on the circumstances of the time leading to a misunderstanding of the situation on both their parts, all this happening thirty years ago. Based on the way their relationship ended, their reunion is an uncomfortable one. One other person who will not be happy to see Mick is Olivia’s judgmental oft-married but currently single mother Nora Winters, who never thought Mick was devoted enough to Olivia, he focused too much on the music. Grace knew nothing of this past life of her mother’s, while Julie knew only of a woman her father dated in college. Recently widowed Mick, largely seen as the catch of the area of the middle aged set, has only recently felt ready to reenter the dating pool. Soon to be an empty nester and alone with only the memories, Mick is thinking about selling the Inn, which he has troubles telling Julie as it’s the only home she’s ever known. Grace, Julie and Duke, the Inn’s chef who was the band’s drummer, see a spark between Mick and Olivia, Duke who knew them as a couple. Although Grace likes Josh, she sees him more as a business partner than a husband for her mother. As such, Grace, Julie and Duke hope that the course of true love happens for Olivia and Mick to have a happily ever after, even if it’s thirty years later than when it should have.—Huggo

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The Wedding March Movie Reviews

For whom the wedding bells toll

Part of me was not expecting all that much. Was not impressed at all with most of the 2016 June Weddings films, with the only previous above average one being ‘Wedding Bells’ (though ‘Stop the Wedding’ had its moments). ‘Ms Matched’ was especially bad and one of the worst 2016 Hallmark films. Still saw it anyway for Hallmark completest sake and also for the ever watchable Jack Wagner. It also sounded quite charming, the only premise of the June Weddings films that year that sounded appealing.

‘The Wedding March’ left me rather mixed. There are definitely good things, quite a lot of them actually with a couple of them being done better done than most Hallmark films, and it is above watchable. Of the 2016 June Weddings films, it is the second best by quite some way and the only other 2016 June Weddings film to be above average. Having said that, ‘The Wedding March’ also could have been quite a lot better though its flaws have been worse in other films of theirs.

Am going to start with the good things. Josie Bissett and Wagner are very charming leads and always engage, Wagner is especially good and loved how the film played to his strengths and got him to do what he is better known for. Emily Tennant brings a lot of heart to the film and the sister relationship is absolutely beautifully done, so sincere and relatable. The family relationships in general are very honestly and plausibly done and don’t feel forced or schmaltzy. There is some spark between Bissett and Wagner.

Did like the production values too, with the scenery being particularly eye catching. The music is very pleasant on the ears and fits within the film. The script flows well and doesn’t come over as cheesy or over-sentimental. The story is light hearted and heartfelt enough and the characters on the whole were ones connecting with.

It is though very formulaic and doesn’t do anything new really with very familiar territory, or at least on the romance angle. While there is chemistry there between Bissett and Wagner it could have been stronger and also more prominent within the plot rather than playing too much second fiddle to the family relationships. It is also slightly improbable with the age difference.

Furthermore, this reviewer absolutely agrees with everybody in regard to Bissett’s truly atrocious and blatantly obviously unreal wig, it seemed like an attempt to make her younger but actually aged her and made her look like too much of a china doll. Some of the dialogue is on the corny side and the ending is too neat and can be seen from some way off. While liking the characters on the whole, the ex boyfriend is annoying, uninteresting and adds nothing to the plot other than being a seemingly obligatory Hallmark plot device.

Overall, worth seeing and one of only two 2016 June Weddings film to be above average, though not a must. 6/10.

Happy story – terrible wig!

I liked the young women, liked the setting and the actors but that horrible wig distracted me in every scene. I kept expecting someone to rip it off so we could see real hair. It was the worst wig I’ve ever seen anywhere. What were you thinking, Hallmark, to do this to a very competent actor.

A real plus was the relationship of the two daughters; it made sense, they were charming and there was no fake getting upset with each other and having to resolve all that drama.

The sidekick chef was an added bonus as well; he was believable and his creations made me hungry.

Just couldn’t get over the wig – it spoiled a decent movie for me.

THAT WIG

I am here in 2021 watching the movie right now and I had to check online to see if anyone else noticed how BAD the wig on Josie’s head is. Sure enough… EVERYONE seems to have noticed it. I thought maybe she was sick and needed a wig for some reason. Not sure what that’s all about, but apart from that. It is the predictable feel good Hallmark movie. It all ends up great in the end. We need these movies once in a while. Especially when the worlds is not the safest place in these times.

Thank you Hallmark. 🙂

• Year: 2021
• Released: 17 Sep 2021
• Country: Canada
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt13983288/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/cupids_on_beacon_street
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: N/A
• Genre: Comedy, Romance
• Runtime: 90 min
• Writer: Claire Ross Dunn
• Director: Pat Kiely
• Cast: Britt Irvin, Jeremy Guilbaut, Tamara Almeida
• Keywords:

	6.4/10
	false% – Audience

Cupids on Beacon Street Storyline

As the copy editor at established publishing house, Romantic Reads, Eve loves her job – even though she does not actually believe in true love or the theory of romance. When her bestselling novelists – a couple named Arthur and Ruth – decide to take an extended holiday to celebrate Valentine’s Day, she agrees to housesit and looks forward to a fresh, new setting where she can focus on editing their latest book. However, Arthur and Ruth’s nephew and self-help coach Jake has also been promised their home to host daily romantically themed workshops. Eve reluctantly agrees to the shared space and decides to partner with Jake for each workshop with the hope of finding inspiration while she works on the novel. At first it is very apparent that she and Jake are complete opposites, but they soon find themselves becoming closer and ultimately, a very unexpected couple – one potentially worthy of a romance novel.

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Cupids on Beacon Street Movie Reviews

Great entertainment.

I thoroughly enjoyed this movie. Actors and storyline were great. OK the usual sort of plot but done better than in many other instances. Can I feel a series coming on? That would be fun. Worth viewing.

Loved this movie.

The actors, the story, were all very good. It had a nice build up to the characters romance instead of most of these type of movies where they are instantly in love. Very enjoyable and upbeat.

Passionless Couple on Beacon St.

I thought it was miscast, in that most of the actors were the wrong ages for the characters they were portraying, except for the romance novelist couple. The writing could have been a bit more dynamic also, as many of the characters came of as after flat. The main character could have had more of a back story besides her parents getting divorced. She doesn’t mention any former boyfriend, or current boyfriend, at the beginning of the film.

The marriage counselor doesn’t tell you anything except he was engaged but it didn’t work out. Eve’s girlfriend at the publishing company doesnt bring up much about what she knows about Eve’s past dating life. The publisher or Senior Editor seems rather indifferent to things, except to call about the rewrite that Eve is working on.

It almost seems like nobody talks to anybody, except for what you see depicted on screen.

It’s nice to see the couple get together at the end, but it didn’t seem to resemble real life, in that nobody was very passionate, about very much, and was just going thru the motions.

Don’t know if filming in the early part of the COVID pandemic had much the lack of passion, but perhaps it could have.

• Year: 1988
• Released: 01 Apr 1989
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0098557/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/under_the_boardwalk
• Metacritics:
• Available in: 720p, 1080p,
• Language: English
• MPA Rating: R
• Genre: Comedy, Romance
• Runtime: 103 min
• Writer: Matthew Irmas, Robert King
• Director: Fritz Kiersch
• Cast: Richard Joseph Paul, Danielle von Zerneck, Keith Coogan
• Keywords:

	5.3/10
	56% – Critics
	false% – Audience

Under the Boardwalk Storyline

Nick Rainwood and Allie Yorpin are a modern day Romeo and Juliet living in southern California, separated by the unbridgeable gulf of their backgrounds and torn between loyalty to their “gangs” and their real desires.

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Under the Boardwalk Movie Reviews

“Surf all your life. Just don’t be a surfer all your life.”

This story opens 20 years into the “future”, where one surfer is regaling another with the tale of Nick (Richard Joseph Paul, “Oblivion” 1 and 2), an amiable dude who could clearly aspire to a lot, although he’s currently content with his lot in life. He catches the eye of Allie (Danielle von Zerneck, “My Science Project”), another serious sort who is otherwise tired of dating surfers. The trouble? They belong to different warring factions in the Southern California surfing community, “Vals” and “Lokes”. Keith Coogan (“Adventures in Babysitting”) plays Andy, Allies’ sweet natured, naive cousin from the sticks.

Overall, “Under the Boardwalk” is nothing special, but it entertains in capable enough fashion, thanks to director Fritz Kiersch (“Children of the Corn” ’84) and a talented crew including cinematographer Don Burgess (“Forrest Gump”). The “Romeo and Juliet” inspired story allows for a fair amount of predictability, yet the movie remains appealing. It gets by thanks to its combination of comedy and drama, and its well chosen cast. The waves, of course, are out of sight, and the surfing sequences are very well executed. The score is by David Kitay (“Clueless”), and the soundtrack features an eclectic and catchy assortment of pop and rock, including an appearance by Surf Punks.

The young cast is quite engaging. Also putting in appearances are Roxana Zal (“River’s Edge”), Stuart Fratkin (“Teen Wolf Too”), Steve Monarque (‘Friday the 13th: The Series’), Hunter von Leer (“Halloween II” ’81), Brian Wimmer (‘China Beach’), Christopher Rydell (“Trauma”), Wallace Langham (‘CSI’), Elizabeth Kaitan (“Silent Night, Deadly Night 2”), Greta Blackburn (“Chained Heat”), Kurt Fuller (“No Holds Barred”), and Paul Carr (“The Bat People”). How nice it is to see the always welcome Dick Miller, in a small role as an official, and what a hoot to see Sonny Bono in a couple of scenes as an “ancient” surfer. Tracey Walter once again steals every scene he’s in, playing a philosophical beach bum who calls to mind his similar role in “Repo Man”. He even croons “Amazing Grace” at one point!

This probably wouldn’t have nearly as much resonance for viewers who aren’t part of the culture depicted here (certainly, there’s a ton of So Cal jargon tossed around), yet it does have some charm.

Seven out of 10.

I worked as an extra on this movie

…and frankly, I’m amazed at how highly it’s rated by the few IMDB users who have seen it. But then despite playing an unnamed surfer in the film, I don’t have much interest in surfing or surf movies.

The plot is very pedestrian, alternating between a surfing competition and light romance. Pretty bland fare. During filming (under the working title “Wipeout”) most of the crew knew they were creating bad cinema.

Note: the day shots were filmed in Seal Beach, and the night shots were filmed in Manhattan Beach, although they are supposed to be the same place in the film.

Wait…it gets better. (spoilers)

Is it really so hard to write a sports-themed adventure screenplay without the trite Romeo and Juliet cliché? Think of Under the Boardwalk as a surf-styled variation of the late 80s skate film, Thrashin’. (In fact, Brett Marx, who the curly blonde, Marone, was in Thrashin’). The film is told in flashback format as a surfer “from the future” narrates to his aquatic buddy the tale of the greatest surfer their beach has ever known. Much of the film concerns the conflict between some local surfers and some guys from the Valley (get a load of Stuart Fratkin’s stone cold mulletude) which gets considerably worse as Nick, the pacifist cutie from the Valley, falls in love with the sister of crude local surfer, Reef. Needless to say, you should expect a final surf-off-for-her-love-and-his-reputation finale.

Meanwhile, Nick has to make a decision about his future and whether he’ll accept a scholarship to attend Stanford or whether he’ll stay on the beach, get sponsored, and be what his friends may consider a true surfer-for-life.

The movie is the ultimate Hollywood perversion of surfers, their sport, and their culture, which is especially evident as the writers try to inject as much pseudo-surfing slang in the conversations between the Valleys and the locals (see the seen where Andy asks Reef’s sisters to translate the conversation between he and his friends). And this alone may be reason enough to turn the viewer off.

However, as the film continues, despite a lack of much substantive story development, the film does become more entertaining. And, aside from the terribly clichéd plot and even more ridiculous dialog, there are many things here that 80s fans might enjoy purely for the atmosphere and the somewhat disconnected situations that the characters become involved in. For one thing, it’s loaded with familiar b-movie 80s regulars like Kieth Coogan, Wally Ward, the gorgeous Chris Rydell, Marx, Fritkin, Tracey Walter (paying homage to his philosophical character of ‘Repo Man’), Dick Miller, and others. I particularly enjoyed the novelties of the party sequence (with a surfboard-styled bull ride that looked like a lot of fun and an excellent band with a guitar shaped from a skateboard!). I also liked Roxana Zal’s spunky character, Gitch, one of the surfers with the most impressive skills. And the little running gags throughout the film.

It is really the minor things that make Under the Boardwalk worth trying for you 80s fans out there.

• Year: 1927
• Released: 09 Sep 1927
• Country: United States
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt0017739/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/the_cat_and_the_canary
• Metacritics:
• Available in: 720p, 1080p,
• Language: None, English
• MPA Rating: Passed
• Genre: Comedy, Horror, Mystery
• Runtime: 108 min
• Writer: John Willard, Robert F. Hill, Alfred A. Cohn
• Director: Paul Leni
• Cast: Laura La Plante, Creighton Hale, Forrest Stanley
• Keywords: haunted house, based on play or musical, last will and testament, black and white, old dark house, silent film,

7.1/10

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Amazing “Old Dark House” film

“The Cat and the Canary” has been considered a masterpiece, and that the film is still known today is a feat in itself. It is easily my favorite silent film. Paul Leni (the director) has a great deal of prowess on films like these, and it has been admitted by others.

First, the sets are realistic, making this film a believable “journey back in time” (it was made over 70 yrs. ago). I am shocked to hear one reviewer say this film as broadly acted and visually stunted. The sets are marvelous, especially the drawing room (it looks very nice to be part of a “haunted house”). The camera work (ex. the skeleton double-exposure, the subtitles occasionally moving like a ghost) is very enjoyable, too.

About the acting, first get this straight: Much of the acting is quite normal. But in the fright scenes (especially by Laura La Plante), the acting has nothing wrong with it. Much of it is very funny (contrary to common belief). Flora Finch (Aunt Susan) is funny as the gossiper, and Creighton Hale as Paul is cute. Why do most of you find the broad acting painful to watch? If you can’t find silent films enjoyable, all I can tell you is, tough luck. Classic films are as a general rule better than the new ones, but even new films can be very good.

Creepy Mystery and Horror Silent Film

The millionaire Cyrus West has spent the last years of his life in his mansion nearby the Hudson River considered insane by his greedy relatives and feeling like a canary in a cage surrounded by cats. When he dies, he stipulates that his lawyer Roger Crosby (Tully Marshall) would read his will that is kept in a safe in the twentieth anniversary of his death. On the scheduled day, Cyrus West’s loyal servant Mammy Pleasant (Martha Mattox) and the lawyer welcome the guests in the creepy mansion that people tells that is inhabited by ghosts: West’s nephews Harry Blythe (Arthur Edmund Carewe), Charles “Charlie” Wilder (Forrest Stanley), the scared Paul Jones (Creighton Hale), Aunt Susan Sillsby (Flora Finch), Cecily Young (Gertrude Astor) and West’s niece Annabelle West (Laura La Plante). When Roger Crosby opens the will, West’s mansion and fortune are left to the most distant relative having the name West, meaning Annabelle. However, she should prove first that she is sane; otherwise, the inheritance would be bequeathed to another heir whose name is in a sealed envelope. Out of the blue, a guard (George Siegmann) comes to the mansion and tells that a dangerous lunatic has fled from an institution. During the night, Roger Crosby disappears and Annabelle receives an envelope from Mammy Pleasant where West tells the location of his precious diamonds. Annabelle finds the jewels and wears a necklace, but while she is sleeping, a hand comes from the wall and steals the diamonds from her neck. With the exception of Paul Jones that loves Annabelle, her relatives believe that she is insane. But when Annabelle finds a hidden chamber in the wall with the body of Roger Crosby, Mammy Pleasant decides to call the police and the identity of the lunatic is disclosed.

“The Cat and the Canary” is a creepy mystery and horror silent film by the German Expressionist director Paul Leni. The plots blends black humor with elements of horror using the atmosphere of the expressionism with shadows and lighting, and the result is a stylish movie where even the inter-titles are funny. The beauty of Laura La Plante is very impressive. My vote is eight.

Title (Brazil): “O Gato e o Canário” (“The Cat and the Canary”)

Influential Silent Film Is Still Amusing

The 1922 play THE CAT AND THE CANARY was so popular that it made the fortune of author John Willard, who lived to see it filmed no fewer than three times before his death in 1942. Even today the story remains a classic of its kind, inspiring a host of films that mix comedy, mystery, and horror–not to mention still more that focus on suspicious doings in old, dark houses. When questioned by author Gavin Lambert, director James Whale very specifically indicated that the 1927 film version, along with the 1928 THE LAST WARNING, influenced his own work in such films as FRANKENSTEIN and THE OLD DARK HOUSE.

Both THE CAT AND THE CANARY and THE LAST WARNING were created for Universal by director Paul Leni. But while THE LAST WARNING is not presently available to the home market, THE CAT AND THE CANARY most certainly is, and even some eighty years later is possible to see what all the fuss was about. In term of cinematography, CAT is a remarkably imaginative film, using a series of over-lapping images, close-ups, and dissolves to astonishing effect. In a visual sense it is easily one of the most stylish films of the silent era.

The plot is a classic of its kind. Like the original Willard play, the film’s story mixes a host of already-clichéd ideas with several then-new ones. Today, of course, it can be a bit difficult to them apart! But even so it remains a fair amount of fun. An eccentric millionaire has been hounded to death by his greedy relatives–and when he dies he leaves behind a will that imposes a twenty year waiting period between his death and delivery of his estate to his heir. But who will the heir be? The candidates assemble to hear the will at midnight… and no sooner is the heir named than strange doings are afoot.

The characters are archetypes: the nice girl (Laura La Plante), the mild-mannered boy (Creighton Hale), the fashion princess (Gertrude Astor), the battle ax matron (Flora Finch), and so on. Perhaps most memorable is the housekeeper (Martha Mattox), an exceedingly dour woman most ironically named Mammy Pleasant! Add in an exasperated lawyer, a creepy doctor, secret passages, hairy hands with needle-like finger nails, stolen diamonds, and as many dashes of comedy as you can get away with, mix well, and you have the inspiration for a seemingly endless list of classic films.

Although they may seem overly broad by modern standards, the cast plays at the level of what was considered comic-realistic in the late silent era, the production values are first rate, and the plot is quirky enough in a silly sort of way to make the whole thing fun. But it is really the direction and the look of the thing that scores; in its best moments, THE CAT AND THE CANARY is plenty good indeed.

The film is available in several DVD releases. You should avoid the Alpha release; although the picture is passable, the score is so dire that it completely undermines the film. Although it clearly needs further restoration, the Image release is superior and offers your choice of scores, both of which work with the film rather than against it. Recommended for silent fans and those interested in the development of the classic horror film!

Gary F. Taylor, aka GFT, Amazon Reviewer

• Year: 2023
• Released: 23 Feb 2024
• Country: India
• Adwords: N/A
• IMDb: https://www.imdb.com/title/tt24973142/
• Rotten Tomatoes: https://www.rottentomatoes.com/m/all_india_rank
• Metacritics:
• Available in: 720p, 1080p, 1080p
• Language: Hindi
• MPA Rating: N/A
• Genre: Comedy, Drama
• Runtime: 97 min
• Writer: Varun Grover
• Director: Varun Grover
• Cast: Shashi Bhushan, Sheeba Chaddha, Ananyabrata Chakravorty
• Keywords:

	6.2/10
	false% – Audience

All India Rank Storyline

Set in the late 1990s, A 17-year old Vivek who is sent away from home to a prep school to prepare for the highly competitive IIT (“the MIT of India”) entrance examination.

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